Against the backdrop of Chile's ongoing social crisis, Radio Zero's program *Santiago Adicto* featured an insightful conversation in which architect Cristián Fernández shares his perspective on what the Gabriela Mistral Cultural Center (GAM) represents today for the city of Santiago.
As part of the cultural programming of the Mexico City-based art gallery, MASA presents the exhibition Recover / Uncover, a space featuring unique and limited-edition pieces by designers and artists whose work seeks to challenge labels. In doing so, MASA celebrates contradiction as a reflection of an ongoing process of self-definition and evolution over time, presenting objects as tools for life and contemplation.
In early October, a new space opened in Mexico City under the name Design House at Público Coworking, showcasing a series of interventions that integrate disciplines such as design, architecture, and interior design. Over the past ten years, Design House has presented cutting-edge concepts from more than one hundred participating firms across various venues, collaborating with showrooms on the Design Route (Ruta del Diseño) that provide the pieces and accessories featured in the diverse installations.
Currently, most global citizens have been directed into lockdown due to COVID-19. After spending more than two months under these circumstances, two broad reflections emerge—regardless of the personal challenges faced by each household. The first is that we might adapt and live in relative harmony within our living spaces; the second is that our living space may not be adequate for our comfort. We will delve into this second point to empathize with vulnerable populations who choose to abandon their lives in one place to migrate toward better opportunities, and to examine how architecture addresses—or fails to address—the migration emergency.
As part of an initiative by Makers México, a group of nearly 300 creative professionals from various fields continues to come together to address the COVID-19 pandemic. Architects such as Juan Carlos Baumgartner and Michel Rojkind, along with designer Ariel Rojo, have joined this effort to contribute in various ways, creating 3D-printed parts to be donated to hospitals across the country. Currently, they are working on a splitter—which allows two patients to be connected to a single ventilator in the event of a shortage—protective masks for doctors and patients, as well as other components to complement their operation.
On August 20, the landmarking process began for the scale model of Salvador, which is currently on display at the Associação Comercial da Bahia in the state capital [1]. The model, which will remain open to visitors by appointment until September 18, 2020 [2], was first conceived in the early 1970s by architect Assis Reis. Since then, it has been continually updated by a team of craftspeople from the Salvador Municipal Government to represent the city's urban changes, thus preserving the original vision behind its creation.
The 13th São Paulo International Architecture Biennial has established reconstruction as the core theme of its 2022 edition. As a preparatory activity for the co-curatorship competition, the IABsp organized three debates to discuss the very essence of art and architecture exhibitions, while also calling on us to reflect on the role of architects, urban planners, and many other professionals in building fairer and more democratic cities.
The government-mandated lockdowns in response to the COVID-19 pandemic—and, in some cases, the fear of going outside—have recently underscored the value of domestic space, transforming it into the stage for the most evident and characteristic human actions and reactions within a capitalist and patriarchal system.
"The hardest thing in architecture is building in the desert. It is terrible, there are no references," Álvaro Siza once remarked. Paradoxical as it may seem, complex site constraints are often the starting point for architectural reasoning. Dealing with steep slopes, significant pre-existing structures, or endemic vegetation might initially seem like an obstacle to the creative process, but in many cases, this very confrontation is what makes a project unique and anchors it to its site.
From July 20 to 27, the first virtual edition of the 7th Santa Cruz International Biennial of Architecture (BASC) took place. Organized by the Santa Cruz Association of Architects, the event was an effort to reflect on the “Return to Origins”; that is, bringing to the table the importance of an introspective review of the essence of space and cities from a global perspective, yet connected to local knowledge.
On the final day of the event, the first-place winners and honorable mentions for each of the five BASC 2020 categories were announced. Discover all the winners below.
The following list is our index of articles, news, and projects covering everything you need to know about metal and steel.
Brick stands as one of the defining materials of Latin American architectural culture. The diversity and versatility of this masonry unit have led to a wide array of uses and applications. Whether chosen for economic or aesthetic reasons, exposed brick—left unfinished and without exterior cladding—is widely used across the region's designs, showcasing the rich textures and tones inherent to the material.
Located in the country's northwestern region, the state of Baja California Norte borders California (in the United States), Sonora, and Baja California Sur (in Mexico). Along with Baja California Sur, these are the only two Mexican states flanked by the Pacific Ocean to the west and the Sea of Cortez to the east, harboring some of the most breathtaking landscapes and coastlines in the country.
What is architecture's share of the blame for climate change?
It was with this very serious question that we decided to open the debate with our readers, and the volume of responses received was impressive. After reading and compiling the comments sent by construction industry professionals, students, and interested individuals, we concluded that architecture schools rarely discuss the physical properties and characteristics of materials, let alone their embodied energy.
From my hotel room, it was possible to see the roofs of the Forbidden City, though only as a faint shape through the haze blanketing the landscape. Beijing (or Peking, depending on the language or spelling) is one of the most polluted cities in the world, covered by a constant smog produced not only by automobiles—which account for 70% of the city's air pollution—but also by factories, coal-fired power plants, and sandstorms from neighboring regions. It looked like a cloudy day, but in reality, there was not a single cloud in the sky.
While virtual reality is not a new tool, its adoption across various industries has been gradual. In the architecture and cultural sectors, virtual tours have become increasingly common, offering a much broader perspective of spaces and—in the case of art—their relationship with the exhibited works. Various efforts have been made to promote this spatial mapping, closing the gap between cities, countries, and continents. A prime example is the Google Arts & Culture project, which features a library of 4,500 institutions that can be explored virtually.
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In mid-August, images of a new urban-architectural proposal for downtown Santiago began circulating in the media and on social networks: the preliminary design led by architect Gonzalo Mardones for the MAC Contemporary Art Museum in Parque Forestal.
Despite the potential benefits it aims to deliver, does it capitalize on the opportunity presented by intervening in this area? Does it meet citizens' expectations? Does it foster discussion about its management? Are there other viable alternatives?
Gonzalo Mardones writes to us regarding this.
The winners of the “Parque de la Ciudad” Comodoro Rivadavia National Preliminary Project Competition have been announced. Organized by the College of Architects of Chubut and sponsored by the Argentine Federation of Architects' Entities, the competition invited participants to develop urban and architectural ideas to renew the public space of the city of Comodoro Rivadavia, Chubut (Argentina), through the design of a new Urban Park and a Popular Music Training and Production Center.
This October 2020, the Memory and Tolerance Museum by Arditti + RDT Architects in the heart of Mexico City marks the tenth anniversary of its founding—a space designed to raise awareness and showcase the terrible consequences of hatred and indifference. Over these ten years, the museum has welcomed 5,000,000 visitors, hosted more than 4,000 free workshops and courses benefiting 470,000 people, generated 1,500,000 scholarships for vulnerable students, and spearheaded countless initiatives that have successfully fostered a culture of peace and tolerance. It has become a national and international benchmark in matters of historical memory and Human Rights—a voice that gives visibility to diverse causes, a bridge for conflict resolution, and an ally to various sectors, including schools, civil associations, institutions, and socially responsible corporations. Above all, it serves the individuals who wish to transform their environment through knowledge, introspection, reflection, and social action.
To showcase the valuable work emerging from Peruvian universities, we held the second edition of our open call for students, inviting them to submit their graduation projects completed in 2019.
The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared this interview with Leonardo Álvarez Yepes. This is part of a series featuring seven Colombian architects, including leading figures such as Sebastían Serna, Santiago Pradilla, Lorenzo Castro, and Fernando de la Carrera, among others, whose interviews will be released on their channel.
Architectural firms have been deeply questioning the future projections reshaped by lockdown and the new dynamics of how the city and territory are experienced. On this occasion, ruta4 taller from Pereira, Colombia, presents their perspective on how the profession is practiced in the country and their shift toward a more participatory practice for the benefit of local communities. The Pereira-based architecture studio has built exemplary collaborative projects, such as the taller de Urbanautas and the Casa Ensamble Chacarrá, demonstrating through experience that empathetic architecture is a highly viable approach.
In buildings dedicated to workplace activities, proper spatial design plays a fundamental role. Considering variables such as lighting, acoustic insulation, the relationship between workstations, or ceiling heights often optimizes business performance while simultaneously ensuring user comfort. Specific requirements depend on the building's purpose: while certain activities demand greater concentration, others require interaction among team members, fostering collaborative processes. Architecture must be able to provide solutions to these requirements, even considering how these activities might evolve over time.
Defining spaces in apartments is a challenge often imposed by their limited footprints. To address this, many projects utilize metal framing and custom furniture to delineate areas, connecting the architectural program through visual permeability while allowing natural light to flow throughout the home.
