In Latin American countries, the most common method for distinguishing rural areas from urban spaces is based on analyzing the number of residents in a given zone, classifying as "rural" any locality with a population under 2,000. In these contexts, low density and scattered development typically allow the natural landscape to predominate over the built environment.
The state of Puebla is located in the central highlands of Mexico, bordering the states of Tlaxcala, Hidalgo, Veracruz, Oaxaca, Guerrero, Morelos, and the State of Mexico. Covering an area of 34,251 km², it is one of the country's most densely populated states. Its capital is Puebla de Zaragoza, and it is one of the leading landlocked states for tourism, featuring 9 "Pueblos Mágicos" (Magical Towns) and 3 UNESCO World Heritage Sites.
Roma 212 is a multidisciplinary studio dedicated to architectural design, ephemeral installations, interiors, and urban planning. Its philosophy centers on experimenting with new materials, forms, and processes, aiming to renew and rethink architecture as a cultural catalyst.
In recent days, a series of reports and articles correctly diagnosed the cause of the recent floods in the state capitals of Belo Horizonte, São Paulo and Porto Alegre, as well as in smaller cities such as Iconha, in Espírito Santo. The primary cause of these disasters was the urbanization of our cities—both planned and unplanned—which amplified the potential damage.
“Where the city ends should not be the question,” Alejandro Aravena has repeatedly stated in various lectures, “where it begins is the question we should try to understand.” In many Latin American countries, the concentration of wealth in urban environments has led to the explosion of cities and “metropolitan areas,” giving rise to complex challenges.
“Interiores: Conversaciones en línea” is the title of the series of virtual encounters organized by the Faculty of Architecture, Art, and Design at Universidad Diego Portales (UDP). In this first season, Professor Alberto Sato hosts meetings between renowned architects, including Álvaro Farrú and Enrique Walker, Alejandra Celedón with Cecilia Puga; Mardones with Pezo von Ellrichshausen; Solano Benítez with Mathias Klotz; Smiljan Radic with Alberto Sato; and Fernando Perez with Francisco Liernur.
You can watch these conversations below.
Mais Vida nos Morros is a public policy for citizenship and sustainable development in Recife's communities, conceived by the Executive Secretariat for Urban Innovation of the City of Recife. In partnership with the private sector, the program already serves residents across 49 areas in 27 communities in Recife, directly benefiting 25,000 people. Lagoa Encantada is one of the chapters in this story, shaped by a model of social cooperation.
Located in the Ibura neighborhood of Recife, Pernambuco, Lagoa Encantada developed across both flatlands and hillsides. The area's topography directly impacted its urban conditions: while the flatlands enjoyed leisure spaces and infrastructure, the hillside lacked these amenities. This contrast directly influenced how residents interacted with one another and with their territory, serving as the starting point for the intervention process.
On World Environment Day, we ask you: Do you know where your household "trash" goes? How do cities deal with the tons of materials discarded daily? Should everything you throw "away" be wasted by being sent to landfills?
The coronavirus crisis has shown us that certain attitudes, policies, and practices must be abandoned if we want a different future—both socially and environmentally. However, this responsibility is not solely individual. To discuss the future of waste in cities, we must shed light on the thread of recent history: the formulation of the National Solid Waste Policy (PNRS), approved in 2010, and the challenges of its implementation.
This article is part of a collaboration with the website coolhuntermx, and was originally published under the title "La Bauhaus Tapatía."
"A sort of Bauhaus" is how Mathias Goeritz, in short, tried to convince Italian architect and theorist Alberto Sartoris to come to Mexico. In 1950, through letters, he invited him to teach at the very project that had drawn Goeritz in and excited him so much: the first School of Architecture of Guadalajara, founded in 1948 by Ignacio Díaz Morales.
Children are often overlooked or entirely deprioritized in urban planning. Globally, it is estimated that up to 500 children die every day in traffic accidents. Thousands of others are injured in collisions or develop psychological trauma that can last for years. Whether on the streets or in public spaces, feelings of insecurity or discomfort discourage children from physical activity outdoors—at a time when 80% of children between the ages of 11 and 17 are not physically active, and another 38 million under the age of five are overweight or obese.
Rarely do we encounter an open-air fine arts museum like the Garden of Fine Arts, designed by Tadao Ando in 1994 for the city of Kyoto, Japan. Reproductions at various scales of renowned masterpieces appear among concrete columns, beams, and walls, along with ramps and glass bridges, interacting with cascading waterfalls and the background vegetation from the adjacent Botanical Gardens.
Pancho Gallardo, the Chilean architectural photographer now based in Madrid, has long admired the Japanese architect's work, particularly for, as he explains, "the use of concrete as an element that creates spaces, textures, angles, and shadows which, above all, in spaces like this open-air museum, establish a direct relationship with sunlight, where every corner becomes a dramatic composition of visual angles."
Below, he shares a series of photographs taken on-site, accompanied by more of his thoughts.
In light of recent statements by the Federal Government and the new programs announced by institutions involved in housing production in Mexico, we believe it is essential to open a dialogue and exchange ideas to better understand the concepts of self-construction, self-production, and the “Social Production and Management of Habitat” [SPMH], as well as the role of architecture in these social processes.
After the state of emergency, nothing will return to the way it was. At that point, public and private spaces will routinely be occupied in ways that prevent transmission of a still-active virus. However, just as this situation has forced us to recognize our deficient healthcare system, it has also revealed how inadequate the spaces we inhabit often are.
In 2018, sociologist and cycling activist Marina Harkot defended her master's thesis Bicycles and Women at the University of São Paulo (USP). To develop a qualitative methodology examining the challenges faced by female cyclists in the city, she interviewed various women: those who bike to work, those who explore the city on two wheels, and those who love tackling the capital's rolling topography.
Her methodology succeeded in revealing a common thread among these diverse cyclists: “It is the network surrounding these women that seems to prompt them to start cycling and keep them riding — as well as female role models, the women (whether known to them or not) who ride and inspired them,” wrote the researcher.
When reality demands complex and unprecedented answers from us, one of the most interesting methods to find them is biomimicry, which consists of asking nature questions in search of inspiration. In this light, it is worth asking: how does nature deal with emergency situations where an organism's behavior must be quickly modified?
Rojkind Arquitectos + AmasA Estudio present a new project on a site named "Tres Cerritos" in Valle de Guadalupe, part of the wine route in the Francisco Zarco district of Ensenada, Baja California. The project arises from an understanding of nature's value and its historical use as a sanctuary and refuge, creating a hospitality concept that reconnects the visitor with the environment.
The “Xico-Parque Sur 23” project by the Mexican firm All Arquitectura grew out of the success of “Cancha La Doce,” which was developed in collaboration with love.fútbol and sponsored by the Pincus Family Foundation. Drawing on insights gained from previous projects on-site, the design and research process built upon an existing understanding of local needs and opportunities.
As part of an initiative by Infonavit to drive the recovery of three neighborhood parks in the city of Tuxtla Gutiérrez, Chiapas—“San Juan,” “Las Torres,” and “Canteras”—these housing developments lacked efficient infrastructure, resulting in a deteriorated urban image, high crime rates, and a complete lack of community ownership over public spaces. In response, T+E Arquitectos and Fracciona Arquitectura joined forces to transform these spaces, addressing the distinct requirements of each site.
