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The Arquiteturas Film Festival, one of the most prominent film festivals dedicated to cinema addressing architecture and cities, has announced the list of award-winning films for its 2018 edition. In its 6th edition, the festival, which is an independent project promoted by DYMA – Do You Mean Architecture, focused on "exploring what we learn from the futuristic, utopian, or hyper-realistic stories that have been shaping our visual culture through cinema."

Believing that “there is no cinema without architecture,” the objective of Arquiteturas is to discover and present films that foster meaningful contemporary debates and broaden the viewer's critical thinking. 

The Council of Architecture and Urbanism (CAU) has re-released the free guidebook on Technical Assistance for Social Interest Housing (ATHIS), originally published by CAU/SC. The 60-page document contextualizes this assistance work in relation to public authorities, the general public, and professionals, presenting different service delivery scenarios.

Brazil's greatest living architect, Paulo Mendes da Rocha does not appreciate architecture alone. Music is also part of his daily life, and this playlist—shared with us by his daughter, Joana Mendes da Rocha—features some of the musical preferences of our Golden Lion.

Designed by the firm Brasil Arquitetura, the Museum of Labor and the Worker is located in the city of São Bernardo do Campo. Once completed, it is set to house records of the "memory of the working world, from the arrival of the Portuguese to the present day." Although 5,500 square meters have already been built, construction has been halted and the site has been abandoned for about a year and a half.

In an op-ed published in the newspaper Folha de S. Paulo, Brazilian Pritzker laureate Paulo Mendes da Rocha and former UN Special Rapporteur Raquel Rolnik suggest that halting the museum's construction—officially blamed on suspected project overpricing—is actually more closely linked to an aversion to the cultural narrative surrounding the project.

The São Paulo - Morumbi Station is part of the second implementation phase of the São Paulo Metro’s Line 4 – Yellow and is currently nearing completion. The project features two external entrances located at the intersection of Francisco Morato and Jorge João Saad avenues, as well as integration with the SPTRANS bus terminal.

Safer and more sustainable cities designed from the experiences and perspectives of women—this is the goal of the Mulheres Caminhantes! Auditoria de Segurança de Gênero e Caminhabilidade Terminal Santana (Walking Women! Gender Safety and Walkability Audit at the Santana Terminal) project, whose results were presented on May 5 at the Expo Center Norte convention center in São Paulo.

The project report reflects on how the city presents obstacles for women to move around and experience public space safely and with quality of life.

The Venice Architecture Biennale has released the list of participants for this year's main exhibition, FREESPACE. Among the 71 selected architects, offices, and collectives, three Brazilians are featured on the list: Carla Juaçaba, GrupoSP and Paulo Mendes da Rocha, recipient of the Golden Lion for Lifetime Achievement in the 2016 edition.

Curated by Irish duo Yvonne Farrell and Shelley McNamara, partners at Grafton Architects, this year's theme seeks to reveal "diversity, specificity, and continuity in architecture." According to Paolo Baratta, president of La Biennale di Venezia, FREESPACE aims to promote "desire" in architecture.

The São Paulo City Government has resumed discussions regarding property tax (IPTU) exemptions and discounts for landmarked buildings. Previously debated during the administrations of Gilberto Kassab and Fernando Haddad, the issue is currently the focus of a newly drafted bill. 

The proposal limits the IPTU exemption to landmarked properties located in downtown São Paulo, within a perimeter that is still being defined. It will not apply to properties subject to general zoning restrictions, such as those in historically preserved neighborhoods like Jardins and Pacaembu. 

Alongside Tiê, an adventurous capybara, Lina sets off on a journey through ten public spaces around the world – such as the High Line in New York or Paulista Avenue in São Paulo – to discover the secrets of how cities are built. The two are the main characters of the book Casacadabra – Cidades para Brincar (Cities to Play), a new release from Pistache Editorial, which launches its crowdfunding campaign on April 16 on Catarse. The book features text by Bianca Antunes and Simone Sayegh, with illustrations by Luísa Amoroso. This is the second title in the Casacadabra series – the first, titled Invenções para morar (Inventions for Living), presented the architecture of ten houses around the world.

The Council of the International Union of Architects (UIA), meeting in Oaxaca, Mexico, unanimously approved on May 18 the nomination of the city of Rio de Janeiro as the UIA/UNESCO World Capital of Architecture for 2020. Securing this title is part of the program proposed by the City of Rio, with support from the Institute of Architects of Brazil (IAB), for 2020, when the city will host the 27th World Congress of Architects.

Invited by the organizers of UIA2020Rio, architect Paulo Mendes da Rocha will chair the Honorary Committee of the World Congress of the International Union of Architects, which will take place in two years in Rio de Janeiro under the theme "All worlds. Just one world. Architecture 21."

Finding the right block for your project can be a tedious task; although websites offering blocks are becoming increasingly common, the sheer quantity does not always reflect the quality of the models and textures.

With this in mind, the creators of the platform Arq Online have made a package of blocks and textures available for free on their website, useful for both architects and students. With over 100,000 items available for download, the package caters to users of AutoCAD, Revit, SketchUp, 3D Studio Max, VRay, and Photoshop.

On September 12, Arq.Futuro and Insper will host the 2018 edition of the Arq.Futuro International Seminar - The City and the Water. As in previous editions, the event will present the Brazilian public with iconic success stories in the restoration of urban waterways and their surroundings. For this year's seminar, three cases were selected that stand out both for their urban quality and their explicit purpose of combating different forms of urban exclusion.

On January 13, 1943, New Yorkers—and, indeed, architects worldwide—were introduced to Brazilian architecture. Brazil builds : architecture new and old, 1652-1942 was an exhibition organized by MoMA (the Museum of Modern Art) showcasing the architecture produced in Brazil, not only at that moment but since the mid-17th century.

The year 2018 marks the centennial of artist Athos Bulcão. In celebration of the life and work of one of Brazil's most influential 20th-century painters, sculptors, and muralists, the National Institute of Historic and Artistic Heritage (Iphan) has launched an updated version of the inventory of his work.

Titled Inventário da Obra de Athos Bulcão em Brasília (Inventory of the Work of Athos Bulcão in Brasília), the book builds upon an initial study conducted by the institute between 2008 and 2009 and published in 2010. That first edition documented 261 works, revealing the sensitivity, versatility, and richness of the artist's creative universe. Officially launched on July 30, the new edition spans over 200 pages, featuring a conceptually expanded and revised content alongside a playful and inventive graphic design.

The Federal District office of Iphan did not approve the project submitted by the Federal District Department of Roads (DER-DF) for the reconstruction of the section of the Eixão Sul that collapsed in February of this year, burying two cars and the tables of a restaurant.

The agency responsible for Brazil's artistic and cultural heritage blocked the proposal, claiming that the DER-DF/Novacap project "significantly alters the original architecture and compromises the architectural and urban integrity and, by extension, that of the Plataforma Rodoviária complex and complementary road system."

Cities are living testaments to the cultural, social, economic, and political transformations of society. In a state of constant evolution, superficial traces of the past fade away, while deeper scars overlap with the multiple layers of the present that unfold across cities over decades and centuries. 

Throughout history, a combination of factors has allowed some cities to remain better preserved, offering vivid glimpses of colonial Brazil. In contrast, in other cities, the traces of early urbanization have been erased or swallowed by subsequent eras.

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When Le Corbusier visited Mallorca in 1932, he recorded his impressions in a notebook, which is now kept in the archives of the Fondation Le Corbusier in Paris. The pages of this notebook, titled Carnet C 10, clearly reflect Le Corbusier's interests during this private trip. However, they also shed light on the role of drawing in his thinking more generally, as Xavier Monteys reflected in his lecture for the series Author's Lessons - Le Corbusier and Drawing, titled Drawings in a Notebook. A close look at the sketches from the Mallorca trip reveals that the series is framed by two drawings of Barcelona, made from a boat at the beginning and end of his journey, between which he recorded various objects.