The practice of the dérive is a subject that sparks great interest among urban scholars and professionals. The Situationists, a social critique movement founded in 1957, used this practice to propose new interpretations of the city based on individual lived experience. Jacopo Visconti, curator of the 34th Bienal de Artes de São Paulo, analyzed in his doctoral thesis artistic practices that incorporate the act of walking, seeking the characteristics that defined the Situationist practice of the dérive. Advised by Prof. Dr. Luis Antonio Jorge, Visconti defended his thesis in 2012, which was later published as a book by Martins Fontes. Read the thesis abstract below.

The UN-Habitat Public Space Programme has opened a call for proposals to fund public space projects with up to $100,000 in Brazil. According to the New Urban Agenda, the planning and management of quality public spaces are understood as fundamental prerequisites for poverty reduction and the fulfillment of human rights in urban areas.

The federal government's Minha Casa Minha Vida housing program risks running out of funding starting this June, Regional Development Minister Gustavo Canuto declared this week. The current budget of R$ 4.17 billion is one of the lowest since the program was created in 2009, during the administration of Luiz Inácio Lula da Silva.

It is no coincidence that curved forms in architecture are deeply embedded in the global perception of Brazilian architecture. Invariably evoking the work of Oscar Niemeyer, curves are hallmark features of the landmark architectural complexes of Pampulha and Brasília. Yet they are also found in residential masterpieces, such as the Casa das Canoas in Rio de Janeiro.

More than 36 tons of organic vegetables are grown on New York City rooftops every year. Beyond providing food, these green roofs also prevent pollutants from reaching the city's rivers.

Originally used to transport large cargo on ships, shipping containers feature a rigid and highly durable steel structure available in various dimensions. However, moving beyond their traditional role in storage and cargo transport, these structures have been adopted as the basis for commercial and residential modules for several years. They offer high strength, low cost, fast construction, and, above all, a sustainability-oriented system through reuse. With this in mind, and moving beyond standardized housing, several architects have developed residential projects by reusing containers as modular blocks, stacking or joining them side-by-side to suit the specific program of each client.

Last month, the city of Cuiabá inaugurated its first bus shelter built by repurposing shipping containers. The shelter was developed under a public-private partnership model, in which the companies Pantanal Shopping and Edificatto Arquitetura provided the bus stop to the city in exchange for advertising rights.

The recent budget cuts for federal universities have reignited a debate that deserves to remain permanently active: the quality of education in Brazil. The first edition of the Encontros de Arquitetura, organized by IABsp, set out to address this theme through the lens of architecture, bringing together four professionals with extensive experience in school design: Catherine Otondo, Marina Grinover (Base Urbana), Keila Costa (+K), and Pablo Hereñú (Hereñú & Ferroni Arquitetos).

A Solution for Heat Islands

Officially debuting the partnership between ArchDaily and Arquicast, episode #68 Interview: ArchDaily Brasil is now live. In this episode, three of the editors from the Brazilian platform—Pedro Vada, Eduardo Souza, and Matheus Pereira—share a behind-the-scenes look at what it is like to work for the world's most visited architecture and urbanism website. The challenges of adapting to a new kind of career in architecture, the speed of industry transformations, and the role of technology and collaboration are among the topics discussed in this casual and informative conversation, which can be accessed here!

Unesp (São Paulo State University), through its virtual communication channel Univesp TV, is offering a free online course in Art History. Comprising 29 video lessons, the course is aimed at undergraduate and graduate students interested in art, history, research, and culture.

Women in architecture, contemporary production in the Global South, theory and history, buildtech, new materials, recycling in construction—2019 was a year rich in investigations and reflections that approached architecture from a variety of perspectives. Fulfilling our mission to make ArchDaily a source of tools and inspiration not only for professionals and students but also for anyone interested in architecture, we published hundreds of articles on topics as diverse as the perspectives on the built environment. 

This year, the Favela-Bairro Program marked 25 years since its creation. Several events and articles have reflected on the milestone, assessing the program's impact on urban housing in the participating cities. We at Arquicast also discuss the topic in episode 76, now available on our platforms.

The Walls of Air exhibition in the Brazilian pavilion at the 2018 Venice Biennale presented 17 projects from different regions of the country, selected from an open call, as well as a series of large cartographic drawings addressing different aspects of the country's urbanization through the lens of architecture. In this publication, we present the series of ten maps featured in the Walls of Air exhibition catalog as excerpts from the exhibition's maps—a study developed by Mapping-lab in collaboration with the curators of the Brazilian Pavilion (Gabriel Kozlowski, Laura González Fierro, Marcelo Maia Rosa, and Sol Camacho) and their team.

As an escape from daily worries, nightclubs are often venues for physical expression and releasing stress. Designed specifically for dancing and aiming to craft bold atmospheres, architects around the world are increasingly being commissioned to design these venues, delivering innovative concepts that range from unique material selections to unconventional lighting designs.

More than 600 million people lack access to clean drinking water. Droughts affect over 35 million every year. And by 2050, 1.3 billion people will live in flood-prone areas. Many believe that building dams, water treatment plants, and other built infrastructure are the only solutions to these challenges—but that is only because the many benefits of natural (or green) infrastructure have not been considered.

When thinking of galleries, museums, and exhibition spaces in general, the image of an enclosed, well-lit room with white walls and a neutral floor—likely made of wood—commonly comes to mind. The notion of designing exhibition spaces as "pure" environments, whether to focus on the artwork itself or to facilitate the rotation of exhibitions, has perhaps been the dominant guiding principle in the creation of these spaces over the last few decades. However, just as art transforms space, space can also be a transformative agent for art. This shifting perspective gave rise to artistic productions conceived for specific venues, widely known as site-specific installations.

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Within the scope of The Poetics of Reason, this year's Lisbon Architecture Triennale explores the nexus between Agriculture and Architecture, two complementary fields that emerged around 10,000 years ago during the Neolithic Revolution and, later, in the Anthropocene. Given the current environmental crisis, the core hypothesis of the exhibition Taking the Country's Side: Agriculture and Architecture, curated by Sébastien Marot, is that no consistent thinking can develop in the future of either discipline unless they are once again allied and fundamentally reconsidered together.

The open call Outros Territórios – International Call for Urban Intervention Projects has selected the seven finalists of the program's first stage. All will be presented in an exhibition at Viaduto das Artes, an intriguing cultural space in the Barreiro region installed under two overpasses and aligned with the call's general concept of exploring possibilities for activating urban gaps.

In Asunção, Paraguay, the XI Ibero-American Biennial of Architecture and Urbanism announced today the winners of the Panorama of Works section for this edition of the event, "all faithful to the spirit of the XI BIAU: inhabiting, the inhabitant," according to the organizers.

Out of 997 projects in Latin America, 17 architectural works—predominantly for collective use—built in Argentina, Brazil, Chile, Ecuador, Spain, Mexico, Paraguay, Peru, Portugal, Uruguay, and Venezuela were awarded.

A common choice for commercial and corporate buildings, mirrored facades often evoke mixed feelings among architects, frequently leaning toward the negative. There is no shortage of arguments against them, and they generally hold merit—citing everything from the decline of modern architecture and the homogenization of its glass facades to climate concerns and a disregard for local context reflected in these surfaces.

The year 1932 is a milestone in the history of Céará. One of the worst droughts ever recorded devastated the sertão, leading to scenes already immortalized in classics of Brazilian literature—such as Vidas Secas by Graciliano Ramos and O Quinze by Rachel de Queiroz: drought refugees forced to leave their homes to escape hunger and misery.

Projects working to preserve and promote Brazilian Cultural Heritage can now access the official guidelines to participate in this year's Rodrigo Melo Franco de Andrade Award. Globally recognized for its cultural diversity, Brazil is a country whose identity reflects the influence of various groups that helped shape Brazilian society. For 32 years, the Rodrigo Award, organized by the National Institute of Historic and Artistic Heritage (Iphan), has encouraged and recognized those who work to preserve the country's cultural assets.

Applications are now open for the 6th Instituto Tomie Ohtake AkzoNobel Architecture Prize. The initiative continues to map contemporary architectural production by highlighting, for the sixth consecutive year, significant projects built in the current Brazilian landscape that demonstrate a commitment to their site and sustainability, as well as design and constructive inventiveness.