CityMakers is working alongside ArchDaily to publish a series of articles, conversations, and interviews with the diverse actors in city co-production behind the Barcelona CityMakers Lab 2019, an event taking place from October 14 to 20, 2019.
For this installment, we have compiled excerpts from a conversation with architect and urban planner Victor Torres, Creative Director of CityMakers,who invites us to reflect on the need to rethink traditional models of making and learning to build cities, and on CityMakers, a community that seeks to inspire change through on-site knowledge transfer in exemplary cities around the world.
Malaquita is a project located on the terrace of the Hotel City Center in the heart of the Historic Center. Its design is conceived as an escape from the bustle of Mexico City, a place where the passage of time across the different eras that shape the territory is palpable: pre-Hispanic, colonial, modern, and postmodern coexisting in constant resilience.
It is true that designers, architects, and the general public share an endless fascination with abandoned architecture. Throughout history, shifting economies, disasters, regime changes, and sheer incompetence have forced the evacuation of striking architectural structures, which today serve as curious—and even haunting—monuments to bygone eras.
This fascination has led to the publication of several articles on our site exploring the mysteries of some of the most famous sites through text and photography. Yet, this curiosity has also driven individuals to venture out and document their experiences firsthand. Such is the case of Mike Corey, a YouTuber who, through his channel Fearless & Far, has dedicated himself (among other pursuits) to exploring some of Mexico's most famous abandoned buildings.
The Spanish Architecture Prize (Premio de Arquitectura Española) has been awarded biennially by the Higher Council of the Colleges of Architects of Spain (CSCAE) since 1993 to promote the quality of architectural works built across Spain.
The award has recognized built works by architects such as Enric Miralles, Mansilla y Tuñón, Sara de Giles, and Francisco Mangado Beloqui, among others, with projects including the Royal Collections Museum and the Palma Convention Center and Hotel. Explore all the winning projects below.
The Forêt Monumentale is a sustainable art and architecture exhibition featuring temporary works and pavilions designed as "site-specific" installations, created especially for a 4-kilometer trail in the Green Forest of Rouen, Normandy.
A few months ago, the first exhibition by Zaha Hadid Architects (ZHA) in Latin America concluded. It was held at the Museo Universitario de Arte Contemporáneo (MUAC) within the Centro Cultural of Ciudad Universitaria in Mexico City. The exhibition featured some of architect Zaha Hadid's projects through models, audiovisual materials, paintings, and photographs. It explored the creative process of her practice, highlighting the importance and complexity of design as the central axis linking form and construction processes in her work.
"Horizontal Vertigo" Pavilion for the Venice Biennale 2018. Image
The Venice Architecture Biennale is arguably one of the most influential exhibitions in the world. Established in 1895 as the "Venice International Art Exhibition," the Biennale has become one of the most prominent cultural institutions worldwide, serving as a universal platform for nations to showcase their work. Consequently, every two years, the global spotlight turns to Venice.
In September, we launched the fourth edition of our open call in Colombia, inviting architects to submit their undergraduate thesis projects. In this edition, the call received 104 submissions from more than 15 cities and 25 universities across the country, marking an 11% increase in proposals compared to 2018.
Following an exhaustive evaluation, and to celebrate Architects' Week in Colombia, we present the 13 thesis projects selected as winners by our editorial jury (Fabián Dejtiar, Mónica Arellano, and Santiago Baraya). The evaluation criteria prioritized projects that directly addressed current issues, such as urban, local, social, and environmental contexts.
How did a house designed by the world’s most renowned engineer—the Frenchman Gustave Eiffel, designer of the tower that bears his name in Paris—end up in Argentina?
How did this structure settle in one of Córdoba’s most culturally active neighborhoods, only to open its doors a century later as a cultural space thanks to the intervention of local residents?
Today, discussing infrastructure means discussing geopolitics and connectivity as a key driver of global competitiveness. Connectivity, however, should not be understood solely as physical infrastructure, even if we are talking about roads for autonomous vehicles or hyperloop tunnels.
The recent book 'Plan de desarrollo urbano de la zona noroeste de la ciudad de Mar del Plata' by Guillermo Tella, Beatriz Cuenya, Martín Delucchi, and Laura Corbalán Vieiro synthesizes the results achieved through the technical assistance and institutional coordination experience carried out during 2017-2018 for the Municipality of General Pueyrredón (province of Buenos Aires, Argentina) by the Center for Urban and Regional Studies (CEUR-CONICET) and the Inter-American Development Bank (IDB).
It seems almost impossible to imagine that a single public initiative could have spawned most of the national highways we have today in Argentina, established tourism as an economic driver for the country, consolidated the national oil company YPF against foreign competition, and driven a large part of the development of Argentine modern architecture.
Yet it is entirely plausible when we look at one of the largest territorial interventions in the country's history—a vanguard of modernity that established the automobile as a mass means of transportation in our region.
Located in the historic neighborhood of San Ignacio in the city of Bilbao, Spain, Levante Square is a prominent gathering point for residents and visitors alike. To address the lack of covered spaces protecting from the heavy rain, Spanish architecture office CANOBARDIN has designed a solution for users: a concentric structure titled "A Piece of Sky in Levante Square" that allows people to inhabit the public space and find shelter without losing touch with their surroundings, acting as a piece of the sky by day and a reflection of the square by night.
Designed to meet the construction sector's growing demand for finishes, Obra Blanca is a new event launched as a meeting point for professionals looking to showcase their products and those seeking to compare various finishing options. As a specialized exhibition, it focuses on the visitor experience and the professionalization of an increasingly comprehensive and sophisticated industry.
Proyecto Panorama is a civil association made up of a diverse group of young people from Cancún, who have been actively working for more than two years on public space interventions in Quintana Roo through urban art. These interventions have proven to generate a positive impact on the residents' environment, strengthening the sense of identity and belonging in one of the country's most important developing regions. Since its founding in 2016, and thanks to collaborations with renowned national and international artists, Proyecto Panorama has intervened in more than 30 public spaces, as well as an elementary school in Cancún and another in the Riviera Maya, resulting in 116 murals.
Sala Roxy is a historic venue located at 80 Mezquitán Street in the city of Guadalajara, Jalisco, Mexico. For years, this space served as a local symbol of freedom, bringing together alternative artistic and cultural expressions. First opening its doors in 1937, it operated for several decades as Cine Roxy; built in the Art Deco style, it became one of the first theaters dedicated to film screenings in Guadalajara.