At the seventh edition of the International Architecture Festival from June 27-July 1, eme3‘s project brings back the action to the public space. They aim to recover the format of former editions and take back the interventions and organization of activities in different locations of the city center. These locations include some lots and spaces that were abandoned and fell into degradation. Their topic, ‘Bottom Up’, has a participation of around 50 participants coming from 17 countries. More images and architects’ description after the break.
EME3 is currently seeking projects for their 7th edition of eme3 Festival that will be held in Barcelona from June 28th to July 1st 2012 in COAC (Official Catalan Chamber of Architects) while the exposition will remain open until July 15th. The theme starts from an exploratory analysis of the application of the concept “BOTTOM-UP” in architecture and its relationship with society. In a changing environment like the current, where the foundations of our system are constantly questioned and challenged, a series of actions, which to date had a fairly minor implementation in developed societies, emerge now strongly, relying on creativity and innovation to fight this moment of crisis and uncertainty. The deadline for submissions is April 15th. More information on the competition after the break.
The Masters of International Cooperation Sustainable Emergency Architecture at the ESARQ-UIC in Barcelona is excited to present this year’s open conference on December 12th titled, Rebuilding Japan: Lessons in architectural response, featuring talks and a roundtable discussion with Japanese architects involved in the reconstruction of Japan during its recent history of devastating earthquakes. How can architects respond in the aftermath of a natural disaster? What lessons can be learned from the last three major earthquakes in Japan? How does the context of a natural disaster affect the role of the architect and the reconstruction process? More information on the conference after the break.
