Tools developed for woodworking, along with new production, milling, and treatment techniques, have gradually yielded highly diverse, high-quality products in various sizes, strengths, tones, shapes, and colors. These advancements have allowed wood, as a resource, to meet a wide range of construction needs, serving as structural support, building envelopes, cladding, or furniture in a vast number of architectural projects.
The winners of the first edition of the National Brick Architecture Award have been announced. Jointly organized by the Central Society of Architects (SCA) and the Chamber of the Red Ceramic Industry (CICER), the competition sought to highlight Argentina's architectural production based on the use of ceramic masonry units and to promote the widespread use of this material as a sustainable, long-term element in both urban and rural environments.
Croquis CDMX is an initiative led by Héctor López, founded eight years ago to foster and strengthen the connections between the eye, the brain, and the hand. The project seeks to portray life in Mexico City through freehand sketches. While architectural education is geared toward training professionals to design and construct buildings, Héctor—who studied at the Faculty of Architecture of the National Autonomous University of Mexico—views university education as “the axis of all elements: I already knew how to draw, and in school I became interested in construction, history, and theory. That was where drawing became disciplined. I would encourage students to draw, regardless of whether they think they can or not, because you discover things that you don't understand when drawing with software.”
On March 16, in an effort to protect public health and reduce the transmission of COVID-19 in Peru, the country declared a mandatory quarantine. Under this exceptional measure, all residents must remain in their homes until—for the time being—April 26, refraining from going to work and limiting their movement in public spaces. The restructuring of urban life is already striking: streets and public gathering spaces like plazas, parks, and beaches that were once overflowing with people are now completely empty.
Modern architecture established new priorities around living. While the architects associated with this movement had highly heterogeneous interests and pursuits, certain common ground can be found linking their approaches. Grounded in hygienist principles, the lighting and ventilation of architectural spaces became a primary focus. The connection and continuity between interiors and exteriors began to foster an architecture of blurred boundaries, where gardens, terraces, and patios—as well as their urban-scale counterparts: parks, plazas, and boulevards—gained greater prominence. Consequently, solariums, swimming pools, ponds, and all areas associated with "outdoor leisure" began to be designed holistically, as integral parts of the architectural project.
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The state of Baja California Sur is located in northwestern Mexico. It is bordered by the state of Baja California to the north, the Pacific Ocean to the west, and the Sea of Cortez to the east, harboring some of the most stunning landscapes and coastlines in the country. Thanks to its prime location, Baja California Sur is one of the most visited states in the nation.
The picturesque municipality of Vélez, located in the southern region of the department of Santander, is set to receive a renovated main square. Known for its famous bocadillos (guava paste) and its unique "transverse" church (iglesia atravesada), the town will also see the revitalization of the facades of the traditional buildings surrounding the square.
The Ministry of Culture of the City of Buenos Aires, in collaboration with the Tourism Board, invites the public to explore local architecture and culture through “Turismo Cultural BA”. This virtual series, stemming from the Cultura en Casa initiative, offers weekly online tours of some of the most iconic buildings in Buenos Aires, showcasing art exhibitions and spaces associated with the city's history and culture. This virtual format allows people worldwide to access Buenos Aires' architectural and cultural heritage from home, in compliance with the isolation measures implemented by the country to combat COVID-19.
In most architectural works involving level changes, vertical circulation is, almost by implication, a central design feature, with stairs being the most common expression.
Below, we present a selection of projects in Colombia across various typologies where vertical circulation plays a hierarchical, organizing role, and in some cases, becomes the primary driver of the building's space and atmosphere.
At the same rate that the real estate development industry aggressively intervened in the most favorable areas of the city valley—backed by state approvals and concessions, supported by massive banking resources, and employing top individual talent trained at public universities—popular settlement neighborhoods grew proportionally across complex topographies, receiving minimal institutional support, completely devoid of financial backing, and with negligible, residual, if not non-existent, technical assistance.
The Inter-American Development Bank (IDB) recently published a practical guide for sustainable buildings, public spaces, and construction sites in Brazil. Authored by Esperanza González-Mahecha, Livia Minoja, Lucas Rosse Caldas, and Clémentine Tribouillard, the publication aims to simplify access for public and private managers to practical information on how to incorporate sustainability elements into projects, whether buildings (such as housing or public facilities) or public spaces.
No longer a space of purely functional hygiene, the bathroom has taken on a prominent role in architectural design, becoming an essential element in both public and private programs.
Between 1960 and 1980, architectural development in the Magallanes Region was heavily driven by public investment from the Chilean state. The economic boom of the era enabled the construction of high-quality buildings and infrastructure designed by the country's most prestigious architecture firms, providing solutions to challenges related to territory, the city, and society. It was during this progressive development process that Modern Architecture assumed a crucial role.
In 1978, at the height of postmodern architectural discourse, twelve eminent architects were invited to participate in the *Roma Interrotta* exhibition, with the task of redesigning the first map of the city of Rome, created in 1748 by the architect Giambattista Nolli. Each participant was responsible for reinventing a portion of the original map to construct a theoretical or utopian condition, taking into account the historical forces that had swept through the territory during the intervening years.
Upon completing the long and arduous study of architecture, we are awarded a professional degree certifying that we possess the ability to design a habitable space, and the license to sign off on the blueprints to build it. Yet these are technical and functional skills; the artistic dimension of architecture often depends on the humanity transmitted by the mentors who educate us, enabling us to bring that quality to the spaces we design.
When analyzing an architectural project, we often focus on issues such as its programmatic demands and historical context, its design and representation process, and how it was built. We tend to study it as a finished product. Yet, once a work is constructed, it opens itself up to the city and to others, becoming vulnerable to flaws, imperfections, redevelopments, and unforeseen appropriations. The consequences then stem from conflicts, and social and political dynamics that shape the city, forming a fluid and shifting landscape.
Known for projects across a wide range of scales—from houses to residential buildings, and corporate offices to cultural centers—the firm FGMF comprises a collaborative team of over 40 architects and is led by partners Fernando Forte, Lourenço Gimenes, and Rodrigo Marcondes Ferraz. In an interview with ArchDaily, the three discuss their most recent residential and corporate buildings, as well as the experience of working collaboratively with Kengo Kuma's team on Japan House São Paulo.
When we visit an urban destination—or perhaps a rural one as well—can we truly say we know it? A brief vacation in a tourist destination might give us an impression of what a place "is." However, this is a far cry from reality, as tourism has always manipulated the impression left on visitors, obscuring the actual lived experience of the place.
With their cliffs and bluffs, the rocky coasts of Peru form a unique landscape of surfaces shaped and reshaped by the erosion of the sea and wind. On these heterogeneous, steeply sloping terrains, designing architecture integrated with the context is no easy task. From volumes embedded into hillsides to houses that incorporate mineral formations into their interior spaces, projects addressing this challenge prompt us to reflect on how to establish a relationship with the natural environment, blurring or tensioning the boundaries between architecture and landscape.
Various authors such as Michel Foucault, Maurice Merleau-Ponty, and contemporary thinkers Marina Garcés and Judith Butler have brought the body to the forefront of global philosophical discussions. This has gradually permeated different disciplines where the body is the focus of study, and even some where this relationship seems less obvious.
Whenever we think of solar panels, the concept of sustainability immediately comes to mind. They are undoubtedly an effective solution for generating renewable energy; however, what few people realize is that solar panels are incredibly difficult to recycle. While this drawback should not discourage their adoption in buildings and solar power plants, it underscores that sustainability must remain a constant focus for these products, even after they stop working.
The city of Puebla, located in the central highlands of Mexico, is particularly well-known for its street layout and its predominantly Baroque architecture. A UNESCO World Heritage Site since 1987, it hosts a broad cultural dynamic centered on the preservation of built heritage and its appreciation from afar, as if it were a museum piece. Consequently, on our daily commutes, we notice the monumentality of its facades, while most often overlooking what lies behind the large wooden doors: what we have called “the heart of the Poblano home.”
The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared with us an interview with Sebastián Serna Hosie, a Bogotá-based architect and member of Taller de (S) and Ciudad Isla. This is part of a series featuring seven Colombian architects, including prominent figures such as Santiago Pradilla, Lorenzo Castro, and Fernando de la Carrera, whose interviews will be released on their channel.
Street safety goes far beyond policing and lighting. While these factors may be important in certain contexts, community engagement and building social capital are key to making cities safer. “Feeling safe is crucial for people to embrace urban space,” says Jan Gehl.
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__Alberto_Giacometti..jpg?1594154195 "Men’s Heads (Têtes d’hommes), by Alberto Giacometti")
