Sports is the cry of triumph, the tears of joy, the beating of chest when your team loses in nail biting crusade. Gathering up on streets in front of a TV, listening to the radio broadcast in a remote village or watching with your friends on a 52-inch screen - the euphoria with which the whole country cheers is unparalleled. A community lives its best experience when everyone is interacting under the same roof. And sports have the potential to provide such a platform.

How We See Now

Videos

One of the most beautiful Russian cities, the city of Kazan (Republic of Tatarstan, Russia), hosted a press conference at the launch of the Open International Architecture and Urban Planning Competition for the development of a master plan for the territory adjacent to the Almetyevsk Reservoir on the Stepnoy Zay river. Almetyevsk is an oil capital of the Republic of Tatarstan with the headquarter of PJSC TATNEFT, which is the 5th largest oil company in Russia. The press-conference took place on November 27, 2019 at the press center of the Tatar-inform news agency, one of the major media centers in Russia.

Archisource presents ‘Drawing of the Year 2019’. Our first competition celebrating the talent of architecture and design students and young professionals through a single drawing. With four categories to win from, we are celebrating the extensive variety of drawings that are created around the world each year.

By bringing together two contiguous non-constructible plots, Shelle and Xavier are lucky enough to have one of the last building land in the Croix Saint Jérôme sector in Noisy-sur-Ecole (Seine et Marne). This wooded area with its diffuse habitat borders the Massif des Trois Pignons, the western part of the particularly wild Fontainebleau forest. The rocky chaos, sandy stretches and vegetation that compose it once served as a backdrop for the Barbizon painters’ school. This massif is the most original natural area in the parisian basin and is an internationally renowned hiking and climbing destination.

The project curated by Luca Molinari Studio, opened to the public on the 28th of October in Suzhou at the Master of the Nets Garden. The curatorial project aims to create a place where best contemporary culture and the strongest tradition can dialogue.

This competition is as a part of “the innovative project for the complex urban space” and “Supplying 80,000 public housing units plan” by the city of Seoul. The purpose of this competition is to obtain a innovative architectural design for the complex development for 「modernization for the existing bus

On 15 November, the International Competition for the Architectural Landscape Design Concept for the Tuchkov Buyan Park in Saint Petersburg will begin accepting applications from participants. Interested parties can submit their application at park-spb.ru/eng

MATERICA is a Cultural Association founded in 2019 and it was born for the promotion and creation of design objects, through direct commissions, open calls, events and exhibitions.

Bulgaria is a country in Southeastern Europe that is in process of development of inclusive education and early intervention services for children with special needs and their families. One of the leading NGOs, actively involved in this process is Karin Dom Foundation. 

Henning Larsen is proud to present It Begins with Curiosity, the studio’s first ever monograph after more than half a century at the forefront of Scandinavian architecture and urbanism. The studio has been a pioneer in and ambassador for Danish design, bringing its unique principles and approach to projects as diverse as the Ministry of Foreign Affairs in Riyadh and Kiruna City Hall in Sweden. The book dives deep into the studio’s legacy, recent works, and outlooks to share their vision of how to create a more livable and sustainable future for all.

CENTRAL EMBASSY RINGS IN THE FESTIVE SEASON WITH ‘THE BIG HOLIDAY’,
AN ICONIC ARCHITECTURAL PARK BY BIG-BJARKE INGELS GROUP

From Beaux-Arts to Bauhaus, and the polytechnic schools to the present-day schools, paradigms of design education have shifted and evolved, each experimenting with different pedagogical philosophies and methodologies, relevant to their context. How are the contemporary pedagogy modeled and structured? What are the methods explored and experimented, and why? How are the contemporary design educations align with the shifting topography of culture and environment? What are the emerging opportunities of design education within today’s social, cultural and ecological context?

Over the past two decades of practice, landscape architect Thomas Woltz has forged a body of work that integrates the beauty and function of built forms with an understanding of complex biological systems and restoration ecology. As principal of Nelson Byrd Woltz Landscape Architects, he has infused narratives of the land into the places where people live, work, and play, engendering stewardship and inspiring connections between people and the natural world.

Edouard François, a former student of the Ecole Nationale des Beaux-Arts de Paris and the Ecole Nationale des Ponts et Chaussées, created his own architecture, town planning, and design agency in 1998. His work was immediately recognised, through operations such as The Building that Grows (Montpellier, 2000), Flower Tower (Paris, 2004) and Fouquet’s Barrière Hotel (Paris, 2006). His work on sustainable architecture led The Financial Times to dub him “The Hero of Green Architecture” in 2011.

Kurgi farm is located in the North Latvia Biosphere Reserve, one of the most beautiful and scenic locations in Northern Europe and listed as a nature conservation area of international importance by UNESCO. Kurgi farm is owned by a young couple, Kristaps and Laura, who were mesmerised by the natural beauty of the area. So much so that they decided to live there permanently.

Since early times, humans have explored the space below their feet for different purposes: to flee persecution and war, to find protection from severe climates, to improve urban life—and more recently, to solve environmental problems. A rare look at old and new subterranean structures from an architect's perspective, this seminal book examines the underworld through the lenses of wartime, life and death, religious and secular rituals, and adaptive reuse. The atlas of 80+ international projects ranges widely in time period and type, from a house in a defunct nuclear silo to an Arctic seed bank, a Beirut nightclub, art venues, an Italian winery, and a monastery carved into a mountain. All are surprising examples of how invisible man-made spaces follow the same cultural and economic cues as their visible counterparts and are places where we store, hide, repress, and live.

The Exhibition rests on new, visual and textual information unearthed and brought together with already materialized historic information. The archival work rests on 17-year research, which has been used in re-modelling the Ankara of 1933, on its 10th anniversary of being proclaimed the Capital of the new Turkish Republic. The old town was of 30,000 population during the War of Independence; however, it lived influx of populations all over Anatolia as well as from İstanbul after the war. The Administration and the Municipality were forced to commission new expansion plans for the growing city, the first of which already got obsolete in 1924 (Loercher), the second was used in 1925 (Loercher), and yet a new plan was ordered through an competition in 1927 (Jansen).