The "Pablo de Olavide" Center for Urban, Territorial, and Environmental Studies at the Autonomous University of Madrid invites you to the 1st International Congress of the Latin America-European Union Network for Urban, Territorial, and Environmental Studies, which will take place on February 18 and 19, 2021.
Martes de Ruido is a brief, informal conversation series lasting approximately 30 minutes. Featuring up to three sessions per day, it brings together national and international guests to address specific topics and foster discussion and reflection.
With a career focused primarily on the public sector, Cristóbal Tirado is the architect behind major projects throughout Chile, such as the renovation of the Mercado Providencia, the Aysén Regional Museum, the International Antarctic Center, the restoration of the Valparaíso elevators, and the remodeling of Plaza Sotomayor in the same city, among others. These are projects in which he has participated through competitions or public tenders.
Concéntrico 07, the International Festival of Architecture and Design in Logroño, invites reflection on the urban environment and the city through architecture and design proposals in various formats. The new edition will take place from September 2 to 5, 2021.
What will València look like in 2050? How will technology affect the built environment? How will people live in public spaces? How will mobility evolve and shape our streets? In collaboration with Las Naves and led by Non Architecture, we are seeking design professionals or creative teams with strong architectural visualization skills who are motivated to explore new perspectives for the future of València, Spain.
Today, more than half of the world's population lives in urban areas, a process of sustained growth that has persisted in cities and materialized through their expansion. This phenomenon is expected to intensify in the coming years due to several factors, including the concentration of capital, services, facilities, and infrastructure, which has fostered the perception of the city as a place of «opportunity».
This book approaches the question of method in architecture by focusing its analysis primarily on five specific works from the contemporary scene, attempting to unveil the underlying motivations that constitute them.
The new Archstorming competition takes us to Bamako, Mali. The goal is to design and build a new urban school for Enko Education, a rapidly growing network of international African schools that provides affordable, quality education to give African youth access to the world's top universities.
This ARQDocs book explores the work of Mario Carpo, a historian of architecture and technology. He holds a Dr. Arch from the University of Florence and a PhD from the European University Institute. He has taught at the Université de Genève, the School of Architecture of Saint-Étienne, the School of Architecture of Paris-La Villette, and the Georgia Institute of Technology. He served as the Vincent Scully Visiting Professor of Architectural History at the Yale School of Architecture (2010–2014), as the Reyner Banham Professor of Architectural History and Theory at The Bartlett, UCL (2014–present), and as director of the Study Centre at the Canadian Centre for Architecture (CCA) in Montréal (2002–2005).
This book is a study of the relationship between architecture and painting through the work of Francisco Méndez Labbé, a pioneer of non-figurative abstract art in Chile and co-founder of the Institute of Architecture at the Pontificia Universidad Católica de Valparaíso. Méndez Labbé transitioned to painting after training as an architect, at a time when the arts and architecture in Chile were navigating a complex period of integration into the modern art debate.
Between 1950 and 1970, the Chilean state undertook a national modernization process for its institutions, establishing the state's responsibility to clearly improve the living conditions of its population. Consequently, the Housing Corporation (CORVI, 1953–1976) was established in 1953. Through this body, the state spearheaded the implementation of the Chilean Housing Plan (1959), concretely positioning the construction of housing and the city as a catalyst for social change.
The house has evolved from an individual concern into the built element with the greatest impact on the planet. In this study, Fernanda Canales analyzes the evolution of this space over the last two centuries through projects, exhibitions, and books that have transformed ways of living toward a collective understanding of housing.
In almost every civilization, the garden, much like paradise, has always been an enclosed space—a landscape factory designed to project and embody ideals of life. However, in the 20th century, the garden transcended its enclosure, giving way to ecology and, with it, a different form of boundary. The garden shifted in scale, becoming planetary.
“The desert has enslaved me, and I am happy to say that I am still astonished to find that this is so,” writes Reyner Banham in this book, one of the last he wrote during his lifetime, not in his usual role as an architectural historian, but as a “desert fanatic”—a visitor intrigued and bewildered by the arid lands of the American Southwest.
In this book, French architects Anne Lacaton and Jean-Philippe Vassal, winners of the prestigious 2021 Pritzker Prize, present their work through three concepts, each illustrated by a specific type of content. In a conversation with Enrique Walker, they explain the thinking behind their entire body of work, particularly through one of their most significant projects: the Palais de Tokyo in Paris.