Some urban changes go deeper than the surface. These are transformative projects with the power to generate an impact far greater than aesthetic or infrastructural updates. They are initiatives that positively influence the economy, the environment, and the host community—in unexpected or even unprecedented ways.

The destruction of the National Museum at Quinta da Boa Vista in Rio de Janeiro cannot go unnoticed. This tragedy must serve as a cry of "enough!" against the abandonment, neglect, and destruction of the nation's memory. The unfortunate reality is that the situation of the National Museum is not unique. Similar tragedies could happen again.

The values that define us as a society cannot turn to ashes like the National Museum. We call upon the State, architects and urban planners, universities, intellectuals, professional associations, and ultimately, Brazilian society as a whole to mobilize.

América Economía magazine has published its most recent ranking of Chilean universities, just a few months ahead of the upcoming 2019 higher education admission process. In addition to the general evaluation—in which the Universidad de Chile remains in first place for the fourth consecutive year—the publication features the specific ranking of the 16 "most in-demand or highly regarded and prestigious" programs in Chile, including Architecture.

With our commitment to providing the most comprehensive information for university applicants, in this article we share the ranking of the best universities to study Architecture in Chile. This list includes technical data on average admission scores, faculty specialization levels, annual tuition costs and variations, and first-year post-graduation employability rates, among other key metrics.

The impact of the Santiago Metro's new lines, recognition for a new metropolitan park in the capital, and the final design for the Barón Pier in Valparaíso. Indeed, a week dedicated to major metropolitan projects is the focus of this edition of La ciudad chilena en la prensa, the ArchDaily column where we cover what is happening in Chile's major cities.

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The Catalan architecture firm Flores & Prats Architects presents the launch of the documentary series ESCALA 1:5, which explores the design process of the international drama center at the new Sala Beckett in Barcelona. Produced by the independent production company 15-L, the documentary consists of five 10-minute episodes directed by Patricia Tamayo and Albert Badia.

Following its premiere on December 14, 2017, at the Girona Cinema in Barcelona before an enthusiastic crowd of about 200 spectators, the episodes are now available on demand on The Architecture Player channel on Vimeo.

The city of Lima and the Rímac River seem to be at odds, despite the river crossing (and nourishing) the city from east to west. This is why we highlight the word “friendship” as an added value for addressing this issue: a way of understanding this relationship with the solidity and integration it deserves. This is the premise of the project presented here, which we have retrieved from our archives to bring to light. As summer begins and the El Niño phenomenon approaches, bringing inevitable rising water levels to the Rímac, it is impossible not to recall the mudslides (huaycos) that caused disaster a year ago. Little to nothing has been done to address this disconnect between the city and the river; thus, let us take a fresh look. 

Colombian architect Konrad Brunner passed away this Tuesday, September 25, in Bogotá. Grandson of the historic urban planner Karl Brunner, Konrad was born on November 17, 1950, in the Colombian capital and graduated from the Universidad de los Andes in 1974.

Brunner founded his own architecture firm in 1978, a practice noted for projects such as the Plaza de Jubileo at Compensar, the master plan for the Ciudadela El Recreo (alongside Germán Samper and Gustavo Perry), the Arroyoviejo and El Vigía residential buildings, and the Casa Vélez. Additionally, the architect balanced his private practice with teaching at the Universidad de los Andes starting in the 1980s.

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The president of the Venice Biennale, Paolo Baratta, and directors Yvonne Farrell and Shelley McNamara presented, via videoconference, the official curatorial proposal of the Artistic Direction for the 16th International Architecture Exhibition of the Venice Biennale.

Designed by Pelli Clarke Pelli Architects (PCPA), San Francisco’s tallest tower and its accompanying transit center are now partially open to the public after a decade in the making. The Salesforce development comprises both the tower and the transit center, where PCPA has integrated planning, architecture, transportation, and landscape design to mark a new chapter in American urban development.

After analyzing 94 projects by undergraduate students from 20 architecture schools across 8 regions in Chile, the jury of the 2018 Arquitectura Caliente Competition has announced the winning projects of its latest edition.

These projects span the entire country and encompass diverse typologies, ranging from urban planning to student housing, as well as landscape designs and structural emergency initiatives.

Below, we present the award-winning third-year projects:

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The Colegio de Arquitectos del Estado de Michoacán is a non-profit association established 54 years ago serving the city of Morelia, dedicated to heritage preservation and fostering debate on contemporary architectural production and urban development. To provide an adequate space for these activities, a competition was launched after securing a site for the new headquarters to support and foster contemporary architecture.

On November 29, the National Competition for the Headquarters Project of the Colegio de Arquitectos Michoacán, A.C. was held at its current headquarters. The jury—composed of Pedro Núñez González, Isaura González Gottdiener, Salvador Reyes Ríos, José Muñoz, Carlos Marín, and Jorge Humberto Flores Romero—evaluated 17 completely anonymous proposals.

School buildings house complex systems. From kindergarten to university faculty, the journey through the levels of learning consists of an accumulation of vital experiences resulting from the interaction between these systems.

The educational function, as functionalism termed it, now builds its environments under new paradigms that reflect and respond to an increasingly diverse and complex social agenda.

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“Earthquakes are a naturally destructive effect of our earth's constantly changing surface”
-National Geographic, “Latest Earthquakes–and How Earthquakes Work”, February 2018.

ReConstructo is a group exhibition curated by Mexican architects Luis Carbonell and Andres Souto, presented at Zuecca Project Space in parallel with the International Architecture Exhibition of the Venice Biennale 2018. The exhibition offers a multifaceted look at simultaneous and overlapping readings of the actions and agents of destruction that subsequently paved the way for a latent reconstruction following the 2017 earthquakes in Mexico.

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Since its founding, the National Workers' Housing Fund Institute (Infonavit) has conducted research to guide its urban, architectural, economic, and social approach to housing in Mexico. 

The opening of new muffin shops and cereal bars in Madrid is more than just anecdotal. For Iñaki Domínguez (b. 1981), who holds a degree in Philosophy and a PhD in Cultural Anthropology, this reveals the urban impact of a mass phenomenon known in Spain as moderneo (the trendsetter scene) and its most recent, caricatured incarnation: hipsters.

With Madrid's Malasaña neighborhood as a backdrop, Domínguez delivers an intense, absorbing, and remarkably fresh essay in Sociología del Moderneo (Melusina, 2017). He analyzes this subculture through sociological theory, pop culture references, and his own experience in Madrid's underground scene among punks, indies, ravers, and grunges.

The radical social and economic transformation that turned Malasaña into a neighborhood of cupcakes, hipster barbershops, and cereal bars will likely sound familiar to Latin American readers: La Magdalena in Bogotá, Barranco in Lima, and Barrio Italia in Santiago. "These are global identities shaped by the internet and mass media," Domínguez explains in this Skype conversation with ArchDaily.

The vernacular architecture of bahareque was one of the first seismic-resistant building technologies in Colombia. By the late 19th century, this construction method was widely used across many regions of the South American country, valued for its earthquake resistance, speed of construction, and low cost. This was well before brick and sand-cement mortar arrived in cities like Medellín and Bogotá, eventually spreading to the rest of the country.

This construction method arose after its performance was analyzed as a viable system for implementation in different regions with high seismic activity. Its application leverages local, context-specific materials, making it a prominent vernacular technique in Colombia. It characterizes much of the colonial architecture still found today in historic centers and towns with rich heritage.

The Architectural League of New York is an independent architecture forum that aims to "stimulate thinking and debate about the critical design and architectural issues of our time." Each year, through the 'Emerging Voices' competition, they recognize the work of various North American architectural practices with the potential to positively influence how architecture is conceptualized and built across the continent.

This year, they highlight the work of three Mexican firms: Comunal Taller de Arquitectura, Fernanda Canales, and Luis Aldrete. Learn more about their work below:

The modernization of Bogotá between 1940 and 1970, captured in urban and architectural photographic essays, has been documented in various books, magazines, and photobooks of the era, as well as in images from the city's public and private archives. These photographs reveal a deliberate, and even critical, approach to how modern architecture reconfigured city centers, bringing new buildings and urban spaces into relation with the existing cityscape.

When analyzing the impact of street photography, it is essential to discuss Leo Matiz, Armando Matiz and Hernán Díaz. These three photographers captured the people, events, and daily urban life of Bogotá. From their extensive bodies of work, we have selected shots of streets, plazas, intersections, and representative buildings—both iconic and anonymous spaces that, through photography, anchor modern heritage in the collective memory, with architecture and urban spaces taking center stage.

In this edition of Bogotá in the Eyes of 10 Photographers we explore the legacy of Armando Matiz:

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The orchid, or Cattleya trianae as it is scientifically known, is one of the most beautiful flowers. Its texture, combined with the variety of colors and species, makes this flower truly unique. It is estimated that Colombia has more than 3,500 species growing across nearly the entire country. Furthermore, the country has become the second-largest exporter of orchids in the world, behind only the Netherlands.

Colombia's first virtual herbarium of living orchid collections is a research project led by the Colombian Orchidology Society (SCO) with the support of the Humboldt Institute and the Corporation for Biological Research (CIB). The main objective is to establish and develop the virtual herbarium, backing it with a tissue bank. This initiative aims to promote and conserve the species through sustainable use as established in Colombia's orchid conservation plan.

This month, we continue to celebrate the 6th anniversary of ArchDaily Mexico, an achievement made possible thanks to the hard work of our great team, as well as the relationships we have built over the years with the local architectural community and our readers.

With this in mind, this year we decided to celebrate with a contest that involved all of our readers. We wanted to discover their favorite projects in Mexico, whether classic or contemporary. We asked our readers to follow the @ArchDailyMx account on Instagram and share their favorite project with us using the hashtags #ConcursoArchDailyMx and #6AñosArchDailyMx.

UN-Habitat Executive Director Maimunah Mohd Sharif and Sheikh Mohammed bin Rashid Al Maktoum, Prime Minister of the United Arab Emirates and Ruler of Dubai, presented David Penchyna, Director General of Infonavit, with the Dubai International Award for Best Practices to Improve the Living Environment yesterday.

Established in 1996 to recognize global initiatives that excel in their contribution to sustainable urban development, this year's award was presented to the work led by INFONAVIT, within the framework of SEDATU's activities, carried out in collaboration with the UN-Habitat office in Mexico and with invaluable data contributions from local municipalities.

An affordable, eco-friendly housing research project is being developed in Maputo, the capital of Mozambique, one of the poorest countries in the world. Named "Casas Melhoradas" (Improved Houses), the project is a partnership between the KADK (Royal Danish Academy of Fine Arts) School of Architecture, the Mozambican NGO Estamos, and Architects Without Borders. The goal is to develop low-cost, dignified housing with minimal environmental impact.

The Brazilian Institute of Geography and Statistics (IBGE) has released the publication Urbanized Areas of Brazil, which maps the urban footprints of major Brazilian cities. Covering the changes that occurred between 2011 and 2015, the study presents an overview of the country's recent urbanization process.

Through March 10, Chilean architect Pilar Pinchart presents her exhibition “Sección” at Galería PanAm.

The exhibition is divided into two parts showcasing the interests that have shaped Pinchart's work over the last ten years, synthesized in a conceptual installation on high-rise housing.

The first part of the exhibition features a study of Le Corbusier's 1992 sketch for the City of Three Million Inhabitants, understood as the section of an envisioned city—the starting point for the exhibition #100andesfrommywindow, presented in Aarhus, Denmark, in May 2017. It comprises 15 pop-up models and fragments of balcony facades built in Santiago, Chile, between 1940 and 2015, which show the evolution from the balcony to the terrace and to the concept of the high-rise garden. This gives rise to the centerpiece of the exhibition, a complex installation displaying five built structures designed to be read through the information provided by their sections in relation to vegetation and use.