Designer and academic Brook Muller has authored a book called Blue Architecture: Water, Design, and Environmental Futures that presents innovative approaches to water-centric urban design. We asked him how a “hydro-logical” approach to architecture could allow us to design cities that improve water sustainability as well as promoting more equitable distribution of our most vital resource.
Sustainability was a hot topic at this year’s Cersaie trade fair, the biggest international ceramic tile and surfacing event, held annually in Bologna, which exhibits the latest developments in ceramics industry trends. Dynamic discussions explored the environmental impact of the raw materials of ceramics, the thermal properties of ceramic tiles as insulators, the biophilic effect of ceramic tiles within urban interiors – and much more.
Opulence comes at a cost and it’s not just the sort that will leave your purse lighter. Exotic woods dent, gold tarnishes, marble stains and chips. But it doesn’t stop us hankering after the materials we perceive to be effortlessly elegant and replete with character. Okay, so we also like a bit of polish and precision in our building materials these days, alongside durability and ethical manufacture, ease of installation and maintenance alongside hygienic surfaces. But what’s often been missing from modern engineered materials is old-fashioned warmth and poetry. Is it too much to ask for both?
With the political, economic, social and ecological rollercoaster seemingly careering out of control, we are discovering what might be considered by some as the blooming obvious but by much of the business world who often like to box consumers, a hurdle: we humans are multifaceted and changeable. For Baiju Shah of Accenture Song, the creative arm of the consulting conglomerate, the term life-centric is replacing customer-centric, as people grapple to focus in on themselves, their health, happiness and survival, while panic planning for the future of the planet.
Our quest today for the natural, the hand-crafted and the original in our built environments is righting some of the wrongs we’ve inflicted on our land and seas with the mass production of products made from synthetic materials. It’s also exposing a contemporary yearning for warmth, comfort and poetry in our surroundings, not seen perhaps since the seventies slump – the last economic happening that opened design doors to bamboo and rattan, and cosseting ‘fat’ furniture.
Even if you have never engaged with the ins and outs of a building’s acoustics, you will, no doubt, have had many a meeting or passing conversation eased by Rockfon’s sound-absorbing solutions. They may have invisibly clad a ceiling above you in tile form or seamlessly formed the white walls that surrounded you. Rockfon – a part of Rockwool Group – specialises in banishing acoustic bounce with sound absorbing products made from organic stone wool. The products have been part of the fabric of our public spaces – offices, schools, restaurants and libraries – for more than 60 years.
As our collective conscience challenges the ethics of mass production and the manufacturers of high-end furniture make moves towards more mindful and individually specified making, a design-and-make mentality is becoming ever more present in the industry. It’s new but old. It’s workshops coming to the fore and it’s happening when design entrepreneurs are committed to the very 2022 preoccupations of waste-free production, individualisation and durability.
Castro Abierto is an architecture, landscape, and heritage festival that aims to highlight local construction culture, its contemporary expressions, and the memories embedded in the urban and rural archipelago landscape of the Castro commune. This initiative is organized by Fundación Aldea and funded by the National Fondart, under its architecture festival category.
Don't be fooled. Size really does matter. Particularly when it comes to new urban housing developments, where the challenge of squaring housing density with quality of life and sustainability remains key.
Campus Creativo and the School of Architecture at the Viña del Mar campus, through the Construction 1: Materialization course led by Sebastián López and Nicolás Olguin, invite you to a series of lectures and discussions featuring various emerging Latin American architectural collectives.
Hospitality is an industry made of people being hospitable to people, and our interaction with places is its foundation. If the zeitgeist of our era lies in the perpetual dance of shock and awareness of how we treat each other and the planet we live on, what considerations should we pose to inform and shape what’s next for hotels? If there’s ever been a moment to think about the future of hospitality, this is it.
From September 28 to October 2, the 18th edition of the Buenos Aires International Architecture Biennial will take place at the Faena Art Center in Puerto Madero, featuring an exhibition that will bring together the most prominent professionals in contemporary architecture. Designed to serve as a platform for connection and visibility, the event will include a central exhibition and a conference program featuring national and international leaders in architecture and urbanism, alongside a series of special activities and associated programs. Admission is completely free and open to the public.
Anyone who has been writing about design for 25 years has seen many trends come and go. In retrospect, I even have to smile when I think about some of the theories – such as the one that things would ‘disappear’. That was actually predicted a good two decades ago with the advance of digitalisation.
Today, we know that analog hasn’t disappeared – and that we still want to live with things that can be kept and touched. The return of the vinyl record, for example, was unthinkable for many – and yet record players are enjoying great popularity again. Especially because we now have access to millions of songs via our smartphones, there's something special to the ceremony of putting on a record.
Even before the ‘C’ word came to dominate our lives, homes were starting to be viewed as sanctuaries, and our furniture required to work ever harder in form and function to coset us. Straight lines have been warping and chairs starting to envelop, while the soothing textures and patterns of nature are in high demand.
The Rio, an Anti-Racist City congress invites us to rethink the city as a democratic, open, and humanized environment. By developing a city project rooted in the fight against racism, it seeks to promote well-being for everyone, in every corner of Rio de Janeiro.
The 7th {CURA} Prize continues the initiative of hosting ideas competitions with themes aligned with current discussions in architecture, urbanism, and society, aiming to delve deeper into the discourse on contemporary Brazil.
Since 2020, the COVID-19 pandemic has further exposed social fragility. While the entire country was subjected to the federal government's incompetence and inhumane cruelty, it is clear that not all segments of the population were affected in the same way.
The new NOA outdoor living centre in Belgium offers boundless inspiration for the realisation of creative outdoor concepts, thanks to the collaboration of 24 high-end outdoor-living brands. Watch the video to find out more.
The story of the memorable curtain brightening up the DAAily bar at Swiss Corner during Milan Design Week is about more than just its colourful, natural patterns. As the Swiss-born artist Douglas Mandry, creator of the work in collaboration with Bally and Christian Fischbacher, explained during his Live Talk alongside the installation at the DAAily bar, "My work is driven by the global change we’re facing, addressing issues of climate change and environmental consciousness through visible elements."