Many buildings pique the curiosity of passersby about what lies behind their doors. Instead of merely imagining the uses and privacy of these typically inaccessible spaces, next weekend—June 29 and 30—visitors will be able to explore the interiors of various architectural works in the cities of Porto, Matosinhos, and Gaia during the Open House Porto festival.

WRI Brasil has launched a free online publication detailing the benefits, costs, and barriers of adopting sustainability measures in social housing developments. Jointly produced by Lara Caccia, Henrique Evers, Luana Betti, and Camila Schlatter, the study examines simple, low-cost actions and technologies aimed at reducing water and electricity consumption in buildings.

The practice of the dérive is a subject that sparks great interest among urban scholars and professionals. The Situationists, a social critique movement founded in 1957, used this practice to propose new interpretations of the city based on individual lived experience. Jacopo Visconti, curator of the 34th Bienal de Artes de São Paulo, analyzed in his doctoral thesis artistic practices that incorporate the act of walking, seeking the characteristics that defined the Situationist practice of the dérive. Advised by Prof. Dr. Luis Antonio Jorge, Visconti defended his thesis in 2012, which was later published as a book by Martins Fontes. Read the thesis abstract below.

More than 36 tons of organic vegetables are grown on New York City rooftops every year. Beyond providing food, these green roofs also prevent pollutants from reaching the city's rivers.

More than 600 million people lack access to clean drinking water. Droughts affect over 35 million every year. And by 2050, 1.3 billion people will live in flood-prone areas. Many believe that building dams, water treatment plants, and other built infrastructure are the only solutions to these challenges—but that is only because the many benefits of natural (or green) infrastructure have not been considered.

When thinking of galleries, museums, and exhibition spaces in general, the image of an enclosed, well-lit room with white walls and a neutral floor—likely made of wood—commonly comes to mind. The notion of designing exhibition spaces as "pure" environments, whether to focus on the artwork itself or to facilitate the rotation of exhibitions, has perhaps been the dominant guiding principle in the creation of these spaces over the last few decades. However, just as art transforms space, space can also be a transformative agent for art. This shifting perspective gave rise to artistic productions conceived for specific venues, widely known as site-specific installations.

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Videos

Within the scope of The Poetics of Reason, this year's Lisbon Architecture Triennale explores the nexus between Agriculture and Architecture, two complementary fields that emerged around 10,000 years ago during the Neolithic Revolution and, later, in the Anthropocene. Given the current environmental crisis, the core hypothesis of the exhibition Taking the Country's Side: Agriculture and Architecture, curated by Sébastien Marot, is that no consistent thinking can develop in the future of either discipline unless they are once again allied and fundamentally reconsidered together.

Applications are now open for the 6th Instituto Tomie Ohtake AkzoNobel Architecture Prize. The initiative continues to map contemporary architectural production by highlighting, for the sixth consecutive year, significant projects built in the current Brazilian landscape that demonstrate a commitment to their site and sustainability, as well as design and constructive inventiveness. 

On October 19, a workshop on implementing an ecological sanitation system will be held. The event will take place in São Paulo's South Zone and is open to anyone interested. The workshop is organized by the social-environmental project cooperative Sapiência Ambiental in partnership with the UFABC Agroecology Center.

Videos

Escola da Cidade has shared with us a lecture series on Japanese Architecture and Culture, which is part of the Estúdio Deriva program. This series features the following lectures: "Ambience Without Hierarchy: SANAA and Electronic Music" with Guilherme Wisnik, "Contemporary Japanese Culture" with Gabriel Kogan, "The Professional Practice of Japanese Architects" with Lourenço Gimenes, "A Graphical Analysis of Toyo Ito's Mediatheques" with Marina Lacerda, "Destroy to Build: The Impact of Tokyo's Reconstruction Plans in Akira" with Beatriz Oliveira, "Jidai no nagare, the Flow of Eras: Japanese Wood Joinery" with Heloisa Ikeda, and "The Tōkaidō Road: Travel, Woodblock Prints, and Cities of the Tokugawa Period (1603-1868)" with Fernanda Sakano. Watch all the lectures here.

In highly urbanized areas, high land costs and competition for access to urban infrastructure make semi-detached buildings a common sight, particularly in residential zones. Almost always built along an axis of symmetry, they form pairs or rows of multiple homes which, besides lowering construction and design costs, optimize land use.

Here, we select ten Brazilian semi-detached houses that showcase different design strategies for addressing urban constraints.

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One of Italy's most important culinary hubs, Bologna is aiming to encourage its residents to adopt cycling, public transit, or simply walking as their primary means of transportation—leaving their cars at home. To achieve this, the city has launched an incentive program. 

The urban public space between two architectural masses is defined as a street. It is where we establish the relationship between motorized vehicles, non-motorized transport, and pedestrians. In managing this relationship, public space requires a series of systems to guarantee active occupancy, in addition to infrastructure and safety. Consequently, the proper design of roadways and their immediate public surroundings becomes essential. Beyond what meets the eye, water, gas, electricity, and telecommunications networks are laid out beneath our feet, completely unnoticed.

Led by the Portuguese duo Isabel Ruas and Gonçalo Ruas, the studio Oficina de Mosaicos will create a mosaic reinterpretation of the work War and Peace, the monumental panel painted by Candido Portinari and donated to the UN in 1956. The piece will be permanently displayed at the USP campus in Butantã. The project has the support of the artist's son, João Portinari, and is currently in its fundraising phase.

Videos

Discovering the stories behind architectural projects and urban interventions is the premise of ARQ.DOC, a new series set to premiere in January 2019 on YouTube. Produced in a documentary format, the episodes explore the creative diversity of Brazilian architecture.

The construction industry drives considerable economic activity worldwide, generating countless jobs and substantial revenue. At the same time, it also carries significant negative impacts, ranging from the depletion of natural resources to high levels of waste generation during both construction and demolition phases. To put this in perspective, in Brazil, Construction and Demolition Waste (CDW) is estimated to account for 61% of all waste generated, while household waste represents 28% [1].

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Conceived by architects Vinicius Andrade and Beatriz Vanzolini, along with the team from the Arq.Futuro platform, the course “Aprendendo a viver na cidade” aims to awaken young people to the importance of understanding the city, while also discovering how to influence it. The course is delivered in a book format—which is already available in bookstores—and will be officially launched at Escola da Cidade on February 27. The course features videos and audio from the “Cidade Cidadão” series, accessible via QR Code or on the Arq.Futuro website. Teachers who wish to implement it in the classroom will have access to a digital Teacher's Guide (Caderno dos Professores) with pedagogical suggestions and activities.

The city of São Paulo is the first in South America to freely release laser-scanned data covering its entire territory. The files are available for download on the GeoSampa Portal. The technology, known as LiDAR (Light Detection and Ranging), goes beyond standard satellite imagery or aerial photography to provide a high-resolution geometric representation of a city. Consequently, it offers a much more accurate and detailed model of the mapped area.

The use of shared e-scooters as a mode of transportation has emerged as one of the major revolutions in urban mobility in recent years. Since launching in September 2017 in the United States, e-scooters quickly became a phenomenon and, within less than two years, a reality in several major cities worldwide.

Growing concern over the use of natural resources in architecture has drawn increasing attention from professionals and researchers, pointing toward a future where architects must not only design but also facilitate the decommissioning and recycling of buildings. Against this backdrop, raising awareness about water waste on construction sites has become a major priority—an issue addressed in a recently launched guide by the São Paulo State Construction Industry Association (SindusCon-SP), Caixa Econômica Federal, and the United Nations Development Programme (UNDP).

Since the 2013 protests, there has been a clear resurgence of the concept of the public sphere in Brazil, particularly in metropolises like São Paulo. Within a context of speculation and a commodified city—where both spaces and public services are driven by capital accumulation, and where public authority operates merely as power rather than in the public interest—a growing movement to reclaim urban spaces by previously marginalized actors has emerged.

According to data released by the United Nations (UN, 2017), the global population has reached 7.6 billion, with more than half (54%) living in urban areas. In Brazil, according to data from the Brazilian Institute of Geography and Statistics (IBGE, 2010), 84.4% of the population lives in cities.

Conceived as a large-scale residential development in an expansion zone of São Paulo, the Jardim Ana Rosa Residential Complex began its subdivision design in 1950, in the Vila Mariana neighborhood, facing Largo Ana Rosa. The development, carried out by the Banco Hipotecário Lar Brasileiro, featured the participation of several prominent São Paulo architects of the time, such as Abelardo de Souza, Plínio Croce, Roberto Aflalo, and Salvador Cândia. In its initial version, the project planned for a few buildings bordering Vergueiro Avenue, with most of the area designated for single-family homes.

The work of the Catalan firm Barozzi Veiga is explored through the tension between tradition and invention in architecture in this article by João Paulo Rapagão, published in partnership with AMAG.