Construction has exploded along the High Line ever since it opened: condos hover over the rehabilitated track and look out onto the Hudson, while the new location of the Whitney Museum is making headway on the southern end of the park as Google moves into its NYC headquarters to a building just a few short blows away. Now, the historic Chelsea Market may be looking at a facelift following approval from the New York City Council for increasing density in the building by developers, Jamestown Properties. The proposed vertical extension, which has made a brief appearance on a few architecture blogs, will provide the additional in demand office and retail space in the Chelsea neighborhood.
This week we’re going to spotlight one of our greatest contemporary filmmakers, Tim Burton. In the 1989 film Batman, Burton generates a whole gothic environment, full of art deco and art nouveau buildings within Gotham City. Locations were inspired by urban spaces from New York City, Los Angeles, West London, Chicago, Pittsburgh, Tokyo, to Hong Kong (even though Gotham City was a well-known nickname for New York City, before Batman was ever written).
If you didn’t check out our article on Architecture & Batman, do so now – and let us know which Director you think does Gotham best in the comments below…
Shipping container architecture has gained a lot of ground over the past few years for its simplicity, affordability and flexibility. Yes the very same containers that make transatlantic voyages and are carted around hitched to trucks have become a tool for architects to design restaurants, to serve as retail or pavilions and even homes. According to an article by Matt Chaban on the New York Observer, NYC plans to prepare for the next disaster with apartments built out of shipping containers to be used as disaster relief shelters.
Hosted by the Architectural League and co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union, Steven Holl will lecture in the Great Hall at The Cooper Union on November 28 at 7:00pm. Holl’s architecture and writing has undergone a shift in emphasis, from his earlier concern with typology to his current interest in phenomenology. This “Time Light” lecture is dedicated to Lebbeus Woods and will show both early and recent works by Steven Holl Architects. Following the lecture, Steven Holl will be joined in conversation by Sanford Kwinter. For more information on the event, please visit here.
The west side of midtown Manhattan is probably one of the more unexplored areas of New York City by residents and tourists alike. Aside from the Jacob Javits Center, and the different programs off of the Hudson River Parkway that runs parallel to the waterfront, there is very little reason to walk through this industry – and infrastructure – dominated expanse of land full of manufacturers, body shops, parking facilities and vacant lots. The NYC government and various agencies, aware of the lost potential of this area, began hatching plans in 2001 to develop this 48-block, 26-acre section, bound by 43rd Street to the North, 8th Ave to the East, 30th Street to the South and the West Side Highway to the West.
The new Hudson Yards, NYC’s largest development, will be a feat of collaboration between many agencies and designers. The result will be 26 million square feet of new office development, 20,000 units of housing, 2 million square feet of retail, and 3 million square feet of hotel space, mixed use development featuring cultural and parking uses, 12 acres of public open space, a new public school and an extension of a subway line the 7 that currently terminates at Times Square-42nd Street, reintroducing the otherwise infrastructurally isolated portion of the city back into the life of midtown Manhattan. All this for $800 million with up to $3 billion in public money.
The Battery Conservancy Americas Design Competition 2012: Draw Up A Chair, which we published a couple months ago here, has received an impressive number of registrations to-date and continue to receive wonderful design submissions. Due to the impact of SuperStorm Sandy on many of their registered and would-be participants, they recently announced that they have extended the competition submission deadline to Monday, November 19. For more information, please visit here.
In the wake of Hurricane Sandy, as communities band together to clean up the devastation and utility companies work tirelessly to restore the infrastructure that keeps New York City running, planners and policy makers are debating the next steps to making the city as resilient to natural disaster as we once thought it was. We have at our hands a range of options to debate and design and the political leverage to make some of these solutions a reality. The question now is, which option or combination of options is most suitable for protecting New York City and its boroughs? Follow us after the break for more.
Designed for the Land Art Generator Initiative competition, the ‘NAWT Balloons’ concept, which was recently shortlisted in the competition, aims to couple the image of an oversized helium-filled teardrop with a nuanced application of wind energy technology. While the balloon’s image and subsequent geometry are the primitives to the proposal, the deployment on the Fresh Kills site ignites an interest in the oversized and the attenuated. Designed by Norman Kelley, through its multiplication and reconfiguration, this design may be able to produce new, yet familiar, collections of iconicity. More images and architects’ description after the break.
Designed by Paolo Venturella & MenoMenoPiu Architects, their ‘Solar Loop’ finalist entry for the Land Art Generator Initiative competition aims to expose more surface as possible to the southern solar rays. Sited in FreshKills Park in New York City, the shape comes directly from the solar diagrams, and deals easily with the sun following it with the best angle almost like a frozen artificial sunflower.bThe aesthetic of the sculpture is the result of this dialogue that becomes synthesis between the solar power and the park. More images and architects’ description after the break.
The Museum of Modern Art in NYC is launching an exhibit called Tokyo 1955–1970: A New Avant-Garde, that investigates the transformation of Tokyo from a war-torn nation into an international center for arts, culture and commerce. The exhibition will run from November 18 through February 25, 2012 and includes over 200 works of various media including painting, sculpture, photography, architecture, drawings, graphic design, video and documentary film.
Co-organized, in cooperation with the Architectural League, by Christopher Marcinkoski and Javier Arpa, The City That Never Was symposium is a day-long event that uses the current crisis in Spain as a lens to reconsider patterns of urbanization and development around the world. Taking place November 9th from 9:00am-5:00pm at the Scholastic Building in New York, the event will reconsider how planners, designers, politicians, and financiers conceive of and realize large-scale contemporary urbanization and settlement. This event seeks to better understand the systems that have produced certain imbalances resulting from this urban growth and explore new models and approaches for urbanization and development. For more information, please visit here.
Winners of the 2012 Land Art Generator Initiative Competition for Freshkills Park in Staten Island, NYC are out. With 4 placed winners and a long list of shortlisted projects, the range of ideas shows how designers are exploring many different options for sustainable energy infrastructure.
The Winners:
First: Scene-Sensor // Crossing Social and Ecological Flows byJames Murray and Shota Vashakmadze
Second: Fresh Hills by Matthew Rosenberg, Structural Engineering Consultant: Matt Melnyk, Production Assistants: Emmy Maruta, Robbie Eleazer
Third: Pivot by Yunxin Hu and Ben Smith
Fourth: 99 Red Balloons by Emeka Nnadi, Scott Rosin, Meaghan Hunter, Danielle Loeb, Kara McDowell, Indrajit Mitra, Narges Ayat and Denis Fleury
Jeanne Gang is about to make her New York debut, as the Chicago-based architect just unveiled the latest project planned to border New York City’s beloved High Line. The 180,000 square-foot office tower with ground level retail will replace an existing, disused meatpacking plant along 10th Avenue between 13th and 14th streets. It will feature a “gem-like”, glass facade that is intelligently shaped to avoid the disruption of light, air and views from the High Line.
Dubbed the Solar Carve Tower, the mid-rise structure is currently pending city approval and is planned for completion in 2015.
Continue after the break for the architects’ description.
Wave Dilfert: Wave (moves in wave-form oscillations) + Dilfert (geek-like intelligence, absorbs information like a sponge).
Wave Dilfert is a new kind of space that reads the changes in light and shadow occurring within it, catalogs and calculates them, then pulses, contracts or expands in reaction. The installation was inspired by the work of Ushahidi; a non-profit, crowdsourcing disaster relief, tech innovator. Much how Ushahidi de-mystifies the complexities of war-torn or disaster ridden locales, The Principals developed a system that could de-mystify the complexities of space through sourcing the information of its users and making it accessible through interaction.
Co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union as part of the program put on by the Architectural League, Mike Taylor of Hopkins Architects will be delivering a lecture on his current work at the Cooper Union in New York. Taking place on Tuesday, October 30th, the leader of the design team for the London 2012 Velodrome, and a senior partner at Hopkins Architects is “guided by deeply-rooted architectural, environmental, and social convictions.” Widely lauded for its elegant carefully engineered form, the Velodrome’s sustainable and flexible design has won awards for its architecture and engineering, as well as its civic presence from the RIBA, the Architects Journal, and the BCI, among others. For more information, please visit here.
As an entry for the Land Art Generator Initiative Competition 2012 – Freshkill Park New York, ‘Wind Fountain’ is based on an adaptation of the piezoelectric effect – a well known property of certain materials to produce electrical power when they undergo strain and stress. Designed by Gembong Reksa Kawula, the project is shaped as an artificial tree, with each unit consist of 450 flexible thread 30 meters high made of carbon fiber reinforced resin pole that will sway in the wind. More images and architects’ description after the break.
ArchDaily’s previous coverage of Herzog & de Meuron‘s 56 Leonard Street was around the time when construction was just about to begin. Now four years later, construction seems about ready to restart, according to bdOnline. Join us after the break for more details.
Foster + Partners is about to break the mold of New York’s static Park Avenue skyline, as they have been announced as winner of the highly publicized competition to replace the aging tower of 425 Park Avenue with a new world-class, sustainable office tower.
Lord Foster said: “I have a personal connection with New York, which has been a source of inspiration since my time at Yale, when the new towers on Park Avenue and its neighborhoods were a magnet for every young architect. Seeing first-hand the works of Mies van der Rohe, Gordon Bunshaft, Eero Saarinen and Philip Johnson was tremendously exciting then – I am delighted to have this very special opportunity to design a contemporary tower to stand alongside them. Our aim is to create an exceptional building, both of its time and timeless, as well as being respectful of this context – a tower that is for the City and for the people that will work in it, setting a new standard for office design and providing an enduring landmark that befits its world-famous location.”
Continue after the break to learn more about Foster’s winning proposal and to review the existing condition of 425 Park Ave.
