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Melancholy and Architecture: Interpretations of Aldo Rossi and the San Cataldo Cemetery

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Cemeteries are among the architectural programs with the greatest symbolic value. They suggest rituals, rigor and solemnity while offering some comfort or hospitality, if not for those who bid farewell to their loved ones, at least to "guarantee" a dignified afterlife for those who have passed away. The San Cataldo Cemetery, designed by Aldo Rossi and Gianni Braghieri, fulfills the first part of the previous statement. Partly because the project was not entirely built, austerity and empty spaces predominate. But when considering the proposed project, perhaps the aridity would remain, and the harshness would be felt more forcefully. Composed of buildings with almost abstract, pure shapes, without noble details or cladding, the cemetery project is a good example of Aldo Rossi's production at the time of its conception, around 1970.

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Architecture That Hides Stories: A Look at the Brion Tomb by Carlo Scarpa

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As human beings we cannot live without stories, we need them to fill those gaps in our reality, to live in our imagination those thousands of lives that are different from ours and, in some cases, impossible.

Could we qualify as "good architecture" that which has a story, or several stories, to tell us? That which is a story in itself? Such a subjective question undoubtedly generates different answers, but one possible answer is "yes". And one example is the Brion Tomb project, one of Venetian architect Carlo Scarpa's major masterpieces.