Ultimately, the construction concluded with a celebration. With the completion of "Not Only a Playhouse" ("Uma Casa de Brincar e Não Só..."), Casa da Arquitectura – Portuguese Centre for Architecture handed over the facility last Friday, August 10, to the residents of the Guarda Housing Complex in Perafita, Matosinhos, Portugal. Music and performances brought a lively close to two weeks of intense work during the second edition of "O Lugar de Partilha" (The Sharing Place).

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Colectivo Tomate is a Puebla-based civil organization made up of 20 artists, lawyers, architects, designers, nutritionists, and administrators who have intervened in about eight cities across Mexico. Their goal is to invite people to take action in the streets to drive transformation, demonstrate the power of citizens within their communities, and strengthen social ties.

The Ciudad Mural Villahermosa project resulted in 40 murals created through the talent of 26 artists: six local, ten national (from cities such as Oaxaca, Ciudad Juárez, Puebla, and Mexico City), and ten international (hailing from countries like Spain, Colombia, Argentina, and Brazil). These artists listened to the stories of the community and subsequently translated them into murals. 

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Today, we left the offices of PienZa Sostenible before dawn to head toward Tlalnepantla, in the state of Morelos—one of the many regions affected by the events of September 2017 across seven states in Mexico. After a few hours of conversation and comparing data regarding the reconstruction efforts that began almost immediately, we reached our destination, where the Rosales Milla family warmly welcomed us to show us their new home, built of adobe and wood.

Portuguese studio FAHR 021.3 has created a temporary wooden installation that transformed the facade of the Cine-Teatro Garrett, a historic building in the city center of Póvoa, Portugal. Titled Ensaio 04, the project is a geometric study of a curved surface built from straight planes of poplar wood, resulting in a distorted perspective.

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Since ancient Greece, public space has been the primary setting for gathering and socialization in cities and towns, supporting a wide range of activities as well as political debate and collective empowerment. It is a common good from which to foster equality, respect, and solidarity as the foundation of a fairer society. One of the primary characteristics of public space is its capacity to adapt and open itself up to new challenges and uses. 

However, in recent years, licensing the commercial use of public spaces has become a growing source of revenue for municipal governments. The regulation and legal restriction of how our plazas and other spaces are used, enforced through municipal ordinances and codes, represents one of the primary dimensions of the privatization of public space. Privatization is understood here as the process of establishing conditions that restrict free access to a common good. The overexploitation of public space for corporate profit promotes a consumerist urban model that is detrimental to the citizenry.

Designed by Esteban Ramírez, the Teatro Navegante project was chosen as one of the 10 winners in the Thesis Projects category of the Concurso Arquitectura Caliente 2018 (CAC 2018), a Chilean competition organized by Grupo Arquitectura Caliente and funded by the Ministry of Cultures, Arts, and Heritage.

Historically, the Chiloé Archipelago has been defined by its own inhabitants as an annex to the mainland due to the physical, social, and cultural isolation existing since the beginning of the last century. Sea and land define the everyday lives of its people. From these environments, they extract the resources for their survival, and their land routes extend through the channels and fjords vital to connecting the islands and their communities. In this isolated and fragmented territory, climatic and geographical conditions make it difficult for nearly 15,000 inhabitants to access educational, health, and cultural infrastructure, which remains concentrated in the region's urban centers kilometers away—an ongoing issue that the State has yet to address.

In 2019, Madrid Metro (Spain) will mark 100 years since the opening of its first line, which ran between Puerta del Sol station and the station located at the Cuatro Caminos depots. Designed by architect Antonio Palacios, the depots are currently at risk of demolition.

To commemorate this milestone, Madrid Metro launched a public call for ideas last November to design a logo that will serve as the corporate image for all centennial celebrations.

The progressive de-urbanization of Detroit—occurring, paradoxically, during what is supposedly “the era of cities” as a consequence of the collapse of economic structures and social organization—has transformed what was once one of the most economically vigorous US cities of the mid-20th century into a vast footprint of vacant plots, creating isolated islands and solitary objects on the plain.

Prompted by significant inefficiencies and silos in their workflow—where design, modeling, and documentation were treated as separate tasks—David Miller Architects (DMA) decided to transition the firm to the world of BIM (Building Information Modeling) in 2008. While their transition proved highly successful, the trial-and-error process yielded key lessons that are crucial for any firm looking to rethink its architectural design processes.

During a June 2018 conference in Santiago, Chile, we spoke with British architects, including representatives from Planbim, during a workshop titled “Why Implement BIM in 2020.” The session outlined seven key takeaways to help architecture practices adopt this paradigm shift.

1. The Smaller Your Practice, the Easier the Transition

In 1958, Tsinghua University established the Architectural Design and Research Institute of Tsinghua University (THAD) as a practical platform for architectural education and academic research, serving the development and construction of the newly founded republic. In 2018, THAD celebrates its 60th anniversary. Over the past six decades, the institute has navigated the shifts in China's social and economic development, witnessing the evolution of modern Chinese architectural design. To mark this 60th anniversary, THAD and the Tsinghua University School of Architecture are jointly hosting the "60 Years of Tsinghua Design Practice" event, inviting key figures and institutions from across the Chinese architectural community to join the celebration. Through a series of exhibitions, forums, lectures, and publications, the event aims to review the institute's history, reflect on the progress of Chinese architectural design over the past 60 years, and share research, practice, and insights to continue serving national development and the advancement of architectural scholarship and practice.

To celebrate the 60th anniversary of the Architectural Design and Research Institute of Tsinghua University, the Tsinghua Design Academic Week will be held on October 25, 2018. Prominent Chinese academicians, including He Jingtang, Wang Jianguo, and Meng Jianmin, alongside international guests such as Coop Himmelb(l)au and UNStudio, will attend. Concurrently, the exhibition titled "6X10: The Modern Architectural History of a University Design Institute" will officially open.

Among the various housing solutions—ranging from half-houses to 3D-printed homes—a new sustainable option stands out for its Lego-like assembly. Named “Slice,” the apartment designed by Iranian architect Nasim Sehat features identical, functional modules that lock together based on the user's needs.

The modules are configured as a shower, toilet, kitchen, office, and bedroom, along with an empty module to buffer functions, totaling eight “rooms.” Sehat—who is based in Shanghai and developed the concept by observing local urban habits—proposes that these Slices be booked online.

Bike-sharing services have been gaining increasingly more users in several Brazilian cities. In São Paulo, Yellow's system will make 20,000 bikes available using an innovative dockless model, eliminating the need to pick up or return them to specific stations. They will be monitored via GPS through chips from Vodafone Brasil—the local partner of Datora Mobile—allowing users to connect to and locate the bikes via an app. Operations began on August 2.

It is well known that mass tourism causes significant inconveniences for local residents, benefits large corporations at the expense of small entrepreneurs, and can strip away the very character that makes a place attractive. Yet, one must also admit that tourism generates jobs, increases income, stimulates new businesses, and improves urban quality in many respects—through urban revitalization, infrastructure improvements, and the construction of cultural facilities, for example. 

For several years, Lisbon has been experiencing a tourism boom that embodies both of these aspects. The city has undoubtedly changed. Urban rehabilitation projects have breathed new life into dilapidated areas, revitalizing public spaces and investing in the restoration and retrofitting of buildings that, in many cases, would otherwise have been condemned to ruin. New cultural facilities have been built, such as the Museum of Art, Architecture and Technology - MAAT, designed by British architect Amanda Levete, and the new National Coach Museum by Paulo Mendes da Rocha, in collaboration with the firms MMBB arquitetos and Bak Gordon Arquitetos.

It is highly unlikely that you made it through architecture school without seeing or even helping to build a geodesic dome. These structures are defined by a mesh composed of a network of polygons—usually steel, wood, or bamboo triangles—that, when materialized in three dimensions, form spaces. By connecting the edges (struts) and rendering the structure three-dimensional, this model achieves strength and structural lightness through the uniform distribution of its dead load to the ground. From a technical and structural standpoint, this dome is composed of a series of similar struts that form a hemispherical surface based on triangles. Within this complex composition, strength and lightness are achieved through the uniform distribution of forces.

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This edition of the International Architecture Exhibition of the Venice Biennale has been the most active and representative yet for Mexican architecture. This biennale brings together the largest number of Mexican participants across various fronts and collaborative projects. The Mexican Pavilion, “Echoes of a Land”—located in the Sale d'Armi of the Arsenale—presents an approach to architecture that goes beyond form and programmatic function, associating it instead with geography, culture, and identity.

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Across nine episodes, the series Proyecto Habitar delves into the intimacy of homes to explore the reality of housing in Chile. Through the perspective of its protagonists, directors Joaquín Mora and Verónica Wüst aim to spark an urgent conversation on housing-related issues.

"The issue of housing is crucial and will soon take center stage, as our current economic system presents various challenges we must address as a society," Mora comments.

This time, we invite you to watch the final three episodes of the series: childhood, roots, and projection.

Now in its sixth edition, the Arquitecturas Film Festival invites directors, architects, and production companies to submit documentary, experimental, and fiction films—including feature, medium, and short-length films produced after January 1, 2017—on themes related to architecture, space, and cities. The official launch of the call for entries was marked by the screening of Henrique Pina's documentary "Aires Mateus: Matéria em Avesso," dedicated to the work of the renowned studio, in the main hall of Cinema São Jorge in Lisbon.

The São Paulo Association of Art Critics (APCA) announced yesterday the winners of the 2018 APCA Awards. The awards are divided into ten categories covering architecture, visual arts, cinema, literature, fashion, popular music, radio, theater, children's theater, and television.

The ceremony honoring all the winners of this APCA Award will take place on a date to be announced in the first half of 2019, when the organization will celebrate its 62nd awards ceremony.

All the marketing surrounding smart cities—and there is plenty of it, since behind them are large corporations selling technology to municipal governments—speaks of humane and democratic cities, driven by the potential for citizen interaction with the government and how this can improve the responsiveness of public policies.

Yet, what we are actually seeing is quite different. So-called data mining powers targeted marketing; in other words, by tracking a user's online activity, it is possible to map their preferences. Thus, by appropriating the data we generate (without paying us for it!), companies bombard us with tailored advertisements. Almost everyone has experienced this: after searching for something online, you spend weeks receiving ads for that very item. While this is already an appropriation of the private data of the many for the business of the few, it becomes even more problematic when public information systems—such as police, judicial, and other records—are integrated into these platforms. And this has already begun to happen in China.

The Mexican architecture scene is increasingly shaped by young architects committed to holistic, globally conscious design. One such firm is LANZA Atelier, which will present three of its projects at SFMoMA on March 31.

RSAA / Büro Ziyu Zhuang has unveiled the design for the "Linpan Guesthouse" in Chengdu. Located in Chongzhou, a county-level city under the administration of Chengdu, the project sits in a region with a rich history and deep cultural heritage that has inspired the poetry of literary figures like Lu You, Du Fu, and Wang Bo, preserving the ancient style, charm, and character of western Sichuan. The "Linpan Guesthouse" scheme integrates western Sichuan's historical residential spatial typology with local climatic conditions, cultural characteristics, and the living habits and lifestyles of the local population. It aims to overlap and reorganize the *linpan* (traditional forest settlement) archetype with the multi-point perspective of traditional Chinese painting on a spatial level. This approach seeks to enrich the spatial dynamics and narrative possibilities of both the interior and exterior architectural experience. The project is currently under construction.

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Thirty-three years ago, the Association of Architects of the State of Jalisco (Colegio de Arquitectos del Estado de Jalisco A.C.) established the Jalisco Architecture Prize to recognize the work of established architects and to encourage and motivate architectural professionals in the State of Jalisco. The award also promotes the state's long-standing tradition of excellence and innovation, which has produced numerous outstanding professionals, including the one who lends his name to the lifetime achievement award: Luis Barragán. This year, the award ceremony took place at the Teatro Degollado, where the jury announced the final verdict and named the following winners:

Far from over, discussions on race and gender in architecture are only beginning to gain momentum. One of their outcomes is the emergence of projects and initiatives that seek to map and identify Black architects who, despite their numbers and prolific activity, are rarely cited—or published.

Still rare and absolutely necessary, these initiatives represent an important step toward fairer, more egalitarian recognition in the field of architecture. Below, we present four investigative projects that aim to identify and shed light on these professionals and their work. 

It is time to say goodbye to 2018 and look back at everything we have achieved. What captured our interest? What surprised us? What made an impact?

After presenting the best architecture of 2018, we decided to round up and highlight some of the Argentine projects that generated the most engagement on our social networks. Goodbye 2018, hello 2019.