Home spaces filled with clutter and mess can be mentally exhausting, making it impossible to relax with the weight of life visually bearing down on an interior. ‘Tidy space, tidy mind’ as the idiom instructs, and home environments that focus on clean lines – either with a minimalist lifestyle, decluttering, or expansive and well-organized storage systems – cultivate a more meditative mindset. Perhaps, however, the demonization of clutter and these are, characterless spaces it creates, can get a little, well, boring.

So-called ‘clutter’ can still spark joy when given an opportunity, however. So whether they hold treasured memories in photo frames, bookcases of stories not just in print, proud achievements, inspiring equipment, or functional items kept close to hand, open storage elements like shelving, doorless cabinetry, or hanging hooks and pegs can create decorative, textured and, most importantly, personalized surfaces.

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Throughout the work of Beijing-based practice ARCHSTUDIO, there is a constant feeling of sensitivity to culture and history. That is not to say that the firm’s designs are not modern—far from it in fact—but that the work of founder Han Wenqiang infuses modern materials and forms with a distinctly Chinese sensibility, that is just as apparent in his designs for a food packaging facility as it is in a Buddhist shrine (incidentally, both designs which won ArchDaily Building of the Year Awards, in 2017 and 2018 respectively). In the latest interview from his “City of Ideas” series, Vladimir Belogolovsky speaks to Han about whether architecture is an art form and what it means to create “Chinese” architecture in the 21st century.

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