In November 2021, the ADUS Award in the "Professional Urban Design (Project)" category was presented to the team from Signare Estudio, composed of architects Isabel Loredo Pecho and Juan José Quiun Montes, for their project "Plaza Cultural de la Danza" in Lircay, Peru.

The award aims to highlight architectural projects that lead to a more sustainable world, based on the premise that architecture drives sustainable trends and improves the quality of life in our cities and the habitat as a whole.

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The project “Moray, the lost territory – Experiencing Muyus” was developed as part of AAVS Nanoturismo, an experimental teaching, research, and development program by the AA Visiting School of the Architectural Association, School of Architecture in London, United Kingdom. It was carried out by a multidisciplinary team in 2019 in Maras, Cusco, Peru.

Nanotourism reconsiders traditional tourism, shifting it toward a critical, creative, and local perspective. Accordingly, the study utilized the PAR (Participatory Action Research) method, which, through participation, action, and research, identified key “hidden” aspects within this context.

On Route 104, km 4.5 in Manantiales, Uruguay, stands the new Atchugarry Museum of Contemporary Art (MACA), located on the grounds of the Pablo Atchugarry Foundation. Open to the general public, the building designed by architect Carlos Ott aims to promote the development of national artists while placing Uruguay on the map of major international exhibitions.

"Every person has the right to decent and adequate housing that allows for the free development of personal, family, and community life," states the provision that advanced to the draft of Chile's new Constitution. The draft is being prepared by the Constitutional Convention—a 155-member political body tasked with drafting and approving the proposal for a new agreement for the Republic, which was enabled by the October 2020 plebiscite and driven by the social protests that took place in the country in October 2019.

“Architecture is embedded storytelling,” wrote Marco Frascari. Emphasizing the reciprocity between architecture and narrative throughout his career, this Italian architect, theorist, and educator saw stories as the key to creating a “nontrivial”—and therefore transcendent—architecture. It is from his ideas, writings, teachings, and studies that the reflection inspiring this text arises.

As part of the preparations for the 2026 FIFA World Cup—co-hosted by Mexico, the United States, and Canada—the remodeling proposal for Mexico City's Estadio Azteca has been unveiled. The historic venue has hosted countless milestone events over the decades and remains one of the capital's premier event spaces.

This article by Jheisson Joseph Lasso Imbachi was originally published under the title "Habitar tras el destierro: Desplazamiento forzado y retorno como configurador de nuevos hábitats en el Putumayo" in the 30th issue of Dearq journal on May 1, 2021 (DOI: https://doi.org/10.18389/dearq30.2021.05).

It explores migration processes in the south of the country, a consequence of extractive economies that have shaped territorial organization and caused exile, forced displacement, and two lesser-studied phenomena: the settlement and permanence of the population in a host territory and the return to their place of origin. To this end, documentary and testimonial sources were studied, analyzed, and interpreted, allowing a direct approach to the community displaced by violence, in order to analyze the diverse ways of living after displacement and conclude with some considerations for future rural housing proposals that are easily accessible to the victim population.

Below, we present it as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.

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As part of the cultural program for Art Week and as a response to the pandemic crisis, a new space has opened its doors in Mexico City to reimagine our current situation and rethink our relationship with public space and the Chapultepec Forest. From the roots of change generated by this crisis emerged the opportunity to recover and repurpose the iconic building known as "Restaurante Lago"—inaugurated on October 24, 1964, and designed by architect Alfonso Ramírez Ponce—giving it a new purpose: "to transform the private into public, the exclusive into inclusive, the social into cultural. To peel back the layers of history and return the present to its origin, rediscovering an icon of 1960s modern architecture."

An increasing number of disciplines are engaging with the right to housing. Whether in the realms of architecture, law, economics, urban planning, geography, or political science, diverse voices have sought to identify the obstacles to its fulfillment, especially within increasingly hostile urban environments. Yet, while we all talk about the right to housing, we are not speaking of the same thing.

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Valladolid is a town of just under 50,000 inhabitants, located in eastern Yucatán. It sits halfway between Cancún and Mérida, about 40 minutes from the Chichén-Itzá archaeological zone. Initially, the tourists who visited did so as a stopover during their travels across the peninsula. However, its gastronomy and architecture transformed it from an involuntary rest stop into a tourist destination in its own right.

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During the summer of 2021, the coast of Oaxaca, Mexico, hosted the first edition of a new platform created to discuss, exhibit, and celebrate the national design scene. Mexico Design Fair was established with the primary goal of promoting the acquisition of contemporary Mexican design to strengthen its positioning, while understanding and transcending the dynamics of the international market. This inaugural event featured key figures from today's design scene, such as Proyector and Pablo Kobayashi, who created temporary installations along the coast of Puerto Escondido. Other activities included the "Designer of the Year" award ceremony, presented to Mexican designer Liliana Ovalle.

Peru is a country with an extensive, rich, and deeply significant archaeological heritage. Unfortunately, the passage of time has brought severe deterioration. In their article, "Captura de datos 3D para virtualizar el patrimonio cultural" (3D Data Capture to Virtualize Cultural Heritage), authors Norma León Lescano, Yann Barnet, and Alvaro Racchumi outline the method they used to capture a three-dimensional replica of the Palace of Puruchuco. By doing so, they aim to provide the necessary information to guide and promote the virtualization of this remarkable cultural heritage, expanding its reach, appreciation, and preservation.

The Association of Architects of Uruguay has announced the selected works from the 129 projects that participated in the 2021 Completed Work Competition. To ensure maximum territorial equity, the competition considered projects built between 2014 and 2020 across different regions of Uruguay. Divided into seven diverse categories—ranging from housing, cultural, and social infrastructure to interventions in built heritage or public spaces—one award and two honorable mentions were granted for each category.

The jury comprised Alma Varela, Humberto Eliash, Bernardo Martín, Héctor Berio, María Samaniego, Fernando Giordano, Alejandro Baptista, Nivaldo Andrade, and Angela Perdomo, who evaluated their respective categories. They were advised by Juan A. Articardi, Cristina Bausero, and Salvador Schelotto. Below are the winners in each category.

Concéntrico, the Logroño International Architecture and Design Festival, has launched a participatory survey via a mobile app, inviting residents to engage and interact with the project "100 Chairs and 3 Urban Lounges" by Izaskun Chinchilla.

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One of the defining features of cities is their undeniable capacity to bring together creative talent through multiculturalism and transdisciplinarity. Today, it is increasingly vital to generate spaces and platforms within these urban environments that serve as creative laboratories—places not only to share but, above all, to reflect on contemporary practice, viewing design not as a decontextualized entity, but as an integrated concept that bridges diverse disciplines.

In the mountain range of the Andes in Peru, at over 3,700 meters above sea level, lies the Q'eswachaka suspension rope bridge, declared an Intangible Cultural Heritage of Humanity by UNESCO. The hand-woven bridge, which connects both sides of a gorge over the Apurímac River, has become the last remaining Inca bridge in use to survive modern times. This has been made possible through the transmission of Inca culture and engineering across generations, which renew the bridge every year to ensure its preservation.

Manuel Bouzas and Santiago del Águila, the authors of La catenaria y el arco in the courtyard of Can Balaguer (by architects Flores & Prats) in Palma de Mallorca, present their urban installation ‘Lucerna,’ created for the A Cel Obert ephemeral architecture festival in Tortosa in October 2021.

This monumental lamp, standing over 6 meters tall and covering an area of 55 square meters, hangs from the main courtyard of the Purissima Concepció monastery, radically transforming this 17th-century building through light and color.

Rodrigo Lagos Vergara and Macarena Paz Barrientos Díaz originally published the article titled "Architecture Education in Chile, 1999-2019: Ecological Potential and Collective Political Meaning of Design Practices" in Revista [i2]: Investigación e Innovación en Arquitectura y Territorio, from the Department of Graphic Expression, Composition, and Architectural Projects of the Universidad de Alicante, on January 1, 2022.

Below, they present some of the most important points of their publication: three pedagogical actions in Chile that understand teaching as a central practice through the academic exercise of the design project.

To promote Peruvian modern architecture internationally, the exhibition of the “Modern Movement Architecture Catalog of Peru (CAMMP)” opened on March 31 at the headquarters of the Official Association of Architects of Madrid (COAM) in Spain. The research, conducted by architects Alejandra Acevedo and Michelle Llona, was supported by the Architecture Program at the University of Lima and the Scientific Research Institute (IDIC), and will be open to the public until April 30 of this year.

This November, REDBAAL will mark its first decade of activity, a milestone celebrated alongside four editions of the Oscar Niemeyer Award for Latin American Architecture (ON Award). Over these years, more than 350 projects have been submitted, all of which share the distinction of having been previously recognized at the most prestigious architectural biennials across Latin America.

Anderson Marín Vidal and Juan Sebastián García, from the research group on Sustainable and Applied Emerging Technologies (T.E.S.A.), present an analysis of the primary impacts expected from the designs for the Río Molino Waterfront (Malecón del Río Molino). Created by the architecture firm Celeste & Piedra, the project won first place in a competition organized by the Mayor's Office of Popayán and Findeter.

In the second half of the twentieth century, driven by the mass adoption of the automobile and exponential population growth, cities around the world expanded at an accelerated pace. Santiago, Chile, was no exception, characterized by an extensive and fragmented urban sprawl that has led to a heavy reliance on cars, environmental degradation, and the loss of agricultural land. Without planning and policies aimed at sustainable urban development, the result is a more polluted and less green city—an alarming scenario considering the climate crisis we face.

Proximity, understood as an urban quality that facilitates the management and pursuit of daily life, has for decades been a key tenet of feminist and gender-responsive urbanism. In the 1970s, academics from various disciplines began analyzing the link between the configuration and use of space and gender relations and roles. Since then, a robust critique of the androcentric configuration of the city has emerged, alongside proposals and criteria to rethink spaces from a gender perspective.

Cooperative housing, or co-housing, is a residential model that promotes access to housing in cities. This model first developed in countries like Denmark and Uruguay, and it is becoming increasingly popular throughout Europe. Indeed, it arrived in Barcelona several years ago and has since steadily expanded throughout the region, spreading beyond the boundaries of the Catalan capital. Below, we explore the cooperative housing model in Barcelona and how it contributes to a more democratic architecture for its citizens.