The article series by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit investigating social housing in Latin America continues by exploring the choice of building materials. Read all past articles and the new piece below.
https://www.archdaily.com/1120321/the-need-for-adaptable-materials-in-latin-american-social-housingNikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy & Ernesto Philibert-Petit
Vista_Panorámica. Image Cortesía de leonmarcial + Ghezzi Novak
The results of the National Catalog of Modular Schools Competition in Peru were recently announced, with a single winning team unanimously selected for all five categories across their respective bioclimatic zones: Coast, Rainy Coast, Highlands, Frost, and Rainforest. Remarkably, this team was formed by an alliance of several highly influential architecture firms in the country, as evidenced by the caliber of their proposals. What made this outcome so compelling was that unity and diversity prevailed in a competition that seeks to foster those very principles through architecture and education.
However, there is an important detail in the competition's process—and processes are journeys worth remembering. The project developed by the architecture offices leonmarcial + Ghezzi Novak was awarded first place by the jury in the Highlands Catalog category; however, it was disqualified for failing to meet the required documentation. Such situations are common in architectural competitions, where regulations must ultimately be upheld.
Beyond the outstanding projects that ultimately won, what happens to those left behind? What becomes of all that valuable material? They, too, deserve visibility, as they represent efforts that should lead to some outcome. We are committed to sharing quality architecture, and this project, given its winning caliber, is undoubtedly one of them.
Ciudad Juárez is an industrial city located on the northern border with the United States, specifically bordering the city of El Paso, Texas. Over the years, Juárez's economy has been dominated by the ‘maquiladora’ assembly industry, and the city was once considered one of the most violent in the world due to a wave of crime between 2008 and 2012. In response to these conditions, in 2014, a group of friends from Ciudad Juárez, Chihuahua, eager to contribute to their city's resilience and recovery, came together to discuss and pitch ideas for reclaiming streets, plazas, and parks through sociocultural projects and public space interventions, ultimately giving rise to Nómada Laboratorio Urbano.
Exhibited in a parallel exhibition at the 2018 Venice Biennale, the Tropi-Co-Re Housing project by SUMA Arquitectos reflects on the intersection of urban and architectural design within the low-income residential context of an equatorial/tropical climate, investigating alternative material systems for its construction, such as bamboo truss structures and folded metal plate roofs.
Read on to explore the project in detail, in the words of its designers.
Promoted by the Uruguay River Administrative Commission, organized by the Society of Architects of Uruguay (SAU) and the College of Architects of the Province of Entre Ríos (CAPER) —and sponsored by the Argentine Federation of Architect Associations (FADEA)— the call for entries is now open for the binational preliminary design competition to develop a Control Laboratory for the environmental analysis of the Uruguay River.
As part of the 2nd Placemaking Latinoamérica gathering –organized by Lugares Públicos A.C.– which took place in Mexico City during the first and second weeks of November, various activities were carried out, including the restoration of eight public spaces led by Mexican and Latin American participatory urban planning specialists in the boroughs of Cuauhtémoc, Iztacalco, and Miguel Hidalgo.
Perspectiva. Image Cortesía de Arquitectos Rodrigo Schiavoni y Adán Yenerich
Rodrigo Schiavoni and Adán Yenerich, founding partners of SY arquitectos, have won the open competition organized as part of the eighth International Congress of the Spanish Language, held in the city of Córdoba from March 27 to 30, 2019. This competition called for the design of an urban-scale commemorative landmark to serve as a civic symbol.
Organized by the Córdoba Province Chamber of Tourism and open to artists, designers, and architects, this interdisciplinary competition called for the creation of urban-scale pieces to intervene in the public space of a prominent sector of the city: a portion of the historic founding district located just steps from the Jesuit Block, a site designated as a World Heritage Site by UNESCO.
One could say we have waited for sunset to rekindle the warmth of this experience—and thus blend nostalgia with the newly arrived autumn.
The end of summer has arrived in the southwestern hemisphere, and among the many new lessons each climate leaves behind in these parts, in one of Peru's warmest regions, TSI 2019 left footprints and works that sooner or later we would be ready to reveal. All, or most, of those who participated have already returned to their school or work routines, yet at the end of the season, this remains a place to return to.
In the fall of 2017, a 7.1-magnitude earthquake struck at least nine Mexican states, leaving several areas severely damaged across Mexico City, Puebla, Morelos, Oaxaca, Veracruz, Tlaxcala, Guerrero, and the State of Mexico. Jojutla, a municipality in Morelos, was among the hardest hit, left in ruins after the September 19 disaster. Much of the local infrastructure was devastated, prompting a master plan initiated by Infonavit to reconstruct the municipality's primary public buildings.
"An old skating area, a forgotten garden beneath bridges, and the reconstruction of a skatepark in a working-class neighborhood serve as the backdrops for this documentary. The parallel narrative of the construction of three new public spaces in Barcelona shows how once-marginalized territories are integrated into the urban fabric while respecting the site, its memory, its people, and its everyday life."
The premise of the documentary Landskating, directed by Kike Barberá, with a script and production by Sergi Carulla and Oscar Blasco (Scob), is highly promising. Filmed between 2013 and 2015, this period saw the realization of participatory processes led by the youth themselves, alongside the construction of Barcelona's first three urban sports parks: the Landskate Parks.
To mark the documentary's public premiere, we interviewed the team at SCOB to learn more about their work.
In 1900, Dr. José Ignacio Capetillo and his wife, María de la Luz Servín, purchased the land located at General Prim 32 from Archbishop Eulogio Gregorio Gillow. On this site, the Capetillo-Servín family began construction on an apartment building commissioned to architect Manuel Gorozpe, who designed it in the eclectic style characteristic of the period and completed construction in 1906.
https://www.archdaily.com/1119858/discover-the-history-of-one-of-mexico-citys-most-famous-porfirian-venues-proyecto-publico-primFabiola De la Miyar Martínez y Diana Fonseca Sepulveda
As part of the design program at AGO Projects—a multidisciplinary space focused on promoting design, photography, and architecture, based in New York, which opened its doors in Mexico City just a few weeks ago—the exhibition "Otro Reino" has opened. The showcase features previously unseen and well-known pieces by Isabel Abascal and Alessandro Arienzo's architecture studio, LANZA Atelier, and is complemented by "Neo-neo," a collection of ceramics based on urban concrete accidents by MT Objects.
As part of the Abierto Mexicano de Diseño 2019 (AMD2019), Jumbo, an international company focused on the development of urban spaces and furniture, presented the play sculpture “Infinito,” designed by Ariel Rojo. The project stems from the desire to design a line of urban elements that stimulate a sense of adventure and play through a range of play sculptures. These address not only an aesthetic responsibility to users, the city, its parks, and playgrounds, but also introduce an original approach to how children play and learn.
Through sculpture and drawing, Ivan Kurov (Mexico City, 1982) explores nature and transformation in their broadest definitions. While the former allows him to study the chemical properties of materials and the physics of objects, his paintings frame the confrontation between the organic landscape and the intervention of human architecture. For Kurov, art in its fullest sense is achieved outside of discursive intention, occurring when the hand works the material without the mediation of a concept. Consequently, his pieces emerge from the autonomy of processes and from matter in the freedom of its essence. The result is spontaneous and fluid, much like the artist's own conversation.
Colombia's topography features both plains and mountainous areas. Despite the challenges this poses for urban development, the country's major cities—from its capital, Bogotá, to Medellín and Cali—have been founded upon it. While this topography has posed significant challenges for construction and mobility, it has also paved the way for innovation, inspiring architectural projects that seamlessly integrate with the mountainous terrain, adapt to their specific altitude, and reflect regional culture.
Many pioneers are ill-timed, arriving too early. José Miguel de Prada Poole [1938-present] is no exception, occupying his place in history as one of the most unique, unconventional, and highly individualistic architects of the 20th century in Spain. A pioneer of pneumatic architecture, his approach was undoubtedly shaped by the pop trends of the era, represented by figures like Archigram, Archizoom, or Team 10. He was always peculiarly interested in the avant-garde's “mobile and deployable work,” specifically exemplified by structures capable of providing variable responses to changing uses. Ultimately, he can be considered one of the first architects to introduce concepts like "sustainability" into a purely architectural context: all of his works minimized energy consumption or were capable of generating microclimates on their own.
On December 4, the opening of the Provincial Preliminary Design Competition for Cultural Spaces in Villa Carlos Paz took place.
The format involved intervening in three emblematic urban spaces under a single competition, but with individual prizes awarded for each site. The goal was for participants to achieve aesthetic and architectural proposals that would transform each space into a city landmark.
As part of Semana UTEM 2019—"The Project Within the Project"—21 teams from the Faculty of Architecture at the Metropolitan Technological University of Chile (UTEM) participated in the Domestic Pre-Existences workshop. The students proposed interventions for the historic "C Blocks" in Santiago's pericenter—residential complexes designed by the state Housing and Urban Development Service (SERVIU) between 1986 and 1996.
Cortesía de Arq.Bravo Nieto Ralph Tomas y Godoy Richard Marcelo
In December of last year, the provincial government of San Luis, Argentina, alongside San Luis Agua, launched the Portales de los Lagos Provincial Ideas Competition. The objective was to design an icon to identify and showcase a key local natural resource: water. Read on to discover the first-prize-winning project in the words of its authors:
Amancio Williams con maqueta del proyecto para Tres hospitales en Corrientes. Image Cortesía de Archivo Williams - Director Claudio Williams
Discussions of Amancio Williams's architecture typically focus on his built work—the tangible side of his profession. Yet beyond being a great architect, he was a researcher, creator, avant-gardist, and visionary. Constantly studying the technical possibilities of his era, he approached his theoretical development and architectural thinking as if the field were a laboratory.
This is evident in the projects Williams developed for dwellings in space (1942), the hall for plastic spectacle and sound in space (1942), the Buenos Aires airport (1945) the suspended office building (1946) and the first city in Antarctica (1980), which we explore below.
The Venice Architecture Biennale is an event organized by the Italian State that brings together some of the world's most prestigious international architecture exhibitions. The Giardini and the Arsenale serve as the event's main venues. These spaces have hosted various exhibitions, national pavilions, and collateral events spread throughout Venice.
Colombian firm DARP has won second place in the design competition for the memorial space at the former Mónaco Building in Medellín, Colombia. Organized by the EDU and the Colombian Society of Architects (SCA), the international competition sought to design a space of memory and reflection on the period between 1983 and 1994, located on the site of the demolished building that was once the home of drug trafficker Pablo Escobar.
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