"Less is more!", "ornament is a crime", are some of the modern phrases that shaped the western architectural language in the last century and still continue to be a strong influence when thinking about spaces. Minimalism, even if it is hardly carried out within its original essence, still tends to value emptiness, aesthetic cleanliness and the purism of space.
Place de la Fontaine, Lagny-sur-Marne, France. Photo by Pascal Bernardon, via Unsplash
A direct consequence of global warming, heatwaves have become increasingly devastating and frequent with each passing summer. The most recent of these has been sweeping across Europe for days, worsening in western nations, such as Belgium and the United Kingdom. The melting runway surface at Luton Airport and the fires in the village of Wennington, London, and in Calatayud, southwestern Spain, are just some of the incidents that underscore the critical scale of this crisis.
The question in the title of this article stems from the premise that if cities—in modern terms—are spatial entities possessing an originating and demarcating point of development, then they must also possess an equivalent point (or line) of finitude. One could easily resolve this question by turning to cartography. From an administrative and organizational perspective, maps allow us, to some extent, to define the boundaries of any urban agglomeration. However, the boundaries set by scalar representation fail to dismiss this reflection, as our perception of the city is far more complex. As Ferrão (2003) suggests, in a formulation that encompasses the socio-political dimension of the issue alongside geography and architecture: the city is an “object of increasingly invisible contours.”
https://www.archdaily.com/1132101/where-does-a-city-begin-and-where-does-it-endJoão G. Santos
Women Architects and Urban Planners Day was established in 2020 by the Council of Architecture and Urbanism of Brazil (CAU/BR) to reaffirm its commitment to promoting gender equality across all its spheres and in its relationship with society. According to a survey by CAU/BR in its 2019 Yearbook, women represent 63% of architects and urban planners, a proportion expected to increase in the near future. Among professionals aged 30 and under, that number rises to 75% women compared to 25% men.
https://www.archdaily.com/1132008/women-architect-and-urban-planner-day-discovering-the-pioneers-in-brazilArchDaily Team
São Paulo skyline. Photo by Thomas Hobbs via Flickr, licensed under CC BY-SA 2.0
Until the mid-1950s, Brazil was a predominantly rural country, with less than 30% of its population living in urban areas. However, driven by rapid industrialization, the country experienced a massive rural exodus during its transition from an agricultural export model to an urban-industrial one, drastically altering the landscape of its cities in less than 50 years. As a consequence of this rapid transformation, a predatory and unequal model of urbanization emerged, and it was in this context that the City Statute was born.
The determination of focal points in the environments offers dynamism, personality and activates internal and external environments from the enhancement of decorative objects or construction elements. Here are some examples for you to understand what it is and how to use it in the design and decoration of your home.
Mumbai, India. Photo by Hardik Joshi, via Unsplash
Cities and communities around the world are stepping up to reduce greenhouse gas (GHG) emissions and prevent the most dangerous impacts of climate change. Typically, strategies focus on reducing emissions in sectors such as transportation, energy, housing, and waste. Yet, there is another sector that many communities have overlooked in their climate plans: trees and forests.
https://www.archdaily.com/1131963/5-reasons-for-cities-to-include-trees-in-climate-actionJohn-Rob Pool, David Gibbs, Sadof Alexander e Nancy Harris
The Spanish-Mexican architect Félix Candela is one of the world's most renowned twentieth-century architects, celebrated for a career that explored reinforced concrete through experiments resulting in his famous cascarones (thin-shell structures)—structural and design elements that support many of his works, such as the Cosmic Rays Pavilion at UNAM in Mexico City (1951); the Palmira Chapel in Cuernavaca (1958); the Los Manantiales Restaurant in Xochimilco (1958); and the Palacio de los Deportes for the 1968 Olympic Games in Mexico City.
The resurrection of the street-level shop is possible: people remain analog. Image: Rovena Rosa/Agência Brasil
An ideal address implies convenience, meeting basic needs for goods and services within a short walk. Breakfast at the base of the building, a quick run to the pharmacy, pulling a cart overflowing with fruit, heading down on Saturday for a haircut, walking the dog in the corner plaza. The health of a city depends on the presence of people walking in public spaces, fostering a sense of community, safety, civility, and the capacity to meet basic consumption needs. And the street-level storefront along this walk is a vital catalyst.
https://www.archdaily.com/1132460/the-death-of-street-shops-and-its-impact-on-citiesFabiano de Marco
Image produced from a photograph showing the construction of the Júlio de Mesquita Filho Viaduct. Collection of the Museu da Cidade de São Paulo, Ivo Justino. http://www.acervosdacidade.prefeitura.sp.gov.br/PORTALACERVOS/ExibirItemAcervo.aspx?id=439575
What relationships between the social field of memory and the construction of the city can be identified during the Brazilian civil-military dictatorship? We begin with the premise that the formation of the city involves a series of disputes and concessions among the diverse entities that make up society. Since, as we know, each social agent possesses a distinct standpoint, their oppressions or privileges are carried over into the realm of memory, which in turn is transcribed into the construction of the urban environment. That is to say, the opinions and desires of certain communities, because they possess more resources, often determine how places will be built and the narratives woven about them.
https://www.archdaily.com/1132506/the-arc-of-destruction-policies-of-erasure-in-the-developmentalism-of-the-military-regimeLuiza Gibertoni Leite e Pedro Flosi Trama
Tie-in sales are one of the major consumer rights issues and are typically banned in most market economies. They occur when a seller conditions the sale of one product or service on the purchase of another. In Brazil, the Consumer Defense Code, under Article 39, Subsection I, expressly condemns this practice. Meanwhile, Law 12,529/2011, which structures the Brazilian competition defense system, establishes in Article 36, Subsection XVIII, that tie-in sales constitute an infraction against the economic order.
Driven by Gen Z's preference for access over ownership, the secondhand market is beginning to see significant growth worldwide.
This includes the secondhand furniture market, which, in addition to giving a second life to items destined for landfills, helps reduce industrial CO2 emissions—manufacturing and shipping a single piece of furniture emits about 90kg of CO2, equivalent to a one-hour flight on a Boeing 747.
The Laboratorio Arte Alameda (LAA)—a venue of the National Institute of Fine Arts and Literature (Inbal) Museum Network—in collaboration with Fundación Telefónica presents Joanie Lemercier: Landscapes of Light, the French artist's first solo exhibition in Mexico. The exhibition offers "a journey through different landscapes that transport the viewer from the contemplation of refined abstract lines and the fascination of majestic computer-generated virtual mountains, to the troubling reality of an overexploited nature."
https://www.archdaily.com/1132330/joanie-lemercier-presents-landscapes-of-light-installation-at-laboratorio-arte-alameda-mexico-cityArchDaily Team
From reducing local temperatures to improving air quality, the benefits of urban forestry in city centers are numerous. Combining social, environmental, and even economic advantages, urban planting—especially along sidewalks—is fundamental to citizens' quality of life. However, it must be carefully planned and designed, balancing urban demands with biological needs.
Extending private space to the public. Author's image
The eruv divides the public from the private, the secular from the sacred, and labor from the shabbat. This essay aims to understand how Jewish cultural traditions have adapted over the centuries and coexist today with the dynamics of the metropolis, leaving identity markers on the urban space. Ultimately, we seek to examine the tension between community, identity, and belonging, which construct alternative readings, understandings, and modes of sharing in the city's public spaces.
https://www.archdaily.com/1132074/the-eruv-as-a-territorialization-device-for-orthodox-jewish-communities-in-metropolisesIsabel Seber, Lilla Lescher, Tamara Crespin e Victória Liz Cohen
Matilde Ucelay Maórtua was born in 1912 in Madrid into a bourgeois, professional, and enlightened family, as the eldest of four sisters. Her father's family, Enrique Ucelay, of Basque origin, had held a prominent economic, political, and professional position in 19th-century Madrid, closely tied to political liberalism. Meanwhile, her mother, Pura Maórtua, also of Basque descent, came from a wealthy family as well. Though she lacked formal academic training, she possessed an insatiable desire to learn and was fortunate to travel extensively, visiting museums and architectural works.
"Harmonious Contradiction" is the third and final summer exhibition at Sotheby's East Hampton Gallery New York and the first collaboration between MASA and Sotheby’s. Running from August 24 to September 18, this group exhibition features brass and polished bronze floor works by eight contemporary artists from Mexico City-based Masa Gallery, in conversation with a curated selection of contemporary and post-war works from Sotheby's.
Forests for water treatment in Espírito Santo. Photo: Ademir Ribeiro/WRI Brasil
What if policymakers, when deciding how to allocate public investments, looked beyond massive concrete structures and also turned their attention to forests?
Viewing the conservation, restoration, and management of native vegetation—in other words, nature-based solutions—as viable investment alternatives to improve urban infrastructure is an innovative approach that can yield major benefits for society. A prime example lies in the water treatment and supply sector: forests can play such a crucial role that they can be considered a form of natural infrastructure.
https://www.archdaily.com/1132455/forests-for-water-a-nature-based-solution-to-tackle-water-crisesVitor Tornello, Lara Caccia, Mariana Oliveira e Bruno Calixto
Glass-enclosed balcony. Photo via Matison.se, used under "fair use" terms
In Brazilian cities, we see new residential buildings being constructed with cantilevered balconies—that is, extending beyond the building's perimeter and encroaching upon the minimum required setbacks (referred to as afastamentos in Rio de Janeiro). However, what we have seen in recent years is a growing trend of enclosing these balconies with glass panels, consequently expanding the adjacent rooms. But what is the reason behind this enclosure? If there is a need to enlarge these spaces, why aren't they designed this way to begin with?
https://www.archdaily.com/1131981/balcony-enclosures-as-a-selling-pointDavid Cardeman e Rogerio Goldfeld Cardeman
With its own businesses and economy, the "city" even had floating roads with toll collection by developers. Photo: Reproduction/Revista 'O Cruzeiro', June 8, 1963. Used under "fair use" terms
The end of the rubber monopoly, the economic crisis of the 1920s, demographic growth driven by the migration of river dwellers and northeasterners to Manaus, and a scarcity of resources all contributed to a housing crisis in the city.
Amid this adversity, in 1920, João Aprígio, a native of Paraíba with a wife and children to support, faced immense hardships. His meager earnings were barely enough to feed his family. Lacking a home of his own, Aprígio gathered two açacu logs from an igapó (flooded forest) and towed them behind his canoe to the Educandos waterfront, which he deemed the most suitable location to build his dwelling. For twenty days and nights he worked, eventually erecting what would become the first floating house in Manaus.
In sloped topographies, factors such as rainfall and excess water promote surface runoff, triggering a series of impacts that lead to the loss of soil, water, nutrients, and seeds, consequently reducing agricultural productivity (Posthumus, 2005). In Andean mountain environments, this is compounded by water scarcity and variability, alongside the challenges of water retention (Canziani, 2007). To address these challenges, territorial transformations and modifications known as terraces and andenes emerged, representing some of the oldest infrastructural practices for soil and hydrological conservation and management. Their physical presence, productive use, and cultural relevance remain vital in many parts of the world today.
Concrete, metal, or wood—all building materials degrade over time when exposed to water and moisture. Moreover, every building element is exposed to weathering to varying degrees, from the foundation to the roof. Consequently, protective layers must be incorporated to prevent water from contacting raw materials—a process known as waterproofing—ensuring the structure's maintenance and longevity.
BIM methodology is currently booming and on the lips of every industry professional, making it essential for any sector expert to keep in mind. In this article, we review the five most relevant factors to help you assess your compatibility with BIM, according to Editeca.