Ultimately, the construction concluded with a celebration. With the completion of "Not Only a Playhouse" ("Uma Casa de Brincar e Não Só..."), Casa da Arquitectura – Portuguese Centre for Architecture handed over the facility last Friday, August 10, to the residents of the Guarda Housing Complex in Perafita, Matosinhos, Portugal. Music and performances brought a lively close to two weeks of intense work during the second edition of "O Lugar de Partilha" (The Sharing Place).

Works designed by renowned architects have always drawn attention, especially from tourists who, passing through new cities, seek to catch a quick glimpse of the best those places have to offer. While this phenomenon is not new, services like Airbnb, which allow short stays in rented homes, have given it a new dimension.

This is currently the case in the Bouça Neighborhood in Porto, designed by Álvaro Siza Vieira. Conceived in the 1970s as a social housing project promoted by the Local Support Ambulatory Service (SAAL), the complex—originally built as permanent housing for workers—has always attracted architecture enthusiasts and fans of Siza's work. In recent years, however, it has also begun attracting temporary residents to units listed for rent.

The deck is finished, the beams and columns have already been painted, and construction is moving forward at a good pace at the Guarda Housing Complex in Perafita, Matosinhos, Portugal, which will very soon see the completion of Uma Casa de Brincar e Não Só… / Not Only a Playhouse, built as part of the second edition of “O Lugar de Partilha.” At the end of the first week on-site, there is still much work to be done for this Self-Construction Laboratory organized by Casa da Arquitectura (CA) – Portuguese Center for Architecture and curated by Roberto Cremascoli, but spirits are high, and by August 10th, everything will be ready for the local community to enjoy.

Seu Acervo, a platform for architecture final graduation projects, has released the results of the "Most Popular Project of 2017" open call, launched last November. The goal of the call is to expand the reach of the material available on the platform and encourage recent graduates to engage with digital publishing media. 

The winners of this first edition of the award are Rogério Oliveira da Costa, from the Centro Universitário Belas Artes de São Paulo; Nayara de Paula, from the Universidade Anhembi Morumbi; and Hugo Rossini, from the Universidade Presbiteriana Mackenzie. See the winning projects below.

To celebrate the diverse groups that built the cultural heritage of São Paulo and helped shape the city's identity, the Municipal Secretariat of Culture will host the Jornada do Patrimônio (Heritage Journey) on August 18 and 19, under the theme "One City, Many Hands."

The event offers a free, diverse program aimed at connecting the public with historical and emotionally significant spaces that define the city's history. In total, 320 activities will take place, including tours, lectures, workshops, building visits, guided tours, and book launches.

Originally published in 1995, Registro de uma vivência is an autobiography by Lucio Costa (1902–1998) composed of critical essays, memoirs, plans, projects, photographs, and drawings specifically selected and arranged by the author.

Out of print for nearly 20 years, the book has been reissued by Editora 34 in partnership with Edições Sesc SP. Fully preserving the original graphic design, this new edition features an introduction by Maria Elisa Costa, Lucio’s daughter, an index of names, and an essay by Sophia da Silva Telles, which seeks to decipher the significance of the work of this great architect and urban planner, who was also one of the most important Brazilian intellectuals of the 20th century.

Portuguese architect João Luís Carrilho da Graça has been unanimously selected as the winner of the inaugural Leon Battista Alberti Architecture Prize, awarded by the Leon Battista Alberti Center for Studies Foundation, named after the prominent Renaissance architect and art theorist.

Carrilho da Graça, who heads the eponymous firm Carrilho da Graça Arquitectos, is known for major projects in Portugal and other European countries, such as the Lisbon Cruise Terminal, the Theater in Poitiers, and the Orient Museum.

Architecture is perhaps the built heritage that best expresses a city's history, highlighting major cultural figures whose work enriches the history of its people. The Porto Architecture Guide 1942-2017 follows the Lisbon Architecture Guide 1948-2013; together, they are the first two volumes in the Cities collection published by A+A Books.

The website Mobilize, Brazil's first platform dedicated exclusively to sustainable urban mobility, has published a list of 30 must-see documentaries on the subject. Divided into feature and medium-length films, the selected titles address urban mobility from various perspectives, ranging from mass transit and non-motorized personal transport to urban culture and the June 2013 protests in Brazil.

The History Channel has released its first entirely Brazilian production. Titled Mil Dias - A Saga da Construção de Brasília, the series tells the story of the construction of the new capital from the perspective of four characters who built the city in the cerrado: a surveyor, an engineer, an architect, and a construction worker.

The site of a fire that left part of Luz Station in ruins in 2015, the Museum of the Portuguese Language, located inside the iconic station, had its new roof completed this week. Built with nearly ninety tons of certified timber from the Amazon, the new roof structure is another completed element of this project, which will ultimately cost around R$ 60 million.

Designed by the firm of Ramos de Azevedo and built in the famous Praça Clovis in downtown São Paulo between the 1920s and 1940s, the Palácio da Justiça de São Paulo occupies an area of 25,000 square meters. The building features a symmetrical layout with four corner towers whose wings house the interior spaces.

Between 2004 and 2009, the building's facades and the copper roof of the Jury Hall were restored by the firm APBA – Arquiteto Paulo Bastos e Associados. Later, between 2014 and 2016, another section of the building was restored by Kruchin Arquitetura.

Portuguese studio FAHR 021.3 has created a temporary wooden installation that transformed the facade of the Cine-Teatro Garrett, a historic building in the city center of Póvoa, Portugal. Titled Ensaio 04, the project is a geometric study of a curved surface built from straight planes of poplar wood, resulting in a distorted perspective.

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The NGO Soluções Urbanas launched a crowdfunding platform earlier this month to enable technical assistance, the purchase of materials, and renovation work in precarious housing. Named Arquiteto de Família, the tool was developed with sponsorship from CAU/RJ.

The platform's goal is to facilitate access to better housing conditions, and the funds raised through the tool can be combined with resources from other sources, such as microcredit and barter fairs.

Now in its sixth edition, the Arquitecturas Film Festival invites directors, architects, and production companies to submit documentary, experimental, and fiction films—including feature, medium, and short-length films produced after January 1, 2017—on themes related to architecture, space, and cities. The official launch of the call for entries was marked by the screening of Henrique Pina's documentary "Aires Mateus: Matéria em Avesso," dedicated to the work of the renowned studio, in the main hall of Cinema São Jorge in Lisbon.

The *Geography, City, and Architecture* graduate program at Escola da Cidade invited architect Mario Figueroa to deliver a lecture on Chilean architecture, where he discusses the so-called “Generation of the '90s” and the Museum of Memory and Human Rights.

As part of our coverage of the 2018 Venice Biennale, we present the participation of the São Paulo-based firm GrupoSP: an installation titled "unnamed spaces" that is part of the FREESPACE exhibition. Below, the architects describe their contribution in their own words.

"Unnamed spaces" [espaços sem nome] was a term that professor and artist Flávio Motta [1] used to describe the free, generous, and open spaces of radical architecture that accommodated the unpredictability of life. They can also refer to the open spaces or clearings within our city.

Physical distance is no longer an obstacle for the world's major museums. Once limited by their geographic locations and accessible only to those who could visit them in person, many museums have now digitized their collections, while others are in the process of doing so—a strategy that broadens reach and, to some extent, democratizes access to culture.