Following the decision of a jury comprising leading figures in national architecture, combined with the public vote, the winners of the 2020 Best Brick Architecture Award were announced. The award aims to recognize outstanding national architecture projects featuring exposed brick, highlighting the architectural value of a material central to Chilean identity.
We have all heard the term BIM in the field of architecture and construction. But have you ever wondered why its adoption has grown so rapidly in recent years? Building Information Modeling (BIM) has streamlined the work of various professionals in the architecture and construction industries. It not only facilitates the design process but also simplifies the overall analysis of the building, thereby minimizing errors.
Through BIM methodology, teams can work collaboratively, maximizing the efficiency of project management and administration for both small and large-scale projects. This allows architects and engineers to work with parametric models and drawings, known as 3D smart objects.
In this article, I share the analysis and decision-making process we led at Königsberger Vannucchi Arquitetura when starting our BIM transformation in 2017. We conducted six investment studies between 2013 and 2017 before the plan finally became an active initiative. It was September 2017, and we had just embarked on what would be the most important, transformative, and risky investment of the KV2020 strategic cycle: adopting BIM as the office standard across 100% of our projects, throughout 100% of their lifecycles.
Located in southern Mexico, bordering the state of Tabasco and sharing a border with Guatemala, the state of Chiapas is one of the most significant regions for Mesoamerican cultures like the Olmec, Maya, and Chiapanec. Consequently, some of the area's most important tourist attractions are the archaeological zones of Yaxchilán, Palenque, Chinkultic, Toniná, and Bonampak, which are crucial for understanding the construction, structural, and social processes that shaped this territory.
The National Social Distancing Campaign (Jornada de Sana Distancia) in Mexico began on March 23, 2020. However, a couple of weeks earlier, even despite the Federal Government's recommendation to continue activities as normal, social media was already filled with people choosing to replicate the European model and self-isolate. Immediately, some architecture practices decided to close their physical offices and transition to a remote work model, while others took several weeks longer. Yet, this period of social and physical (spatial) distancing is experienced differently in every household. In the months since this pandemic unfolded, it has laid bare not only the inequality in basic needs within dense urban areas but also the fragility of the social order itself. Whether at a macro or micro scale, all these experiences occur within and are influenced by the built environment, making architecture both judge and jury in this equation.
Nearly sixty years ago, Flora Manteola, Javier Sánchez Gómez, Justo Solsona, Carlos Libedinsky, and Antonio Diaz envisioned a building with a capacity of 3,000,000 books and 500,000 magazines and newspapers for the National Library of Argentina preliminary design competition. Their proposal for a "large metal tent" would ultimately take second place to the concrete glyptodont by Clorindo Testa, Bullrich, and Cazzaniga that stands today.
From its inception, the proposal "prompted sensitivity toward new formal and structural directions," as noted in the jury's critique. In 2015, this design was featured in the exhibition Latin America in Construction, and today its original model and blueprints are in the official collection of the Museum of Modern Art (MoMA) in New York.
Below, we revisit the project through the words of Justo Solsona:
There are many ways to define BIM methodology. One of them describes it as a set of processes that help us combine a project's geometry with the data required to complete its entire lifecycle. We could say that modeling in BIM is like virtually executing the construction process.
Another key aspect is that it allows us to work in a collaborative environment, helping to simplify the flow of information among different stakeholders and providing greater control over our projects.
As part of an initiative by the Faculty of Architecture at the National Autonomous University of Mexico (UNAM), the Carlos Obregón Santacilia Bookstore is making a selection of its publications available to the public digitally and free of charge. These texts cover a wide range of topics, including research methods, analyses of administrative processes in the architectural field, theoretical writings by Alberto T. Arai, architectural history across various periods and contexts, structural systems, energy efficiency, urbanism, landscape, heritage, reconstruction, biennials, and guides to support the conception of new architectural projects.
The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared their interview with Daniel Feldman. This is part of a series featuring seven Colombian architects, including figures like Sebastián Serna, Santiago Pradilla, Leonardo Álvarez Yepes, and Lorenzo Castro, among others, available on their channel.
One side effect of the global coronavirus pandemic in the field of architecture is a reflection on the future of cities and the built environment. Debate on the topic has perhaps never been so intense, with numerous proposals and visions emerging to address everything from social interaction in public spaces to the details of new uses for private ones. Regarding urban dynamics, programmatic changes may offer a way to ensure that commercial and service districts maintain their vitality.
With more people working remotely, commercial buildings face the potential of becoming partially vacant. Driven by this reflection, architects Matheus Marques, Ricardo Goncalves, Luis Favilla, and Rolando Figueiredo, from the São Paulo-based firm Hiperstudio, developed a proposal to convert single-use commercial buildings into mixed-use complexes, incorporating residential units and public gathering spaces.
This article by Maria Inés García-Reyes Röthlisberger (Pontificia Universidad Javeriana) and Stefano Anzellini Fajardo (Universidad de los Andes) was originally published in issue 24 of Dearq journal on 01/01/2019 under the title "Saberes compartidos del hábitat: una arquitectura para el paisaje rural" (https://doi.org/10.18389/dearq24.2019.03) and is part of a joint dissemination partnership.
This article by Julián García Muñoz and María de los Ángeles Beltrán Fernández was originally published in the second issue of rita magazine under the title "La prefabricación de bóvedas de ladrillo: Una utopía latinoamericana" and is part of a joint publishing collaboration. The following is an overview of the history of these prefabricated vaults, aiming to reclaim their value.
The winners of the National Ideas and Preliminary Projects Competition for the “San Patricio del Chañar Sports and Cultural Park” (PDC.SPDC, Neuquén, Argentina) have been announced. Promoted by the Municipality of San Patricio del Chañar, sponsored by the Argentine Federation of Architects' Associations (FADEA), and organized by Region 1 of the College of Architects of Neuquén Province (CAN), the competition invited architects across Argentina to submit proposals for a new urban green space that will serve as the city's Sports and Cultural Park. By offering high-quality amenities for public use, the initiative aimed to promote the benefits of sports, culture, and outdoor life, fostering social interaction, community living, civic activity, and collective belonging.
Chilean architect and urban planner Germán Bannen, renowned for his work in the municipality of Providencia, is thoroughly examined in a new documentary by visual artist Gabriel Del Favero and journalist Ana Rodríguez. La ciudad de Germán Bannen traces the key milestones of his projects—such as the design and construction of Nueva Providencia Avenue—through a compilation of photographs, plans, archival footage, lectures, architectural drawings, and a dozen interviews.
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The single-family housing prototypes presented here arose from the need to validate the construction system developed by CAUH. As with all prefabricated and industrialized systems not considered traditional construction methods, it is necessary to undergo a process of empirical certification and validation. This process is required to obtain the CAT (Technical Aptitude Certificate) issued by the Undersecretariat of Housing of Argentina. To achieve this, not only are individual components of the system tested, but a full-scale prototype or model home is also built to endure two seasons, allowing its on-site performance to be verified.
Fazendinhando is a movement for physical, cultural, and social transformation in Jardim Colombo, created by and for its residents through the reclamation of public spaces and art and culture initiatives aimed at community integration.
The movement's primary focus is the transformation of a 1,000 m² area, known as Fazendinha, into a park. The development of this space relies on physical site remediation paired with a continuous cultural and artistic program that engages the local community and regular users of the space.
To showcase the valuable output of various Argentine universities, we held our open call for the fourth consecutive year, inviting our Argentine readers to submit their graduation projects.
For many years, the Catalan vault has been used in various projects ranging from residential to public programs. This design element stems from a traditional construction technique—likely originating in the Middle Ages—consisting of building a roof with bricks laid flat on their widest face—exposing their length and width—rather than on any of their thicker edges.
“Architects, not Architecture” has decided to open its archive to help us navigate the global lockdown, serving as a source of inspiration and entertainment for the architectural community. It features a selection of the best talks from their 35 past events, previously unreleased to the public—including Tatiana Bilbao, Peter Cook, Richard Rogers, Massimiliano Fuksas, Kim Herforth Nielsen, Ben van Berkel, Anupama Kundoo, Sadie Morgan, Dan Stubbergaard, Manuelle Gautrand, and Kjetil Thorsen.
Each week, ArchDaily will share one of the full talks that “Architects, not Architecture” is publishing daily on its website as part of its "new event": Home Edition 2020 (www.architectsnotarchitecture.com).
As an exclusive, Plataforma Arquitectura is presenting one of the talks in Spanish. Below is the presentation by architect Benedetta Tagliabue.
Bogotá's urban landscape will undoubtedly be transformed by the arrival of the metro. One of the structures that will be affected is the Monument to the Heroes, currently located at Carrera Caracas and Avenida Calle 80. In response to this urban icon, the Colombian Society of Architects organized a public competition for the architectural schematic design of the new Monument to the Heroes.
As part of an initiative led by the Mexican architecture firm REVOLUTION Arquitectura and the Mexican Red Cross, the Temporary Housing Pavilion for Healthcare Workers was developed to protect and shelter healthcare sector workers in Mexico.
The winners of the Allen Bus Terminal Preliminary Project Competition (TOA) have been announced. This regional call was promoted by the Municipality of the City of Allen (General Roca, Río Negro, Argentina), organized by Section 2 and Section 4 of the Colegio de Arquitectos de la Provincia de Río Negro (CARN), and sponsored by the Argentine Federation of Architects' Associations (FADEA). The competition invited architects to submit proposals for a new passenger transport terminal, boosting architectural creativity and intervening at an urban scale.
Earth is a material that has been used to construct buildings since time immemorial. Its low environmental impact and the variety of techniques available for working with this material have allowed its use to endure in architectural projects worldwide. Whether using rammed earth, wattle-and-daub (bahareque) systems, or adobe structures, numerous contemporary projects rework and reinterpret these traditional methods to shape their spaces.
"How will we live together?" The question, the theme of the 17th Venice Biennale, has been providentially timely. Indeed, it has acquired a sense of urgency with the outbreak of COVID-19 and the crisis it has unleashed, prompting us to examine the sustainability of our current civilizational model and the need to renew both thought and action regarding the environment. In response to an article published on ArchDaily titled How Will We Live Together with All Other Species?, this article aims to contribute further perspective to the debate.
.jpg?1588592283 "Prototipo Tapebicua (Virasoro). Image Cortesía de CAUH")
.jpg?1588592168 "Prototipo Tapebicua (Virasoro). Image Cortesía de CAUH")
.jpg?1588590918 "Prototipo Mesopotámico 2.0 Pilar. Image Cortesía de CAUH")
