A capsule-based transportation system that runs on magnetic propulsion, moving people and cargo at speeds of up to 1,200 km/h using renewable energy, could soon become a reality in Brazil. This futuristic concept is being brought to the country by Hyperloop Transportation Technologies (HyperloopTT), which develops and licenses the Hyperloop—the urban mobility technology originally conceived by Tesla entrepreneur Elon Musk.

Resembling a wingless aircraft without turbines, the Hyperloop has a capacity of up to 50 passengers and operates in a low-pressure environment, allowing it to travel at high speeds with virtually zero friction.

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Videos

“If you gave me your shoe, I could tell you with about 90% accuracy the city in the world from which you came,” says Christopher Mason, Ph.D., a professor at Weill Cornell Medicine in New York, NY, co-author of the first global atlas of urban microorganisms. The study, carried out by the international Metagenomics and Metadesign of Subways and Urban Biomes (MetaSUB) consortium, creates a map of the microbiome of some of the largest cities in the world.

In Conflict, the Portuguese Official Representation at the 17th Architecture International Exhibition La Biennale di Venezia, 2021, is co-curated by Carlos Azevedo, João Crisóstomo, and Luís Sobral of depA architects, and Miguel Santos. The exhibition addresses public spaces as arenas of conflict, understood as the action of opposing forces translated as dissension. In Conflict responds directly to the question 'How will we live together?' posed by Hashim Sarkis, curator of the Biennale Architettura, and is based on seven architectural processes involving collective dwellings that were the subjects of broad media coverage and public involvement.

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Known worldwide for pushing the limits of formal experimentation with reinforced concrete, Oscar Niemeyer relied in many of his works on the indispensable collaboration of a civil engineer as inventive and daring as the architect himself: Recife-born Joaquim Moreira Cardozo, who graduated in civil engineering in 1930 from the School of Engineering of Pernambuco, today part of the Federal University of Pernambuco (UFPE).

Responsible for the design of the Alberto Torres Rural School in 1936 – a project that already showed synergy with modern architecture at the time – Cardozo met Niemeyer while working at the National Historical and Artistic Heritage Service (SPHAN) in Rio de Janeiro. During this time, he developed the structural design for the Pampulha Ensemble in Belo Horizonte, inaugurated in 1943. This was the initial collaboration of a partnership that would last 30 years and find its most prolific period in the construction of Brasília.

With the goal of introducing the architects, projects, and stories behind landmark Portuguese architecture, Sara Nunes, from the architectural film production company Building Pictures, launched the podcast No País dos Arquitectos, where she talks with leading figures of contemporary Portuguese architecture.

In this week's episode, Sara talks with Nuno Brandão Costa about the Campanhã Intermodal Terminal project in Porto. You can catch up on other interviews from the No País dos Arquitectos podcast and read the transcript of the interview with Costa below:

Known for projects situated at the intersection of research, design, biomimicry, and sustainability, Atelier Marko Brajovic recently developed a proposal for the Amazon Creative Laboratories, a series of biospheres composed of geodesic structures inspired by the internal geometry of the cacao fruit. The project aligns with the premises and goals of the Amazon 4.0 initiative, which aims to combine the economic potential of Amazonian socio-biodiversity with the new technologies and opportunities emerging from the Fourth Industrial Revolution.

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With over 56 million inhabitants spread across nine states, Brazil's Northeast region features a coastline of approximately three thousand kilometers, stretching from the Parnaíba Delta in Piauí to the south of Bahia. Internationally renowned for its beaches—which truly live up to their reputation—the region is as culturally diverse as it is geographically vast, showcasing rich cultural expressions, of which architecture is an integral part.

In this article, we celebrate the most ubiquitous of architectural typologies—the house—through examples built in the states of Alagoas, Bahia, Ceará, Pernambuco, Piauí, Rio Grande do Norte, and Sergipe. These projects demonstrate exquisite care regarding their surroundings and material choices, while also defying stereotypes and clichés often associated with architecture in northeastern Brazil. 

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In 2019, to mark its founding anniversary, Belo Horizonte received a gift in the form of an architectural competition. The national contest sought preliminary technical studies for the requalification of the historic and landscape heritage of Bernardo Monteiro Avenue. 

This heritage site, characterized by a dense grove of large, leafy Ficus trees, was affected by infestations of the so-called "ficus whitefly." This caused defoliation and dried branches, severely compromising many of the trees, damaging the area's historical-cultural identity and public character, and forcing the relocation of the craft, flower, food, and antique markets that once operated there.

Porto Alegre now has an online guide aimed at preserving the history and memory of its architectural heritage, both historic and contemporary. Conceived by architects and urban planners Rodrigo Poltosi and Vlademir Roman, the Guia Arqpoa brings together texts, photographs, and information on 100 architectural, urban, landscape, historical, and cultural works in the city. The mapping is based on the buildings and public spaces featured in the print publication released in 2017, titled Guia de Arquitetura de Porto Alegre, and allows this initial list to be expanded through the collaboration of new contributors.

When selected by the Biennale di Venezia to direct the 17th International Architecture Exhibition, Hashim Sarkis challenged national curators to answer an urgent and far from easy question: how will we live together? Neither he, nor the curators, nor indeed anyone, expected what was to come. After a year and a half of a global pandemic, the question takes on new meanings, opening up further implications that far exceed anything the organizers could have previously envisioned.

Against this backdrop of global uncertainty, and informed by a country deeply marked by social inequality, Utopias of Common Life – the title of the Brazilian contribution developed by Arquitetos Associados in collaboration with visual designer Henrique Penha – seeks to establish a dialogue between the modern past and a possible (and better) future for Brazilian cities. We had the opportunity to speak with architect Carlos Alberto Maciel about the exhibition that will occupy the Brazilian Pavilion at the Venice Architecture Biennale. Read the interview below:

Following the themes of previous editions that addressed contemporary issues concerning the built environment, the Arquiteturas Film Festival, taking place from June 1 to 6 in Lisbon, continues to offer an open forum for discussion through personal, collective, and global audiovisual stories from around the world.

The 8th edition of Arquiteturas explores the theme Bodies Out of Space through an exploration of the social construction of space, connected by a thread running through narratives of domination. These are also narratives about an identity that is often stripped away or forced to represent our bodies. Challenging current assumptions, we view this perceptual paradigm—an epitome of the vision of our times—as fundamentally social, spatial, and bodily.

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Groups and collectives working on the fringes of the architectural discipline are, fortunately, increasingly common. However, few strive to expand the boundaries of the profession across as many different fronts as Goma Oficina, from São Paulo, currently composed of Ana David, André Stefanini, André Bonani, Christian Salmeron, João Wallig, Fernando Banzi, Guilherme Tanaka, Lauro Rocha, Maria Cau Levy, Paula Marujo, Victoria Braga, and Vitor Pena.

Understanding architecture as culture in its broadest sense, Goma has been working since 2010 on projects located in a loosely defined territory, characterized by transdisciplinarity and overlaps between different fields. Their most recent work includes exhibitions, books, research, debates, installations, and models spanning the areas of architecture, graphic design, photography, and art.

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No País dos Arquitectos is a podcast created by Sara Nunes, who is also responsible for the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a highly fascinating country in this professional field, and its architectural production far outstrips its population or territorial scale.

In its first episode, Sara spoke with architect João Luís Carrilho da Graça about his Lisbon Cruise Terminal, and then welcomed João Mendes Ribeiro for a conversation on heritage, adaptive reuse, and landscape architecture, centered on the rehabilitation of the Coimbra Botanical Garden greenhouse. The third episode featured architect Inês Lobo and focused on the Public Library and Regional Archive of Angra do Heroísmo. Below, you can listen to and read the conversation from the fourth episode, with Carlos Castanheira about the Treetop Walk project.

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More than a year has passed since the pandemic imposed a new routine and atypical safety protocols on the world. A survey by NZN Intelligence, in partnership with the Estadão Summit Mobilidade Urbana, shows that 45.3% of people in Brazil have changed the way they get around since then.

Avoiding crowds led 40.2% of respondents to increase their use of private cars and 31.6% to travel more on foot or by bicycle, reflecting a global trend toward promoting active mobility.

No País dos Arquitectos is a podcast created by Sara Nunes, who also runs the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a fascinating country when it comes to this professional field, boasting an architectural output that punches far above its population or territorial scale.

In this week's episode, Sara talks with architect Nuno Valentim about the rehabilitation of the Bolhão Market. Listen to the interview and read the transcript of the conversation below:

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The International Union of Architects (UIA) has announced the UIA Gold Medal and Prizes winners. The UIA Gold Medal is awarded to Brazilian architect Paulo Mendes da Rocha, president of the 27th UIA World Congress of Architects — UIA2021RIO Honour Committee. The architect will also participate in a keynote speakers session programmed for July.

Paulo Mendes da Rocha, now 92 years old, has been honored with important awards, such as the Pritzker Prize in 2006, considered to be one of the world's premier architecture prizes, and the Venice Biennale Golden Lion for Lifetime Achievement, in 2016. Mendes da Rocha was the first Brazilian to be awarded this prize.

With the goal of discovering the architects, projects, and stories behind landmark Portuguese architecture, Sara Nunes, of the architectural film production company Building Pictures, launched the podcast No País dos Arquitectos, where she talks with key figures of contemporary Portuguese architecture.

In its first episóde, Sara spoke with architect João Luís Carrilho da Graça about his Lisbon Cruise Terminal, and then welcomed João Mendes Ribeiro for a conversation on heritage, the reuse of old structures, and landscape architecture, based on the rehabilitation project of the Coimbra Botanical Garden greenhouse. In this third episode, Sara talks with architect Inês Lobo about the Public Library and Regional Archive of Angra do Heroísmo. Read the full interview or listen to the podcast below.

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To provide greater safety for those wishing to enjoy nature, Urbia has marked 40 circles on the lawn of Praça da Paz in Ibirapuera Park. The concessionaire, which manages the largest park in São Paulo, adopted this measure to encourage social distancing among visitors.

Measuring approximately 4 meters in diameter, the circles were marked using organic waste from the park's own vegetation management, making them entirely sustainable. This allows visitors to remain safe within their own social distancing zones. Additionally, masks must be worn at all times while inside the park.