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As part of the activities at the Casa del Lago cultural center, located in Mexico City's Chapultepec Forest, the installation "Ephemeral Bubbles" by Plastique Fantastique will be on display in the venue's gardens from March 24 to April 2. Based in Berlin, Germany, the creative laboratory experiments with temporary interventions and carries out artistic projects worldwide.

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Architectural visualization is a branch of the profession that has gradually evolved to show more than just a final image of the projects presented. Over the years, with new tools made available by technology, it has become increasingly interesting to explore the different facets that speak not only to an author's language, but to a firm's own processes. At ArchDaily, architectural visualization has been a topic we have explored through various articles that reveal different ways of working, but above all, of communicating.

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On February 8, at Torre Glorieta Cibeles and as part of Mexico City Art Week, MASA Inc. presented an exhibition showcasing pieces by Manuel Bañó, Hollie Bowden, Frida Escobedo, Héctor Esrawe, Mario García Torres, Adeline de Monseignat, Marrow, Brian Thoreen, Joe Sweeney, ROOMS Studio, EWE Studio, and VISSIO.

In November 2022, the Network of Latin American Architecture Biennials REDBAAL will mark its first ten fruitful years, celebrating this milestone by launching the Fourth Edition of the Oscar Niemeyer Award for Latin American Architecture, the prestigious ON-04 Prize. This August, the jury's decision was announced, revealing the top three winners and recognizing the work of architects from Brazil and Mexico.

As part of an initiative by LIGA, an independent space founded in Mexico City in 2011 to promote contemporary Latin American architecture through exhibitions, publications, events, lectures, and workshops, the exhibition “Registro: Museo Tamayo” opened on April 21 as part of the LIGA-ARCHIVOS initiative. This iteration presents a reinterpretation of the building designed by architect Teodoro González de León and built in 1981 in the First Section of Chapultepec Forest.

The results of the XIV Yucatan Architecture Biennial have been announced. A total of 17 accolades were awarded, including 1 gold medal, 6 silver medals, and 10 honorable mentions across 15 different categories. The jury comprised architects Edgar Herrera, Manuel Herrera, Felipe Leal, and Carlos Rodríguez. Read on to discover the winners.

Architect Jimena Hogrebe presents “Architectural Embroidery,” an intimate project that explores the possibilities of representing and understanding architecture through the boundaries of other disciplines, framing it as a multifaceted and diverse activity. Embroidery is an ancient technique that demands abstraction and a clear understanding of what is being stitched. Above all, however, it is about pausing in time. Much like hand drawing, it connects the hand with the brain, linking reflection with memory to record and interpret architecture through an alternative narrative.

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Mexican artist Perla Krauze presents the exhibition “NONSITE: el Pedregal revisitado” at the Museo Universitario de Ciencias y Artes (MUCA Campus), located at UNAM's Faculty of Architecture in Mexico City. The large-scale installation explores the Pedregal area in southern Mexico City, which is home to several archaeological sites, including the oldest ruins in the Valley of Mexico, Cuicuilco and Copilco. Its topography was shaped around 1,700 years ago when the Xitle volcano erupted, spreading vast fields of lava and forcing the local population to flee.

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Recently, Tec de Monterrey unveiled “Skyspace: Espíritu de Luz,” an installation designed by American artist James Turrell that now joins DistritoTec in Monterrey, Mexico, as a cultural destination that enhances spatial quality through innovation. Arising from the “Light & Space” art movement, this piece was designed as an observatory to generate a unique visual experience through a sequence of lights every 12 hours, at dawn and dusk. It also serves as a tribute to the life and legacy of Don Eugenio Garza Sada and Eugenio Garza Lagüera.

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As part of a new collaboration, DF Arquitectos and Taller MRD have unveiled a new project set for the coast of Puerto Escondido, Oaxaca. The proposed 11,300-square-meter multi-use convention center aims to create a space where key cultural and community activities representing the State of Oaxaca can converge.

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As part of the cultural agenda for Art Week 2022 in Mexico City, guadalajara90210—in collaboration with Michan Architecture and Luis Young—presented the exhibition "YACIMIENTOS," featuring works by 53 artists and architects. The venue, a building currently under reconstruction in the Condesa neighborhood, hosted the exhibition from February 12 to 20.

As part of a new initiative led by Francesca Borgonovo and Luis Young in Mexico City, "Preludio"—the inaugural exhibition of BY Galería—was presented from August 25 to September 3 at Proyecto Público Prim. This space arises from the question: "Is it possible to materialize architectural thought?"

Arturo Arrieta

To mark the tenth anniversary of ArchDaily Mexico, Rojkind Arquitectos + Think Parametric designed an installation for the celebration held at the LAGO/ALGO Cultural Center. Located in the Second Section of Chapultepec Forest, the 810-hectare urban park is divided into four zones and home to some of Mexico's most prominent tourist landmarks.

On October 19, the exhibition 'In Praise of Caves: Organic Architecture Projects from Mexico by Carlos Lazo, Mathias Goeritz, Juan O'Gorman, and Javier Senosiain' opened in New York, spanning multiple first-floor galleries at the Noguchi Museum. This space—conceived by the Isamu Noguchi Foundation and Garden Museum, which was founded in 1985 by the category-defying artist Isamu Noguchi—brings together a selection of projects by these four artist-architects. The works explore the adaptation of natural structures to modern life, the practical and environmental benefits of subterranean living, and how humanity might reconnect with the essential joy of living in harmony with nature.

As part of the cultural agenda of LIGA, Espacio para arquitectura in Mexico City, the work of a Cuban architecture office is presented for the first time: Infraestudio. The studio, composed of Anadis González and Fernando Martirena, addresses various conflicts and challenges in their daily practice, including job precarity in a context where private architectural practice is illegal. Despite this obstacle, they have managed to develop a provocative body of built work, intertwining it with proposals linked to artistic practices.

The Mextrópoli Architecture and City Festival presents its new 2022 edition in collaboration with the Ibero-American Biennial of Architecture and Urbanism, cementing its status as a benchmark event in Mexico City's cultural agenda and a global point of interest among specialized architecture events. Maintaining a high-level curatorial standard, MEXTRÓPOLI brings the voices of globally recognized architects, artists, mayors, and humanists to the public, offering affordable access for students and anyone interested in the present and future directions of the city. Mextrópoli is a platform that allows for experiencing the city, as well as reflecting on its political, civic, and aesthetic dimensions.

Periodically, we have witnessed how the coasts of Quintana Roo have suffered from severe sargassum algae blooms, representing a major problem for local residents who, year after year, dedicate themselves to exhaustively cleaning the beaches during the April-August season. Various media outlets have reported that the cause of the sargassum is still unknown; however, some theories link it to climate change and variations in the Atlantic Ocean. Currently, the non-governmental organization Red de Monitoreo del Sargazo de Quintana Roo (Quintana Roo Sargassum Monitoring Network) monitors sargassum presence in the region. According to its latest alert level system, there are 22 locations with an excessive presence of this macroalgae, and the same number considered abundant.