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Bamiyan Cultural Center: The Latest Architecture and News

Opinion: Transparency In Architecture Competitions Is A Bad Thing

What have these three projects got in common? They will never be published in a reputable architecture magazine. This news is no surprise: only a few projects in all the world deserve the right to be published. Editors set trends, put focus on hot topics, give visibility to emerging firms and confirm architectural stars.

A printed magazine has limited space and therefore has to engage in a very strict decision-making process; only the very few are shown. In this Darwinian selection some worthy and brilliant architects perish. On the other hand, an internet site has the possibility to widen the projects range. The web has virtually unlimited space - but still, this space is not to be wasted. Very few would benefit from a site that published every architecture project on earth.

View All 1,070 Entries for UNESCO’s Bamiyan Cultural Centre Competition Online

Last month the UNESCO office in Afghanistan, in collaboration with the Afghan Ministry of Information and Culture, announced the winning design for the Bamiyan Cultural Center. An Argentina-based team, led by Carlos Nahuel Recabarren alongside Manuel Alberto Martínez Catalán and Franco Morero, was selected from 1,070 design entries from teams in 117 different countries. Now, all of these submissions will be posted in an online gallery on the Bamiyan Culture Centre website for the next three months. “The competition achieved beyond expectation and contributed to portray a new and positive image of the culture sector in Afghanistan. This exhibition aims to showcase the extraordinary effort that the architectural community and each and every applicant put into this competition,” writes UNESCO.

With generous financial aid from the Republic of Korea, the culture center will be built on land adjacent to the Cultural Landscape and Archaeological Remains of Bamiyan World Heritage property. The center aims to promote art, history, music and community interaction. When evaluating the submissions the seven-member jury focused on “design principles emphasizing innovation, community needs, environmental consciousness, sustainability, and connection to the natural and cultural landscape of the Bamiyan Valley.”

Read on after the break for a round-up of images from some of the most interesting, unusual and unique proposals. You can search by ID number, Team Leader or Country to view the full project board with descriptions, renders and plans on the online gallery.

BCC2947 Team Leaders: Lorenzo Baldini, Omar Baldin; United Kingdom, UK. Image Courtesy of UNESCOBCC2445 Team Leaders: Jinhee Park, John Hong; USA. Image Courtesy of UNESCOBCC1692 Team Leaders: Jérôme Chiarodo, Julien Gougeat; France. Image Courtesy of UNESCOBCC2031 Team Leader: Gilbert Berthold, MArch; Austria. Image Courtesy of UNESCO+ 16

UNESCO Reveals Winning Scheme For The Bamiyan Cultural Centre In Afghanistan

, in collaboration with the Afghan Ministry of Information and Culture, have announced the winning proposal for the Bamiyan Cultural Centre. An Argentina-based team, lead by Carlos Nahuel Recabarren alongside Manuel Alberto Martínez Catalán and Franco Morero, were selected from 1,070 design entries from 117 countries. Prepatory work on implementing their scheme, entitled Descriptive Memory: The Eternal Presence of Absence, "will start immediately" close to the boundaries of the Bamiyan World Heritage site.

See the winning entry and the four runners-up after the break.

Runner Up [4]: Entrance View. Image Courtesy of UNESCORunner Up [2]: Performance Space. Image Courtesy of UNESCORunner Up [1]: Interior Perspective. Image Courtesy of UNESCORunner Up [3]: Elevation. Image Courtesy of UNESCO+ 26