This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This essay seeks to call upon the field of Architecture and Urbanism to reflect on the prison. When discussing urban crises, the existence of spaces of confinement is rarely problematized as a component—or even a generator—of the issues facing contemporary cities. Yet, this essay advances the premise that they are, in fact, central to them. 

In the film Aquarius, directed by Kleber Mendonça Filho, the character Clara, played by Sônia Braga, refuses to sell her apartment—located in a condominium building—to a real estate developer. Her neighbors, on the other hand, accept the deal. In an article for Estadão, economist Pedro Fernando Nery views the case through a lens opposite to the cinematic narrative: instead of a hero resisting unscrupulous real estate capital with no respect for Recife's coastal landscape, Clara is actually the villain.

Even as 5G technology is about to launch in major cities, placing Brazil among a select group of countries with advanced technology installed, 35 million people still lack access to quality drinking water and 100 million do not even have sewage collected from their homes. Furthermore, a volume of sewage equivalent to 5,300 Olympic swimming pools is discharged into nature every day without any treatment in the country.

We are still far from the goal of limiting global warming to 1.5°C above pre-industrial levels and avoiding the worst risks of climate change. However, this target remains within reach, according to the latest report by the Intergovernmental Panel on Climate Change (IPCC)—and this hope must guide the political and economic decisions of this decade, according to WWF-Brazil.

Walking through the city. A territory in constant motion. It is complex, shaped by an infinite tangle of yearnings. These may drive the construction of a new place—whether physical or otherwise—but also the deconstruction of others that, despite being well-established, remain burdened with past conceptions. Amidst all this, there is an inevitable need for individuals to seek spaces where they can connect with others, so that their diverse identities may find expression.

"The city is conflict, just as society is conflict, but the types of conflict that take shape and express themselves in each city reveal what each is like," says urban anthropology specialist María Cristina Cravino regarding the right to the city in Latin America. In a growing context of cities undergoing gentrification, where high land and housing prices displace working-class residents, the new Barrio Maestranza Ukamau offers a compelling example that has much to say about potential pathways to public-interest housing in Santiago, Chile.

Located on the grounds of the former San Eugenio railway workshops in central Santiago, between Santiago Watt and Exposición streets in the Estación Central district, the project was not only designed by architect Fernando Castillo Velasco in his final years and continued by his son Cristián Castillo alongside Elías Becerra and Pamela González, but also by the community of families organized through the assemblies of the Ukamau Social and Popular Movement, where they deliberated and discussed their future homes step by step. The project spans nearly 3 hectares and comprises 424 apartments.

“The House Through the Dining Room: Architecture Around the Table” is a research project conducted by architect Francisco Javier Fernández García as part of the Master’s Degree in Advanced Studies in Architecture at the Barcelona School of Architecture (ETSAB). Advised by Xavier Monteys and written in the style of an “editorial essay,” the work aims to bring to the table—quite literally—the role of the dining room as a domestic space capable of reshaping our understanding of the home. Rather than simply compiling a collection of dining rooms, it features a diverse range of images in a comparative exercise, juxtaposing them to reveal shared characteristics. Discussing the dining room serves as a pretext to illuminate many other issues related to the home and the act of dwelling.

From NFTs to the metaverse and the benefits of real-time rendering, this is an opportune moment to discuss the latest trends in architectural visualization.

With this in mind, we want to open the debate and hear your thoughts on the subject. What can we learn from other related industries, such as cinema, video games, and industrial design? How can architecture contribute to and advance the world of visualization?

Pingado, carioca, espresso, drip, americano, cappuccino. Unlike in architecture, in this case, form is the least important factor when it comes to declaring a passion for coffee. A loyal companion since the college days of pulling all-nighters, and one that continues to accompany the daily creative process throughout the careers of many architects, this traditional beverage holds a special place in the profession and deserves to be celebrated. Today, March 14, is World Coffee Day. To celebrate, we feature a selection of projects where this sensory-awakening ingredient takes center stage.

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Who do you design a city for? Your answer is unlikely to focus on a baby or a child under the age of six—the age bracket that defines early childhood. Yet, a wide range of guidelines and actions can be taken to integrate this demographic into urban planning. After all, this is when a citizen's first interactions with urban life begin, making it essential to provide the most welcoming environment possible. 

Municipalities, much like people, are dynamic entities, constantly evolving to keep pace with and adapt to the social, economic, and environmental shifts of their time. By the same token, the vision of how the ideal city should be planned has continually been shaped by the reality and prevailing thought of each era.

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Cities play a fundamental role in the search for solutions and policies to mitigate the problems driving global climate change. Today, urban areas account for more than 70% of carbon dioxide (CO₂) emissions—one of the main causes of the greenhouse effect and its consequences for the environment and human life.

This percentage is striking, considering that municipalities occupy a mere 0.4% to 0.9% of the Earth's surface, as pointed out by the study "Effects of population or density change on urban carbon dioxide emissions," published in Nature Communications—a journal specializing in natural sciences.

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In his most recent book, Survival of the City, economist Edward Glaeser diagnoses the conflicts of interest that permeate the urban debate. According to him, there is a fundamental opposition between insiders—longtime residents interested in maintaining the status quo and increasing their property values—and outsiders—new residents looking for affordable housing and new opportunities for work, consumption, and urban space.

Just like much of popular culture, for most of the twentieth century, architectural media relied on magazines sold at newsstands and supermarkets. Through them, readers discovered what was being built, tracked technological innovations, and, to some extent, popularized architectural discourse, taking it beyond the academic and elitist confines of universities and conferences. With the rise of the internet, the format of this information shifted, finding new ways to reach the public. Social media and specialized websites became crucial channels for sharing information and services, expanding public access to architectural issues. Today, every major social network hosts profiles dedicated exclusively to architecture, tailoring their content to each specific platform.

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Two thousand five hundred reais is the average price of a good virtual reality headset. If you opt for the full experience, shell out another four thousand reais to add sensors and controllers. These models must be connected to a high-performance computer to process information and transform spaces into 3D models, costing at least five thousand reais. In addition to the headset, sensors, and computer, software is also required, with annual licenses that likewise run into the thousands. In short, keeping up with technology nowadays is quite a costly endeavor.

The world's population is aging, and one of the major questions raised by this demographic shift—with more older adults than young children—is whether municipalities are equipped for these citizens to use urban spaces safely and accessibly, and to feel included in the social and civic life of their communities.

A United Nations (UN) report estimates that the number of individuals aged 65 or older is expected to double by 2050, growing from 727 million in 2020 to approximately 1.5 billion—representing 16% of the global population.

Bringing lighting to those in need using solar energy and affordable materials. This is the mission of the NGO Litro de Luz, which, during a three-day campaign, positively impacted the quality of life of 173 families from riverside communities living along the banks of the Rio Negro in the Amazon.

Lacking a clear definition, the term smart cities has become increasingly common with each passing year. Many theorists point out that this conceptual ambiguity is linked to its rapid adoption and expansion by large corporations and institutions, thus turning it into a buzzword. Despite the “innovative” rhetoric, the model chosen to implement a smart city can lead to segregation and privilege specific groups if it is not designed around local specificities and does not involve local leadership (MENDES, 2020). This essay adopts the understanding that innovation and intelligence are not necessarily tied to digital technologies or high-cost resources. Rather, they stem from a fresh perspective on urban problems and the development of non-traditional solutions in decision-making and execution.

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Videos

One of the most highly acclaimed television productions of recent years, “Severance” (released as “Ruptura” in Brazil), the Apple TV+ sci-fi series released in 2022, establishes an intriguing premise: employees of the mysterious Lumon Industries volunteer to undergo a procedure that surgically separates their personal and professional memories, ensuring that their work and private lives never overlap. The procedure thus creates an intermittent alter ego, mutually unaware of the other self and hyper-focused on its respective domain. The deft direction of Ben Stiller and Aoife McArdle, coupled with stellar performances from the cast, does justice to Dan Erickson's brilliant plot. Here, however, we focus on how the show's primary setting—the corporate headquarters in the fictional town of Kier—heightens the distress of the small team of employees through the architecture that houses and alienates them during the workday.

Gentrification is the process by which real estate becomes more desirable and, consequently, more expensive. Rising prices displace long-time residents, replacing them with higher-income newcomers. This should not be confused with the forced removal of citizens through eminent domain or forced evictions. Evicting residents by official decree is a different issue altogether.

On May 5, the first edition of the Model. Barcelona Architectures Festival officially opened. Jointly organized by the Barcelona City Council and the Association of Architects of Catalonia (COAC), the event is led by artistic directors Eva Franch i Gilabert and Beth Galí, along with cultural researcher José Luis de Vicente. It brings us closer to experimental architecture, helping us rethink how we want to live together through new urban models and new imaginaries.

Through five temporary architecture installations located along a circuit in Ciutat Vella—starting at Plaza de Catalunya, the Sant Antoni slab, Plaza de Idrissa Diallo, Paseo de Lluís Companys, and Plaza Reial—the festival explores its five major themes under the central concept of "Regrow": Between-Classes, Between-Cultures, Between-Species, Between-Generations, and Between-Materials.

In this context, we present the installation "Reversing the Pyramid" by OJO estudio.

We must slow down traffic in Brazilian cities—and fast. This is a public health issue, as traffic crashes are among the leading causes of death worldwide. It is also a matter of quality of life and equity, as cities that effectively reduce vehicle speeds become safer, more welcoming, and more vibrant for everyone.

From May 5 to 15, Barcelona's Plaza Real was transformed into one of the hubs for debates on architecture and the city during the MODEL Festival. The ephemeral installation "Occupy the Center with the Word"—led by the ELISAVA Barcelona School of Design and Engineering under the direction of Roger Paez, in collaboration with Manuela Valtchanova, Albert Fuster, and Toni Montes—sought to "create optimal conditions for both encounters and disagreements to take place, always through the spoken word."

Architects and designers, as well as psychologists and sociologists, recognize that aesthetics and its underlying philosophy have the power to change how we perceive the world around us. Consequently, a deeper understanding of what is beautiful has the power to reshape how people respond to their environment.

Exploring the different meanings of aesthetics in architecture—from "form follows function" to the aesthetics of the metaverse—can help us understand the potential of our physical and virtual environments on the path toward a better world.

Much has already been written on the subject, but we now want to open the debate to you, our readers. Share your thoughts on what makes a building or a city beautiful.

Leave your comments in the form below. These will be selected and published in an upcoming article.