This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

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"SOM: Art + Engineering + Architecture" is an exhibition opening at the Antiguo Colegio de San Ildefonso in Mexico City. Presented in collaboration with MEXTRÓPOLI, the global architecture and urbanism festival organized by Arquine magazine, the exhibition offers a comprehensive overview of SOM's structural engineering practice, its integration with architectural design, and the firm's long tradition of collaboration with the visual arts.

The Chilean city of Valparaíso is comprised of 42 hills overlooking the Pacific Ocean. Its unique topography has prompted—or forced—residents to build a creative network of elevators, staircases, and alleys, connecting every corner of the city despite its rugged terrain.

Few may have heard of Hermosillo, a Mexican city of 850,000 inhabitants located in the middle of the desert, just 280 kilometers south of the United States border. It is a city of great strengths, but also immense challenges. In an increasingly urbanized world, cities have become platforms for innovation and change, particularly in developing countries. While megacities like Bogotá, Lima, and Mexico City struggle to distribute goods and services to their sprawling populations, intermediate cities like Hermosillo have the potential to offer a more sustainable alternative.

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Construcciones Modernas, S.A. is a series comprising an album of popular, remembered, and forgotten buildings in Mexico City—a record and the beginning of an atlas. It is a subway line featuring all the architectural icons missing from the train cars, a tribute to the city, its modernity, and its decay.

Alberto Cruz, one of the Chilean architects who re-founded the School of Architecture of the Pontificia Universidad Católica de Valparaíso and founder of Amereida and the subsequent Open City, left behind more than 2,200 notebooks and folders, 200 drawings in various techniques, formats, and mediums, and around a thousand documents when he passed away in 2013.

Five years earlier, his granddaughter, historian Sara Browne, began working with Cruz to catalog his private output. Today, this entire archive is part of the Alberto Cruz Covarrubias Foundation, a space dedicated to honoring the memory of the 1975 National Architecture Award recipient.

In this email conversation with Browne, the historian examines the challenges of conserving and digitizing this historic archive, while also reflecting on Cruz Covarrubias's legacy.

CityMakers is working with ArchDaily to publish a series of articles, conversations, and interviews with various actors in city co-production, who are behind the Barcelona CityMakers Lab 2019, an event taking place from October 14 to 20.

On this occasion, we feature Oriol Estela Barnet, general coordinator of the Barcelona Metropolitan Strategic Plan, who will give a MasterClass at the Barcelona CityMakers Lab 2019 addressing the concept of “a third generation of strategic urban plans: the case of Barcelona.”

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CUBO is the name of the installation created by the School of Architecture, Art, and Design at Tecnológico de Monterrey, which was presented in March at Alameda Central in Mexico City. The pavilion was designed as an open, flexible, and itinerant meeting point, hosting cultural events as well as exchanges of ideas and goods. CUBO (Urban Cell for Well-being and Opportunities) is a social innovation project that served as a stage for civic engagement, fostering participatory processes in communities through recreation, reconciliation, and learning.

The XI Ibero-American Biennial of Architecture and Urbanism (XI BIAU) recently announced the 210 selected works for its upcoming edition, which will be held for the first time in Asunción this October.

The winners of the Panorama of Works Award will be chosen from this list of selected projects, which includes the 14 Peruvian works featured below.

Twelve finalist projects, one honorable mention, and five winning works were announced yesterday in Barcelona, marking the results of the 4th edition of the AADIPA European Award for Architectural Heritage Intervention.

Aiming to propose “ordinary” solutions that meet the needs of the majority of people in Chile, the open call for the Feria Libre de Arquitectura—as this year's XXI Chilean Architecture Biennial is known—received 543 registrations, “a historic figure for this type of event,” according to the organizers.

According to the executive branch's plans, more than 500 schools will be built in Peru this year to close the infrastructure gap affecting the sector. This represents an investment of 30 billion soles, which also serves as an incentive for the construction industry across the country's various regions.

From September 30 to October 7, Madrid will be the featured capital of the 16th Architecture Week 2019, organized by the Official Association of Architects of Madrid (COAM) through the COAM Architecture Foundation.

Earthen construction remains highly relevant today, spanning the preservation of architectural heritage, new projects seeking sustainable horizons, and numerous training programs offered by institutes and universities. Yet we cannot overlook one of the major driving forces behind this building material: self-construction. Thanks to its technical advantages and accessibility, communities worldwide have chosen to build their settlements with earth. Consequently, construction becomes a collective exercise where every individual can contribute to shaping a shared future.

In this article, we look at how the NGO Terrachidia works with the community of Mhamid in Morocco to rehabilitate public spaces chosen by local residents. Supported by volunteers, they rescue regional building traditions, successfully preserving and highlighting the local knowledge embedded in places where the pursuit of modernity has led to abandonment, but which remain deeply valued by those who inhabit them.

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Over the next five years, Bogota will inaugurate a series of public and private projects across the city, from skyscrapers to Felicidad Centers, highlighting those resulting from public architectural design competitions, legally managed by the Colombian Society of Architects.
Below, explore the main projects set to open:

Exhibited in a parallel exhibition at the 2018 Venice Biennale, the Tropi-Co-Re Housing project by SUMA Arquitectos reflects on the intersection of urban and architectural design within the low-income residential context of an equatorial/tropical climate, investigating alternative material systems for its construction, such as bamboo truss structures and folded metal plate roofs.

Read on to explore the project in detail, in the words of its designers.

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On November 23, Mexican artist Pedro Reyes presented projects from his architectural and design practice for the first time. The exhibition features chairs, tables, bedroom furniture, tiles, and small-scale architectural models that showcase a distinct architectural language that has evolved in recent years.

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As part of the activities for Design Week, which took place from February 4 to 10 in Stockholm, architects Lyndon Neri and Rossana Hu were the guests of honor at this edition of Scandinavia's most important design fair. Neri&Hu Design and Research Office created an exhibition addressing and highlighting social issues unique to China. The Unfolding Village is the name of the installation representing the traditional Chinese village, which is disappearing at an alarming rate. The installation utilizes six kilometers of sawn pine timber and 150 square meters of laminated pine boards. The timber, stained black, is sourced from Swedish forests.

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The Universidad de Monterrey in Mexico inaugurated its new gateway to the campus: the Estoa building, presenting a new face to the landscape on the western side of the city. The Estoa building is part of UDEM's Infrastructure Master Plan, which aims to create a pedestrian-friendly campus and a green lung for the western part of the city. Located on the west side of the campus, the building features approximately 90,000 square meters of construction, housing student and community spaces, UDEM's public-facing offices, and continuing education facilities.

The core of Castilian modern architecture, and indeed of the 20th century, emerged from the work of Rafael Aburto [1913-2014] and his contemporaries—this forgotten generation. An interwar generation whose trenches were fought not only on the battlefield, but also within architecture. This cohort of architects had to confront both the ravages of the Spanish Civil War and a sterile traditionalism, surrounded by professionals who had read, known, and seen almost nothing. Tradition—specifically, Spanish tradition—was what sustained everything. Unsurprisingly, the Civil War itself dealt a generational setback to the profession, impacting not only Aburto's peers but also those to come. 

The generational divide was defined solely by the experience of having fought in the war. Oíza was eighteen when it broke out; Sota, Cabrero, Coderch, and Aburto were called to battle, mostly fighting on the Nationalist side. Once the war ended, Spain was unrecognizable compared to its pre-war self, and architectural thought was no exception. Returning to the profession in the 1940s, architects faced an outdated, practically useless tradition, alongside a precarious modernism devoid of depth or knowledge. This is why figures like Aburto broke through—these postwar architects who took on the role of pioneers, or at least demonstrated their determination to break free from academic constraints and embrace their own modernism. 

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Founded in 2013 and based in Mexico City, David Pompa is a studio made up of designers, engineers, and makers established in Mexico and Austria. David Pompa grew up in both countries and studied product design in London. Over time, the studio has shown a strong interest in traditional materials and techniques. Since its founding, it has remained committed to Mexican culture, which is reflected in the creation of aesthetic and accessible design objects.

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Whether seeking distraction, escape, or reflection, metro passengers shorten their commutes by checking their phones, reading books, or listening to music. For Chilean photographer and civil engineer Felipe Lavín, this conceals a contradiction. "Commuting en masse is a highly social act, yet at the same time, it is deeply solitary. As Marc Augé notes, in the metro we constantly brush against the lives of others without ever truly encountering them," Lavín says in conversation with ArchDaily.

On the occasion of the recent XXI Chilean Architecture Biennial, Juan Pablo Urrutia, a member of the curatorial team, spoke with Spanish architect Andrés Jaque, founder of the Office for Political Innovation, whose practice explores the intersection of the everyday and the political in architectural design.

Alexandra Cohen presents her master's thesis on the systematic cartographic analysis of the morphological intersection between the Cerdà urban plan and pre-existing urban structures in Barcelona, Spain. Through her cartographic work, she aims to demonstrate how two highly distinct urban forms can integrate to bring immense value to the city, preserving history within a modern plan.

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As part of the Abierto Mexicano de Diseño 2019 (AMD2019), Jumbo, an international company focused on the development of urban spaces and furniture, presented the play sculpture “Infinito,” designed by Ariel Rojo. The project stems from the desire to design a line of urban elements that stimulate a sense of adventure and play through a range of play sculptures. These address not only an aesthetic responsibility to users, the city, its parks, and playgrounds, but also introduce an original approach to how children play and learn.