Although we are all pedestrians, those behind the wheel often fail to respect the space, time, or priority of people on foot. This is one of the reasons walking in cities remains a challenge. Beyond public safety concerns, the road hierarchy and resulting urban design of Brazilian streets hinder the fulfillment of basic pedestrian rights.
Renowned for his work with guadua bamboo, Colombian architect Simón Vélez will build his first steel project in Bogotá, according to the local newspaper La República.
The project, named La Primera, is a residential building in the La Candelaria neighborhood of the Colombian capital, and will feature 60 one- and two-bedroom apartments. Joining Vélez on the project are the firm A Korn Arquitectos, the construction company Kandelaria, and Geografía Urbana as urban planning consultant.
São Paulo will soon have a new bike-sharing system. Developed by the company Yellow, the system will deploy 20,000 vehicles and will not feature stations—the bicycles will be left freely on the streets.
Known as "dockless," the service already operates in other parts of the world, such as China and Germany, and involves leaving bikes "free" on the streets, available to users via an app that unlocks the selected vehicle. At the end of the trip, riders can leave the bicycle wherever is convenient, and it locks itself, remaining available for the next user.
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Opened on April 29, Sesc Avenida Paulista featured an installation designed by architect and designer Guto Requena at its opening.
The project, titled Empatias Mapeadas, consists of an interactive parametric sculpture featuring pulsing lights and speakers that mix and broadcast the heartbeats of the participants who touch the piece.
Joaquim Manoel Guedes Sobrinho was a Brazilian architect and urbanist who graduated in 1954 from the School of Architecture and Urbanism at the University of São Paulo (FAU-USP)—as part of the institution's third graduating class—and was a leading figure of the so-called “Paulista School.” A prominent aspect of his professional practice was his partnership with his wife, Liliana Marsicano, with whom he established a lasting collaboration on a series of projects until 1974.
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The CitYzens Collective and the Arkco-CUC research group at the Universidad de la Costa (CUC) conducted a collective mapping exercise in the Plaza de la Paz, located in the historic center of Barranquilla, Colombia. The event took place on June 1, 2018, at this emblematic public square.
The initiative not only involved collaboration with urban design collectives like Colectivo 016, but also drew the participation of dozens of citizens and passersby. They made symbolic contributions to "Save Barranquilla" by mapping their experiences, identities, appropriations, uses, and collective imaginaries of the city.
Heritage-listed at both the state and federal levels, Teatro Oficina, designed by Lina Bo Bardi and Edson Elito, is at risk of having its surroundings profoundly altered by the construction of two 100-meter-tall residential towers. The project, led by the Silvio Santos Group, was approved by the National Historical and Artistic Heritage Institute (Iphan) during a meeting on May 29.
Aiming to offer low-income households genuine flexibility for expansion and adaptation during their housing process, the Robotic Timber Framing group at the Department of Architecture of the Universidad Técnica Federico Santa María, led by Luis Felipe González and Francisco Quitral, is developing timber housing structures that can be freely assembled and transformed by their occupants.
Without the need for metal fasteners, the components are joined using mortise and tenon joints, a process carried out by an industrial robot equipped with cutting tools.
I have been writing about gentrification for some time now. However, over the past week, two reports in particular caught my attention regarding how the topic is stirring up debate in two very different places: California and Berlin.
Interestingly, both cases boil down to the same underlying reason: the risk of gentrification in these cities is largely driven by the impact of innovation ecosystems on local real estate dynamics.
Therefore, this article aims to reflect on how Americans and Germans are tackling the issue, each in their own way. Furthermore, what lessons can we draw from these experiences, given that this could soon affect Brazilian cities rising in the national entrepreneurship and innovation scene?
On the shores of Lake Titicaca, nearly 250 students from 15 countries kicked off TSL Puno 2018 in Peru, marking the 15th edition of the Latin American Social Workshop, led by the Latin American Coordinator of Architecture Students (CLEA) and the Peruvian Organization of Architecture Students (OPEA).
Continuing a tradition that began in 2002, architecture students from across Latin America are joining forces with public and private entities, architecture collectives, workshop leaders, faculty, and members of civil society to conceptualize, design, and build public amenities across the Spanish-speaking world.
In the constant ebb and flow of those moving through the city of São Paulo, you have likely noticed the distinctive graphic pattern repeated across various sidewalks. The classic pattern behind the modules that graphically form the map of the state of São Paulo was created in 1966 by architect and artist Mirthes dos Santos Pinto. It all began in the 1960s when then-mayor João Vicente Faria Lima launched a competition to design the city's new pavement. Mirthes, who at the time worked as a drafter for the São Paulo Municipal Works Department, created a stylized map of the State of São Paulo. Using square modules of black and white geometric tiles, the design alternated between solid colors and diagonally split tiles to create a continuous pattern.
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The California Assembly voted in favor of SB 100, a Senate bill that sets the state on a path toward 100% renewable energy generation. The legislation establishes a new target of obtaining 60% of the state's electricity from renewable sources by 2030 and reaching 100% clean and renewable energy by 2045. Governor Jerry Brown has thirty days to sign the bill.
A project by the Federal University of Technology - Paraná (UTFPR) is cataloging the historical heritage of Curitiba and making all the information available on the website Arquivo Arquitetura. The portal is being gradually updated with all the research conducted since 2011 by more than 560 students, led by architects Giceli Portela and Iaskara Florenzano. In the near future, the goal is to install QR codes on tiles in front of all the buildings, allowing people to access the complete history of each building in real time.
There are now more than 350 Colombian projects published on ArchDaily. To celebrate this milestone, we have curated a selection that highlights the invaluable role of architectural models in conceptualizing, designing, and constructing contemporary Colombian architecture.
Far from the photorealism now achieved by 3D rendering specialists, the physical model endures as a critical tool for conceptual, spatial, structural, and constructive exploration, as showcased in the following selection:
Since its founding in Hong Kong in 1985 and the establishment of its first mainland office in Beijing in 2002, the globally renowned architecture firm Aedas has spent the past 15 years leading the industry across various sectors, particularly in large-scale mixed-use developments and high-rise typologies. Among its most recognizable projects are the Midfield Concourse at Hong Kong International Airport and the recently completed Landmark Center in Shanghai.
According to the World Architecture 100 (WA100) 2017 ranking by UK-based Building Design, Aedas topped the charts in China and ranked ninth globally, boasting 788 registered architects across 13 global offices and generating annual revenues of $230 to $290 million. The firm’s meteoric rise is intimately tied to its site-specific design solutions and efficient execution.
ArchDaily recently spoke with Dr. Andy Wen, Global Design Principal at Aedas, to discuss the operational strategy and philosophy behind a leading global practice.
The crowdfunding campaign to produce the 2019 Athos Bulcão Illustrated Calendar is now live. Through November 28, the public can contribute to the production and distribution of 6,000 copies of the calendar. In return, supporters will receive copies of the publication alongside rewards featuring the artist's work, such as bookmarks, postcards, books, tote bags, magnet sets, mouse pads, silver jewelry, and even framed tiles, as well as having their names printed in the acknowledgements section. Supporters can view the rewards and make their contributions on Catarse.
Following its presentation and discussion with restaurant, commercial, and resident associations, the Mayor's Office of Cartagena (Colombia) announced the pedestrianization of 45 streets in its historic center, as reported by Caracol Radio. The decision is backed by the Bolívar Trade Council through its executive director, Patricia Galindo, who told the local outlet that the project will regulate traffic in the historic center and the San Diego neighborhood. This and other measures aim to improve mobility for residents, citizens, and tourists in the area.
The Bolívar Trade Council has participated in the various events organized by the District to coordinate these measures. Crucial to this process was listening to all stakeholders, as well as the district administration's willingness to lead on one of its most important issues, working to find effective and consensus-driven solutions for everyone.
When discussing Le Corbusier, a portion of his work—especially the early villas designed in collaboration with Pierre Jeanneret—is often dubbed the “White Villas.” It is curious that this color, white, remains so closely associated with the architect, rather than him having a “blue” period like Picasso or a “gold” period like Klimt.
When and why was the term “White Villas” coined for Le Corbusier's work? Could the whiteness of his buildings have been misunderstood, much like Greek art? This notion of whiteness was highly useful for laying the foundations of Neoclassicism in its time, yet it is entirely removed from the rich palette of colors that graced those works during the Hellenic period.
The FYJA Flowers and Gardens Festival is an event that brings together landscape architects, architects, artists, designers, artisans, gardeners, and students to create, for each edition, a route with various activities and exhibitions. These offer everyone—experts, enthusiasts, and the curious alike—the opportunity to engage with horticulture and experience the benefits of plants.
This year's edition, which took place from April 20 to 22, aimed to raise awareness among Mexicans about the importance of plant care and the necessity of creating and preserving urban green spaces, while also fostering interest in landscape design, floral art, and gardening.
It is well known that Frederick Law Olmsted, designer of Central Park in New York; André Le Nôtre, responsible for the gardens of the Palace of Versailles; and Alan Titchmarsh, among others, were pioneers of landscape architecture for their ability to break the mold of traditional design. However, Latin America has produced outstanding work that deserves recognition. Such is the case in Mexico, where Pritzker laureate Luis Barragán showed the world the richness of the country's green spaces and his mastery in designing them.
The lessons that can be drawn from visiting or studying a work of architecture are both many and varied. Whether we focus on programming, construction details, material solutions, relationship to context, siting, or any other aspect, these considerations yield clear concepts that can later be applied to our own projects.
With this in mind, and recognizing that there are multiple ways to approach an architectural problem, we have compiled a list of design strategies that define specific spatial qualities in classics of Chilean residential architecture, grouping together some of the most remarkable design moves from each case.
For optimal and wider propagation of TV and radio frequencies, antennas must be positioned in strategic and, above all, elevated locations. When the local topography is unfavorable, the construction of broadcasting towers and masts becomes essential. Yet, beyond serving a crucial function, these structures stand as visual landmarks, offering an extraordinary opportunity to transform urban infrastructure into pieces of unique aesthetic value. Renowned architects and their teams have designed radio and television towers that marry rigorous structural engineering with the plastic inventiveness of their chosen design solutions. We have selected a brief collection of television and radio transmission towers. See them below:
On December 20, the final curating process for the first edition of the National Essay and Research Competition, Arquitectura Escrita 2017, took place at the national headquarters of the Colegio de Arquitectos de Chile.
Organized by Grupo Arquitectura Caliente and co-organized by Ediciones ARQ, the competition awarded the 20 best articles among the 87 proposals submitted in the undergraduate and graduate categories, representing 18 architecture schools across 9 different Chilean cities.
The competition was directed by Gabriela García de Cortázar and featured a jury of 30 prominent academics and professionals who formed the Evaluation Committee. All the articles will be published digitally soon and compiled into a book available for pre-order at this link.
The winners in each category are presented below.
The Brazilian Association of Landscape Architects - ABAP, in partnership with CAU-SP, has announced the results of the first edition of the Rosa Kliass Prize for landscape architecture graduation projects, open to final undergraduate thesis submissions from all architecture schools across the country. Entries had to address projects of any scale in landscape architecture, landscape planning, historical research, or technical and critical work within the broader field of landscape architecture.
The projects were evaluated by region, with first-place winners selected for each. From these, one work was chosen as the overall national winner. The regions were divided as follows:
