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Architects: Arturo Franco
- Area: 6000 m²
- Year: 2006


On this occasion, architect Rodrigo Rieiro Díaz, from the ARKRIT Collective, presents an article that explores how certain contemporary architects have refused to hide building scars resulting from material processes in rehabilitation projects, in a bid to emphasize the pre-existing structure as an aesthetic asset.
While it is true that not painting—or covering with joint covers—the marks of material processes during building adaptive reuse projects represents a financial saving, there seems to be a desire among certain contemporary architects that goes far beyond simply cutting a line item from the budget.
Indeed, there is a contemporary tradition—the reuse of industrial buildings as art spaces—where this practice is common. This model of an exhibition space, halfway between a gallery and an artist's studio and geared toward a young, urban audience, already has a history of at least forty years. Yet there is a certain consecration of the method in its adoption by the city councils of major European cities for their cultural institutions, and in the highly favorable reception of these interventions in academic and professional circles.


Despite all the hurdles and the pain, 2020 did not fail us in terms of content. Reacting to the global situation, ArchDaily's team of editors has tackled all the pressing issues that occurred this year and influenced the worldwide state of turmoil. While the whole planet was on pause, these writers were in search of critical substance, seeking to produce exclusive editorial pieces that highlight present-day topics and concerns. Generating articles in 4 languages, English, Spanish, Portuguese, and Chinese, this group of diverse individuals provided both local and global perspectives, reaching everyone that “talks architecture”.
Aspiring "to empower everyone who makes architecture happen to create a better quality of life", ArchDaily’s selection of best articles is the result of many aspects. Some of the choices explored distinctive subjects while others were very well-received among our readers. Emphasizing its academic standards, our platform focused its efforts on covering a vast range of ideas, from the consequences of the pandemic on the built environment, cities and their transformations, technical expertise and material specifications, to artificial intelligence and the future.

Whether you're looking for an upgrade or to replace broken pieces for floors or walls, tiles are always an effective and readily available option for any project that you have in mind. With their relatively low production cost, tiles are rarely reused or recycled and, if they are, it's usually for their original function.

Madrid is unfathomable. If the city itself is immense, it´s examples of interesting architecture are overwhelming. For over a half a century, Madrid has been an experimental laboratory for modern and contemporary architecture in Spain. With numerous examples of innovative and experimental architecture, as well as many failures, few of which are valued and recognized. This selection seeks to show archetypal examples of architecture that have transcended time; it does not intend to be an exhaustive list of the city´s architectural works. Many will think that the list lacks important buildings and personally, I couldn´t agree more. That is perhaps the beauty of Madrid: there is a diversity of opinion, there are thousands of sites to see, the city surprises you with every step you take.

In case you missed it, we’re re-publishing this popular post for your material pleasure. Enjoy!
Continuing with our materials-themed posts celebrating the launch of AD Materials (our US product catalog), we decided to round-up eight materials/products (from a light fixture made from woven irrigation hoses - really - to a wall made from shoeboxes) that make their interiors truly ingenious. Enjoy!
