
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

“Architecture is embedded storytelling,” wrote Marco Frascari. Emphasizing the reciprocity between architecture and narrative throughout his career, this Italian architect, theorist, and educator saw stories as the key to creating a “nontrivial”—and therefore transcendent—architecture. It is from his ideas, writings, teachings, and studies that the reflection inspiring this text arises.

Peru is a country with an extensive, rich, and deeply significant archaeological heritage. Unfortunately, the passage of time has brought severe deterioration. In their article, "Captura de datos 3D para virtualizar el patrimonio cultural" (3D Data Capture to Virtualize Cultural Heritage), authors Norma León Lescano, Yann Barnet, and Alvaro Racchumi outline the method they used to capture a three-dimensional replica of the Palace of Puruchuco. By doing so, they aim to provide the necessary information to guide and promote the virtualization of this remarkable cultural heritage, expanding its reach, appreciation, and preservation.

Rodrigo Lagos Vergara and Macarena Paz Barrientos Díaz originally published the article titled "Architecture Education in Chile, 1999-2019: Ecological Potential and Collective Political Meaning of Design Practices" in Revista [i2]: Investigación e Innovación en Arquitectura y Territorio, from the Department of Graphic Expression, Composition, and Architectural Projects of the Universidad de Alicante, on January 1, 2022.
Below, they present some of the most important points of their publication: three pedagogical actions in Chile that understand teaching as a central practice through the academic exercise of the design project.

Anderson Marín Vidal and Juan Sebastián García, from the research group on Sustainable and Applied Emerging Technologies (T.E.S.A.), present an analysis of the primary impacts expected from the designs for the Río Molino Waterfront (Malecón del Río Molino). Created by the architecture firm Celeste & Piedra, the project won first place in a competition organized by the Mayor's Office of Popayán and Findeter.

Cooperative housing, or co-housing, is a residential model that promotes access to housing in cities. This model first developed in countries like Denmark and Uruguay, and it is becoming increasingly popular throughout Europe. Indeed, it arrived in Barcelona several years ago and has since steadily expanded throughout the region, spreading beyond the boundaries of the Catalan capital. Below, we explore the cooperative housing model in Barcelona and how it contributes to a more democratic architecture for its citizens.

The world of gastronomy is about far more than just food; space plays a vital role in the overall dining experience. To achieve this, architecture transcends mere functionality to cultivate distinct atmospheres through the meticulous curation of light, acoustics, color, texture, and form, ensuring both intimacy and comfort for diners.
The city of Lima—capital of Peru, a preeminent culinary destination—features a diverse array of restaurants and cafés that reflect the country's rich heritage. Below, we present a selection of 10 restaurants and cafés offering unique dining experiences across the city.

In the midst of today's information age, several Latin American architecture firms are returning to analog formats, ranging from fanzines and illustrations to manuals and postcards.
Against the backdrop of the Taller Social Latinoamericano in Colombia, we spoke with the firms Ruta 4 Taller (Colombia), Coonvite (Colombia), La Cabina de la Curiosidad (Ecuador), and República Portátil (Chile)—all of whom have, coincidentally, explored these formats in their recent work.
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More than a trend, industrialization is a necessity in the construction industry. In recent years, we have witnessed its importance in increasing productivity and speed of execution—as well as reducing waste—in architectural projects. Beyond streamlining construction processes, this serial, mechanical, and standardized production increases quality and shortens delivery times. If initial project decisions incorporate the modulation of the various stages that can be industrialized within vertical and horizontal parameters, the outcome is much more efficient than if these are evaluated during construction (when it is no longer possible to reduce waste through modulation). Furthermore, by minimizing waste and reducing the consumption of energy and water resources, it also contributes to a more sustainable industry.

Architectural works from around the world are the primary inspiration for Erika Moreno, the creator of HUAJJE, a digital illustration project. The project was born in 2019, a year after Moreno completed her architecture degree in Tijuana. “The project started by accident; my only goal in making these drawings was to learn how to use more Photoshop tools—it was a personal challenge.” To document her process, she decided to open an Instagram account, which has since fostered an organic community that shares and supports her work. This has encouraged her to overcome her fears and even host workshops on the subject in various formats.

Over the years, interior design has evolved in response to changing needs, and above all, to the experiences it seeks to evoke for the user. Over the last two years, we have witnessed a radical shift and a heightened interest in this field, as the pandemic forced us to pay closer attention to how we configure the spaces we inhabit. This has brought about much more holistic designs aimed at user well-being, combining colors, sensory experiences, technology, and natural elements that promote health.

Today, understanding the properties of materials used in vernacular construction is essential to ensuring a better quality of life and spatial habitability, both of which have evolved alongside new technologies in the market. Spatial design now represents a commitment to the natural environment and, consequently, to improving quality of life.

Today, technology is increasingly ubiquitous in major cities, driven by the rapid pace of capital-driven movement. A popular term to describe the relationship between urbanism and technology is “Smart Cities,” which centers on leveraging data to enhance building connectivity. However, widespread access to these new technologies has revealed how our unique experiences as citizens—driven by a strong desire to document urban environments—allow us to map and experience cities from alternative perspectives.

Is there a future for our cities without a sustainable way of life? For some time now, urban sustainability has been viewed primarily through the lens of climate change rather than a holistic vision that integrates society and the way we live in community.
What new ways of living are we experiencing amid social, economic, and ecological shifts? We need to bring to the table different reference cases from around the world and understand the latest trends shaping how we live in our cities.
We want you, our readers, to not only be the first to share examples of co-living, cooperatives, and any new types of social housing you consider benchmarks, but also to share your thoughts on the matter in the form below. Selected comments will be published in an upcoming article.

We visited “Dogon Country” in Mali (latitude 15°N) in 2008 to observe how vernacular “Dogon” architecture (a UNESCO World Heritage site) has achieved the counter-form of lived experiences. We were looking for the coherence between society and dwelling through architecture and urbanism in another dimension and another culture.

Throughout its history, CHC has participated in and supported social projects that improve the quality of life of their residents, while constantly seeking to establish new and better standards that contribute to the construction of spaces. In this particular case, the project led by architect Jaime Ovando integrates public funds through Chile's Habitabilidad Program and the Illustrious Municipality of Paine, along with private contributions from building material companies, the architecture firm, and the construction company, including CHC.
Thinking about the present and future of older adults is essential to improving the population's quality of life. According to the United Nations study on world population prospects, by 2050, it is estimated that 32% of Chile's population will be over 65 years old. According to data from the 2017 National Socioeconomic Characterization Survey (CASEN), 22.1% of older adults in the country live in multidimensional poverty. The connection between architecture and social commitment develops a strategy to combat vulnerability in this demographic.

This July 11 marks World Population Day, an annual event established by the United Nations Development Programme (UNDP) in 1990 to raise awareness of global demographic issues. This is a critical issue today; not only is the global population projected to reach nearly 10 billion by 2050, but the latest UN-Habitat reports estimate that, by then, two-thirds of the world will live in cities.
Every year, World Population Review assesses urban growth and the number of residents living in metropolitan areas to understand global development trends. While the list of the 20 most populous cities in the world features recurring Asian hubs like Tokyo, Delhi, and Shanghai, it also includes several Latin American metropolises such as Sao Paulo, Mexico City, and Buenos Aires. Consequently, we have compiled a list of the ten most populous cities in Latin America to understand their growth and role in the global context.

Founded in 2013 and based in Mexico City, David Pompa is a studio comprising designers, engineers, and makers established in Mexico and Austria. David Pompa grew up in both countries and studied product design in London. Over time, the studio has shown a strong interest in traditional materials and techniques, maintaining a commitment to Mexican culture since its inception—a dedication reflected in the creation of aesthetic and accessible design objects. On this occasion, they are presenting a new collection for Milan Design Week 2022 on Via Simone Saint Bon as part of Fuorisalone from June 5 to 12.

In Peru, communal kitchens (ollas comunes) are self-managed neighborhood initiatives located in vulnerable areas. Driven by the food and educational insecurity triggered by the pandemic, these spaces have assumed a vital role in child development, transforming themselves into neighborhood schools. Within this context, "DIT: Building a Space for Children" emerged—a project selected for the XII Ibero-American Biennial of Architecture and Urbanism. Through this initiative, architects Gian Franco Pedreschi, Sergio Iván Puch, and Jhordano Zabanick, together with the community of the AA.HH. Horacio Zevallos, intervened in the public space adjacent to a communal kitchen in the Rímac district, improving the residents' quality of life.

Following the 60th anniversary of the iconic Casa en Jean Mermoz—a precursor to the ideas of Ciudad Abierta in Ritoque—Igor Fracalossi, PhD, proposed a reconstruction of its wooden formwork system. He knows the building well; since 2012, he has dedicated his research to studying "the most complex residential project in Chile to date.”
While walking through the exhibition of the reconstruction in the gardens and galleries of the Centro Cultural Las Condes in 2022, he explains in detail the innovative and unique construction aspects of this demolished work. The house was originally designed by Fabio Cruz Prieto, architect and founding master of the School of Architecture and Design at the Pontificia Universidad Católica de Valparaíso.

Many of us agree with Roman Mars of 99% Invisible when he says that "we tend to not notice well-designed things"—yet many also agree that design is often perceived as being for only a select few. Consequently, we must ask ourselves what is truly democratic when it comes to design, and from there, help define and contribute our vision toward a more just society.
From the perspective of design and architecture, we can approach the democratization of design from various angles—from incorporating design into everyday needs to designing inclusively. At the core of it all lies the search for solutions that improve accessibility and livability in our daily lives.

The construction industry is one of the largest producers of pollutants and waste globally in its daily operations. To put this into perspective, in the mid-1990s in Great Britain, construction processes generated nearly 10 million tons of post-industrial waste. Approximately a decade ago, over 3.5 billion new bricks were used annually, while around 2.5 billion were demolished; of that total, only about 140 million were reused, with the rest sent to landfills.

When addressing the recycling process of construction materials, several obstacles stand in the way of achieving a comprehensive and effective outcome. First, careless demolition can make the process highly complex, as materials destined for different recycling streams are often mixed together. Furthermore, not all materials can be recycled or processed efficiently, as many still require costly or overly complex processes. However, the construction industry—a major contributor to waste production and greenhouse gas emissions—has also developed multiple new technologies to improve its practices. This is where the WOOL2LOOP project comes in, aiming to resolve one of the greatest challenges in applying a circular approach to construction and demolition waste.

Born in Quito in 1947, Guadalupe Ibarra settled in Cuenca during her adolescence due to her father's military career. It was there that she decided to study architecture, enrolling at the University of Cuenca in 1963. An outstanding student, Ibarra earned her degree in 1970, becoming the first Ecuadorian woman to graduate as an architect in the country.

In November 2022, the Network of Latin American Architecture Biennials REDBAAL will mark its first ten fruitful years, celebrating this milestone by launching the Fourth Edition of the Oscar Niemeyer Award for Latin American Architecture, the prestigious ON-04 Prize. This August, the jury's decision was announced, revealing the top three winners and recognizing the work of architects from Brazil and Mexico.