This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

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The National Social Distancing Campaign (Jornada de Sana Distancia) in Mexico began on March 23, 2020. However, a couple of weeks earlier, even despite the Federal Government's recommendation to continue activities as normal, social media was already filled with people choosing to replicate the European model and self-isolate. Immediately, some architecture practices decided to close their physical offices and transition to a remote work model, while others took several weeks longer. Yet, this period of social and physical (spatial) distancing is experienced differently in every household. In the months since this pandemic unfolded, it has laid bare not only the inequality in basic needs within dense urban areas but also the fragility of the social order itself. Whether at a macro or micro scale, all these experiences occur within and are influenced by the built environment, making architecture both judge and jury in this equation. 

FRAM arquitectos is an Argentine architecture firm founded in 2011 in the city of Buenos Aires. With a body of work focused on small- and medium-scale single-family homes designed and built in both Buenos Aires and the province of Río Negro, they have explored the complexities of domestic living, engaged in material research of various kinds, and tackled challenging commissions with minimal dimensions and tight budgets. Alongside this, they have actively participated in consecutive provincial and national competitions, seeking to expand their design scope and deepen their study of larger-scale programs.

Nearly sixty years ago, Flora Manteola, Javier Sánchez Gómez, Justo Solsona, Carlos Libedinsky, and Antonio Diaz envisioned a building with a capacity of 3,000,000 books and 500,000 magazines and newspapers for the National Library of Argentina preliminary design competition. Their proposal for a "large metal tent" would ultimately take second place to the concrete glyptodont by Clorindo Testa, Bullrich, and Cazzaniga that stands today.

From its inception, the proposal "prompted sensitivity toward new formal and structural directions," as noted in the jury's critique. In 2015, this design was featured in the exhibition Latin America in Construction, and today its original model and blueprints are in the official collection of the Museum of Modern Art (MoMA) in New York.

Below, we revisit the project through the words of Justo Solsona: 

There are many ways to define BIM methodology. One of them describes it as a set of processes that help us combine a project's geometry with the data required to complete its entire lifecycle. We could say that modeling in BIM is like virtually executing the construction process.

Another key aspect is that it allows us to work in a collaborative environment, helping to simplify the flow of information among different stakeholders and providing greater control over our projects. 

As part of an initiative by the Faculty of Architecture at the National Autonomous University of Mexico (UNAM), the Carlos Obregón Santacilia Bookstore is making a selection of its publications available to the public digitally and free of charge. These texts cover a wide range of topics, including research methods, analyses of administrative processes in the architectural field, theoretical writings by Alberto T. Arai, architectural history across various periods and contexts, structural systems, energy efficiency, urbanism, landscape, heritage, reconstruction, biennials, and guides to support the conception of new architectural projects.

How a work of architecture or interior design looks and ages over time is heavily determined by its materials and the products used. If the choice of materials and products is inaccurate, both the appearance and the performance of the project could be compromised.

This is why specification is essential to achieving the desired outcome at a project's completion, and the professional in charge of this stage must have an extensive knowledge of the materials and products available in their region. But is material specification the same across all architecture firms? Is this project phase given the same importance as the initial design phase? How close is the relationship between architects and materials really?

Alarcia Ferrer is an Argentine architecture firm based in Córdoba, founded in 2009. Focused on medium-scale private residential projects in suburban and rural settings, they have worked for over a decade in close dialogue with the province's landscape, constantly reflecting on the tensions and interactions between nature and artifice. Each project can be read as the result of a material and spatial exercise that serves as a prompt to rethink deeper issues such as permanence, authenticity, and simplicity.

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In 2018, a flexible and ephemeral space was erected in Mexico City's Alameda Central, demonstrating the luminosity and plastic versatility of joining 2,500 water jugs to form a conical blue oasis. Today, this pavilion is located within the Huerto Urbano Roma Verde, where it has hosted various events and activities, shedding the transience and impermanence that originally defined its essence.

Have you ever had to convince your friends or family that an exposed brick wall can be more interesting than a plastered surface painted white? Or that exposed building systems can offer major advantages when it comes to maintenance? These are recurring scenarios in the professional lives of architects and design firms.

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At a time when we only have room for immediate priorities, many designers in our discipline work detached from the actual context where their projects will be built. Yet, some still dedicate the time and passion to experience these realities firsthand and build hand-in-hand with the users. 

The 2020 FAD Awards, one of the most prestigious architecture accolades on the Iberian Peninsula, has announced the finalist projects for its latest edition.

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The Post_Arq student collective of the Leopoldo Rother Architecture Museum at the National University of Colombia shared with us the interview series titled "Siete Imaginarios, Siete Arquitectos" (Seven Imaginaries, Seven Architects). The interviewees include prominent figures such as Sebastián Serna, Santiago Pradilla, Leonardo Álvarez Yepes, and Lorenzo Castro, among others.

Below, you can explore the interviews conducted with these renowned figures of the Colombian architectural scene, several of whom were winners or received honorable mentions at the XXVII BICAU.

For over 80 days of protest, our streets and buildings have been covered daily in slogans, posters, illustrations, and an endless array of visual material referencing the social demands of a country that claims to have awakened from a 30-year slumber. Meanwhile, public monuments throughout Chile are being tagged, altered, destroyed, or removed from their original sites, becoming a primary target for protesters—or, as the newspaper El Mercurio¹ puts it, for “vandals.”

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Vacío is a temporary intervention that seeks to redefine the boundaries and experience of the space in which it is located. It is crucial to understand the environmental impact of ephemeral projects. 
To construct this void, we used four floating curtains made of repurposed sheets of paper collected from other architecture firms, bathed in indigo to erase the drawings, texts, and prints of their previous life. 
The installation's lightness allows the airflow to constantly reshape the defined geometry of the prism. Inside, the space mutates and interacts with visitors, almost compelling them to move as the floating sheets seem to breathe.  

This article by Julián García Muñoz and María de los Ángeles Beltrán Fernández was originally published in the second issue of rita magazine under the title "La prefabricación de bóvedas de ladrillo: Una utopía latinoamericana" and is part of a joint publishing collaboration. The following is an overview of the history of these prefabricated vaults, aiming to reclaim their value.

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“Architects, not Architecture” has decided to open its archive to help us navigate the global lockdown, serving as a source of inspiration and entertainment for the architectural community. It features a selection of the best talks from their 35 past events, previously unreleased to the public—including Tatiana Bilbao, Peter Cook, Richard Rogers, Massimiliano Fuksas, Kim Herforth Nielsen, Ben van Berkel, Anupama Kundoo, Sadie Morgan, Dan Stubbergaard, Manuelle Gautrand, and Kjetil Thorsen.

Each week, ArchDaily will share one of the full talks that “Architects, not Architecture” is publishing daily on its website as part of its "new event": Home Edition 2020 (www.architectsnotarchitecture.com).

As an exclusive, Plataforma Arquitectura is presenting one of the talks in Spanish. Below is the presentation by architect Benedetta Tagliabue.

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Mexico's National Social Distancing Campaign began on March 23, 2020, but a couple of weeks prior—even as the Federal Government recommended continuing activities as normal—social media was already filled with people opting to mirror the European model and self-isolate. Right away, some architecture firms decided to close their physical offices and transition to remote work, while others took a few more weeks to make the shift. However, this period of social and physical (spatial) distancing is experienced differently in every household. Over the months that this pandemic has unfolded, it has exposed not only inequalities regarding basic needs in dense urban areas, but also the fragility of the social order itself. Whether on a macro or micro scale, all of these experiences occur within and are influenced by the built environment, making architecture both an arbiter and an active participant in this equation. 

Slate 1 CAU+Plural, composed entirely of women architects and urban planners, received 11,568 votes in the election for CAU/SP, held on October 15. The election, which recorded the highest turnout of architects and urban planners in the history of the Council of Architecture and Urbanism of São Paulo, marked the first time a single slate garnered nearly 40% of the valid votes.

In an unprecedented achievement, the slate secured the majority of seats in the Council, winning 49 plenary seats. Out of 77 total seats, 52 will be occupied exclusively by women. Thanks to this strategy, the next term will see a 77% female composition—with 54 titular members and 66 alternates, respectively. This effectively reverses the previous composition, where 76% of the state council was represented by men. 

Last week we announced the 15 finalist projects for the Building of the Year 2020 award (Obra del Año), which since 2008 has celebrated the best built architecture in Latin America and Spain, calling on our expert jury—that is, you, the readers—to choose your favorite completed buildings.

Today, the day has come to announce the winners of ODA2020.

The City of São Paulo has just released 3D cartography for the entire city on the GeoSampa Portal. The new tool allows users to visualize buildings, trees, infrastructure, and other geometries in 3D directly on the map. The data is also available for download.

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Chilean architect Cecilia Puga will take over as director of the Chilean Museum of Pre-Columbian Art, one of the most visited in Santiago. The news was announced by her predecessor, anthropologist Carlos Aldunate del Solar, in a recent interview with Chilean magazine Sábado, where he announced his resignation after four decades at the helm of the institution. "Obviously, a younger person with more energy should take over," Aldunate commented in the interview.

We have often heard about BIM (Building Information Modeling) and the wide range of opportunities it brings to the AEC (Architecture, Engineering, and Construction) industry. But how are these BIM models structured? This article explains the components of these models and their characteristics based on a BIM Standard, while addressing the importance of BIM Catalogs and BIM Libraries.

Colombia boasts an immense variety of thermal zones that create breathtaking landscapes and dreamlike natural environments. Its flora and fauna vary distinctly depending on region, altitude, and humidity. For architectural practices designing Colombian homes, the natural context is a constant source of inspiration, ranging from incorporating vegetation as interior architectural elements to framing nearby landscapes. When designing spatial perception—whether from within or without—nature is an undeniable component of these projects.

Medellín-based firm Taller Síntesis shares the following article emphasizing the importance of recognizing the rural built environment—which accounts for most of the country's territory but not most of its architectural practice—in order to raise awareness of how architecture is directed and recognized in Colombia. Read on below.