Fundación Arquia, along with architect Ana Asensio, invites us to reflect on how cities have been designed until recently—spaces of friction conceived without equal participation in decision-making, which consequently leads us to discuss feminism.

Seu Acervo, a platform for architecture final graduation projects, has released the results of the "Most Popular Project of 2017" open call, launched last November. The goal of the call is to expand the reach of the material available on the platform and encourage recent graduates to engage with digital publishing media. 

The winners of this first edition of the award are Rogério Oliveira da Costa, from the Centro Universitário Belas Artes de São Paulo; Nayara de Paula, from the Universidade Anhembi Morumbi; and Hugo Rossini, from the Universidade Presbiteriana Mackenzie. See the winning projects below.

Brasília needs no defense. Its reality asserts itself above any discourse. As Paulo Leminski wrote in his Catatau: Brasília – the joy of maps.

In these dark times for our country, criticism has resurfaced regarding the untimeliness, or mistake, of transferring the capital from Rio de Janeiro to the cerrado of the central plateau. It is a conformist argument with avant-garde pretensions, attempting to draw a parallel between the dismantling of Rio de Janeiro and the relocation of the capital.

The dust of memory makes us forget the conflicts and revolts surrounding the relocation of the capital from Bahia to Rio, which was also considered a mistake at the time. Along with the move to the new and beautiful setting of Guanabara Bay came the slave-based system and the naturalization of violence implicit in its organization. A parallel can indeed be drawn between Rio-Brasília and Bahia-Rio. Neither architecture nor a new geographical setting inherently changes the way a society organizes or governs itself.

The 21 projects that make up the Official Selection of the Mexican Pavilion at the 16th International Architecture Exhibition of the Venice Biennale converge in latitudes, geographical regions, and echoes of the territory, drawing from the curatorial theme "Freespace." In four installments, we will share the works and insights of each of the participants representing Mexico in Venice. Read on to discover the third part of these projects.

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A new renovation project is underway at the University of Guadalajara's Health Sciences Campus, led by Nr24arquitectura. Located at Sierra Mojada 950, Independencia Oriente, 44340 Guadalajara, Jalisco, Mexico, the project covers a total area of 10,000 m² and is expected to be completed by 2019.

Many families working long hours spend more than they can afford on housing and transportation, leaving few resources for other essentials such as food and healthcare. This is a serious problem—one that is, in part, a consequence of public policies that favor expensive housing and transportation options over more affordable alternatives.

Born in Slovakia in 1921, architect Hans Broos began his career in Brazil in 1953, after graduating in Germany in 1949. His brief European career was marked by the reconstruction of Germany, during which he worked alongside architect Egon Eiermann as his assistant at the Technical University of Karlsruhe. During this period, Broos came into contact with Le Corbusier and his principles of modern architecture. Aligned from the beginning with the architects of the Modern Movement, Broos developed his first works in Blumenau and Florianópolis, in the state of Santa Catarina, far from major Brazilian urban centers. Throughout his professional life, the architect addressed a wide range of programs—from residential and industrial to religious, commercial, and social projects—over a career spanning more than 50 years and nearly 400 projects. Of these, approximately 100 were built in various states, including Santa Catarina, São Paulo, Pernambuco, and Goiás. The architect passed away in 2011.

At the end of last November, we published the winners of the second call for graduation thesis projects in Colombia, which received 70 proposals from 14 cities and 29 universities. Ultimately, nine projects cleared all three evaluation stages, standing out for addressing pressing issues, presenting rigorous research, and proposing challenges for both urban and rural contexts, much like in 2016.

Here, we take an in-depth look at the Paseo Bolívar Cultural Integration Center, a proposal developed by Ángela Puerta Gaviria and Carolina Delgado Quintero, both graduates of the Universidad del Valle in Cali.

Marked by refinement and purity of design, Portuguese architecture historically maintains a sharp relationship between the built object and the territory in which it is situated.

Names like Álvaro Siza Vieira, Eduardo Souto de Moura, and Fernando Távora remain the primary references when considering Portuguese architectural production. However, beyond these great masters, a group of young firms established over the last ten years has demonstrated strength and relevance in shaping this new output. In this landscape, new attributes are emphasized: an aesthetic and constructive sensibility rooted in modern minimalism—yet questioned and renewed in accordance with contemporary social and philosophical parameters; the merging of hybrid fields, from art and product design to architecture and urbanism; and an increasingly collaborative process based on collective ideas.

We have finally reached the last day of 2018, a year marked by a series of architectural trends, novel proposals presented in competitions, biennials, and architecture fairs, and above all, punctuated by a sea of projects reflecting the concerns of architects proposing new directions for the discipline. Now, after 365 days of many surprises for the world of architecture, it is time to celebrate and give thanks for another year—and what better way to welcome 2019 than to the sound of great music? With this in mind, our editorial team has curated a special selection: featuring the moving sounds of Coldplay and John Lennon, festive beats from Bruno Mars and Alok, and Brazilian classics by Elis Regina and João Gilberto.

Check out the full New Year's Eve playlist below.

Through the Urban Development Corporation (EDU) and the Colombian Society of Architects (SCA), last November Medellín launched an international call for proposals to design a space for memory and reflection on the period between 1983 and 1994 at the site of the demolished Monaco Building, the former residence of drug lord Pablo Escobar.

Here, we present the proposal by Taller Síntesis, which outlines a new way of telling history through space, inviting reflection on the past while honoring the lives of the victims of drug trafficking. According to the designers, "over time, this building has become a tourist destination for visitors arriving in Medellín who want to learn about the figure behind television shows that fail to faithfully reflect the reality of this era of drug trafficking."

Public attention turned to the protests in Puchuncaví and Quintero, municipalities designated as a "sacrifice zone" due to the presence of 15 major energy, chemical, and fuel companies, while Santiago works on the opening of a new green lung in the city center. This week is dedicated to the environment in this edition of La ciudad chilena en la prensa, the ArchDaily section where we cover what is happening in Chilean cities.

UNESCO has added 19 new sites to the World Heritage List, including the Caliphate City of Medina Azahara (Córdoba, Spain) during its recent 42nd session held in Manama, the capital of Bahrain.

The report prepared ahead of the session includes the evaluation and final conclusions of the International Council on Monuments and Sites (ICOMOS). Following a comparative analysis conducted both nationally and internationally, the council concluded that, alongside Medina Azahara, only Samarra (Iraq) stands as a well-preserved example of a caliphate city. Furthermore, among all caliphate cities, Medina Azahara is the only one that provides evidence of the culture and knowledge of the Islamic civilization that reached Europe.

With the 2018 Venice Architecture Biennale approaching, ArchDaily Brasil interviewed the curators of the Brazilian pavilion – Laura González Fierro, Sol Camacho, Gabriel Kozlowski, and Marcelo Maia Rosa – to better understand their curatorial proposal and clarify details of public participation in this endeavor.

Read the interview below:

Indivisível (Indivisible) is the title of the graphic novel created by Marília Marz as her final thesis project at Escola da Cidade – Faculty of Architecture and Urbanism. The project aims to identify and analyze the narrative possibilities intrinsic to the architectural and urban elements of the Liberdade neighborhood in São Paulo across two distinct historical periods.

The Ensamble San Borja proposal was awarded second place in the Pasarelas San Borja competition in Chile. The main objective of the competition was to recognize "the best urban design ideas that help define intervention criteria and generate proposals for the San Borja Neighborhood."

According to the authors, the second-place winning proposal aims to create "a living space that mutates according to needs and adapts to demands."

How many discoveries can a walk through São Paulo reveal? What if this expedition felt like a treasure hunt and was led by a friendly, highly curious dog? Inspired by the success of the Prédios de São Paulo trilogy, a project conceived by Matteo Gavazzi, comes Prédios de São Paulo para Crianças. Set to launch in July 2018, the children's book features text by journalist Tatiana Engelbrecht and illustrations by Daniel Almeida. The book is published by GAPS Editora.

Alexander Dubor, an architect and researcher, combines new technologies in an effort to improve how we build and inhabit our cities. Currently, he heads the Open Thesis Fabrication (OTF) program as well as the Master in Robotics and Advanced Construction (MRAC) at IAAC. Alongside IAAC staff, students, and industry partners, he investigates how developments in materials, digital fabrication, and computational design can foster a better construction ecosystem, moving toward a more efficient, affordable, sustainable, and customized built environment.

As an expert in digital fabrication and robotics, Dubor discusses the current state and future prospects of robotics in construction. In this interview, he analyzes how the digital revolution can drive productivity, sustainability, and cost reduction across the construction sector.

Furthermore, he suggests that although most digital construction currently takes place off-site, future breakthroughs in robotics point to a scenario where robots evolve to play a pivotal role directly on-site.

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On Thursday, October 11, a new space named Design House opened in Mexico City, showcasing a series of interventions that blend design, architecture, and interior design. Over the past nine years, the event has presented cutting-edge proposals from 100 participating firms across various venues. This is done in collaboration with showrooms along the Ruta del Diño (Design Route), which provide the furniture and accessories featured in the various spaces.

For this year's edition, Design House features 24 renowned architecture and interior design firms. Guided by their unique visions, they have transformed different spaces, drawing inspiration from prominent personalities across various social spheres in Mexico.

In September, we launched the third edition of our open call in Colombia, inviting architects to submit their graduation thesis projects (as final degree projects are known there). In this edition, the call received 94 submissions from more than 10 cities and 22 universities across the country, representing a 34% increase in proposals compared to 2017.

Following a thorough evaluation, six graduation theses were selected as winners by our editorial jury (Fabián Dejtiar, Mónica Arellano, José Tomás Franco and Nicolás Valencia). Built works, historical research, and master plans make up our selection: from a rural residential prototype to a comprehensive study of the Edificio de Renta (rental building), a popular residential format in Bogotá between the 1940s and 1970s.

Additionally, for the first time we included a high-level external jury tasked with selecting the Grand Winner 2018. The jury comprised Lina Toro (Madrid), Carlos Cano (OPUS, Medellín), and Jorge Noreña (Ruta 4, Pereira). "While architecture requires rigor, dedication, and communication skills, it also demands strengthening connections with urbanism and landscape, as well as with professions that make transformative ideas viable," Cano commented during the jury's evaluation.

After reviewing 94 undergraduate student projects from 20 architecture schools across 8 regions of Chile, the jury of the Concurso Arquitectura Caliente 2018 has announced the winning projects of its latest edition.

The submissions span the entire country and cover diverse typologies, ranging from urban planning and student housing to landscape designs and structural emergency initiatives.

Below, we present the award-winning second-year projects:

In conversation with ArchDaily en Español, the founders of the Paraguayan firm Gabinete de Arquitectura, Solano Benítez and Gloria Cabral, spoke about their involvement in Cuatro Cuatros, an ambitious Mexican project led by Mauricio Rocha y Gabriela Carrillo in Ensenada, Baja California.

For a decade, Rocha and Carrillo have worked on the 860 hectares comprising the Cuatro Cuatros project. In this new phase, a group of Mexican and international architects has created a manifesto explaining their collaborative involvement in a 500-home development within the 360 permitted hectares.

Days after the tragic fire and collapse of the Wilton Paes de Almeida building in downtown São Paulo, which left fatalities and hundreds homeless, it is impossible not to question the future of social housing in Brazil.

Historically, most social housing programs have focused on constructing new housing units. However, according to urban planning and housing specialist Elisabete França, this approach is often detrimental to the social development of low- and middle-income citizens.

This year marks the bicentennial of the Battle of Maipú, the decisive clash that secured Chile's independence. 1818 also marks the vow made by Chilean liberator Bernardo O'Higgins to erect a votive temple in honor of the Virgin of Carmen, Chile's patron saint, to whom local troops prayed for the victory that ultimately freed them from the Spanish Empire.