Founded by Filipe Paixão in 2014, Corpo Atelier is an architecture and art studio based in Faro, Portugal, dedicated to exploring and expanding architectural anatomy through a practice rooted in the tradition of hand drawing. With projects spanning the rehabilitation of existing structures, new buildings, product design, writing, and book editing, the studio views this diversity as a natural extension of architectural practice—"conceptual processes that are exactly the same."

Following the studio's selection for ArchDaily's Best New Practices of 2020, we had the opportunity to speak with Filipe Paixão about the studio's design approaches, their interdisciplinary vision, and their affinity for the work of artist Gordon Matta-Clark. Read the interview below:

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Videos

Honoring and reaffirming the importance of Porto Alegre's modernist icons, a new series launched by AsBEA-RS on its YouTube channel invites the public to visit, alongside architects, market experts, and users, six of the most important buildings constructed between the 1950s and 1960s in the state capital.

Faial, Santa Tecla, Santa Cruz, Palácio da Justiça, Centro Administrativo Fernando Ferrari, and Grêmio Náutico União: six projects that shape the skyline and reaffirm the construction quality of fifty-year-old structures, revisiting the legacy and lessons of prominent architects from Rio Grande do Sul for contemporary urban development. 

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During the first two months of isolation due to Covid-19, designer Ivan Jerônimo accumulated more than forty drawings depicting objects and rooms in his apartment. These are ordinary scenes that were suddenly brought to the forefront during the pandemic.

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The City of São Paulo launched the digital platform for the Urban Design and Road Works Manual in December last year. This document compiles guidelines for urban projects aligned with the principles of accessibility, social equity, road safety, and environmental sustainability. Coordinated by Elisabete França, José Renato S. Malhem, and Maria Teresa Diniz, the manual aims to guide the design of projects in the road space to meet citizens' well-being needs.

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In November 2020, IABsp, the organizer of the International Architecture Biennale of São Paulo, launched a Co-Curatorship Competition for the Biennale's 13th edition, scheduled for 2022. Proposals, which can be submitted through the website until January 24, 2021, will be evaluated by a jury representing diverse fields of knowledge, composed mostly of women and Brazilians.

The 13th Biennale presents RECONSTRUCTION as its initial central provocation, starting from the idea of rebuilding, reshaping, and renewing the relationships of social groups with their domestic spaces, citizens with public spaces, and the personal and professional dynamics unfolding in spaces of confinement and collective use, during and after the pandemic. The Competition also proposes that this reflection involve one or more guiding themes: democracy, bodies, memory, information, and technology.

Having a backyard and the willingness to learn how to grow their own food are what unite low-income families participating in an innovative project in Roraima. This is "Sustainable Backyards" (Quintais Sustentáveis), an initiative by Embrapa in partnership with Lar Fabiano de Cristo (Casa de Timóteo unit) and funded by CNPq, which seeks to stimulate the production and consumption of vegetables, fruits, and medicinal plants in backyards across Boa Vista.

Launched in 2018, the project's pillars include sustainable agroecological production, food and nutritional security, income generation, and the social and productive inclusion of vulnerable populations.

The approval of the controversial draft legislation dubbed the “Lei do Puxadinho” in mid-2020, which relaxed zoning parameters in the city of Rio de Janeiro, sparked widespread debate across various sectors of society—particularly among architects and urban planners, many of whom have strongly criticized the proposal. The debate, however, intensified even further when, under the auspices of this law, a surprise amendment was published in the Official Gazette. This amendment temporarily lifted several restrictions on the Buraco do Lume site, which is adjacent to the square officially named Praça Mário Lago—an important venue for political demonstrations in the city, landmarked by the municipality in 1989 and by the state government in 2019.

To celebrate the 467th anniversary of the city of São Paulo, the Museu do Ipiranga is launching the digital campaign São Paulo – Território em Construção on January 25. Through the collection's rich iconography, along with testimonies from historians, architects, and urban planners, the public is invited to reflect on the city's transformations, from its founding in the colonial period to the grand metropolis we know today. The content, formatted as web stories, will be available on a website featuring a timeline, photos, paintings, and maps from the collection, as well as explanatory audio and videos about the evolution of São Paulo's urban space. Visitors can also learn more about the city's main landmarks, such as Pátio do Colégio, Paulista Avenue, and Nove de Julho Avenue.

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Videos

In 2017, Escola da Cidade—through its Seminar on Culture and Contemporary Reality course, then coordinated by Professor José Guilherme Pereira—welcomed anthropologist and PhD in Social Sciences Manuela Carneiro da Cunha to discuss the history, spatialization, and daily life of Indigenous peoples in Brazil, highlighting issues from not only a cultural standpoint, but also a legal and environmental one.

Iphan has announced the winners of the 33rd edition of the Rodrigo Melo Franco de Andrade Award (2020 Rodrigo Award). The 12 selected initiatives will each receive R$ 20,000 in funding from the National Institute of Historic and Artistic Heritage, while five others were recognized with honorable mentions. Organized by the institute, the awards program has been held since 1987 and is the largest in the field of Cultural Heritage in the country, recognizing exemplary initiatives of excellence.

In celebration of São Paulo's 467th anniversary, street artist Criola gifted the Liberdade neighborhood with a massive mural. Produced in partnership with Instagrafite, the work was funded by a special edition of the Street Art Museum (MAR) and prompts a deep reflection and reclaiming of a long history as a stronghold of Black resistance in the city, starting with the neighborhood's very name.

It is easier said than done, and when it comes to the practice of architecture—an activity heavily conditioned by countless external factors—this statement carries even more weight. Few professionals are willing to help solve problems in remote, relatively isolated communities facing social and environmental vulnerabilities. However, this is precisely the focus of Noelia Monteiro, an Argentine architect working in Brazil who, along with Christian Teshirogi, founded Estúdio Flume in 2015.

Developing projects alongside multidisciplinary teams that include professionals from architecture, engineering, social sciences, geology, and anthropology, the architect's approach is, nonetheless, deeply personal. In fact, it requires a significant degree of community engagement, bringing people close to the design process from the very beginning to completion. The results of this practice have been recognized with major national awards, and more recently, ArchDaily selected Noelia for its list of Best New Practices of 2020.

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Motivated by the enrollment of a classmate with a disability at the Dona Escolástica Rosa State Technical School (Etec), logistics students at the institution developed a project that could transform public transit in the city of Santos, São Paulo. The project consists of an audio system designed to assist and offer autonomy to passengers who face mobility challenges.

Developed by the Brazilian studio Democratic Architects, the O-SI - Immediate Health Bus (Ônibus de Saúde Imediata) was conceived by designers and doctors focused on creating a modular platform to provide public healthcare services in a modern, safe, and efficient way, based on cutting-edge technology and contemporary concepts of mobile healthcare, sustainable reuse, and social inclusion.

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The Federal University of Rio de Janeiro (UFRJ), through its Library and Information System (SiBI), has conducted a detailed survey of academic publishers across Brazil's leading universities, compiling a list of 2,650 titles available for free download.

The 27th World Congress of Architects UIA2021RIO will be a hybrid event, featuring virtual sessions starting in March, and in-person activities from July 18 to 22 in Rio de Janeiro, broadcast live online to congress participants worldwide.

The first UIA2021RIO World Architects Week, featuring digital content, will take place from March 22 to 25. During this week, the content will be free to access; afterward, it will only be available to registered Congress participants. The theme chosen to open UIA2021RIO in March is one of the most pressing global concerns today: social vulnerabilities and inequalities.

Considered an intangible cultural heritage by the State Council of Culture (CEC) of Alagoas, the sururu is a mollusk whose harvesting is the main source of income for several communities in the state. Around the Mundaú lagoon alone, in Maceió, five communities living below the poverty line produce approximately 300 tons of sururu shells annually—a massive amount of waste that previously had no use and ended up in the Alagoas capital's landfills. 

Recognizing its significant economic and social engagement potential, designers Marcelo Rosenbaum, Adriana Benguela, and Rodrigo Ambrósio developed the Cobogó da Mundaú project, which incorporates sururu harvesting waste into the manufacturing of architectural screen blocks.

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Urban resilience was put to the test as the pandemic swept quickly and drastically through cities. Limiting movement, contact, and access to public spaces was the most effective strategy for containing the virus. However, the city's infrastructure, compounded by a lack of emergency public policies, proved far from resilient. This vulnerability was exposed as a large portion of the population was forced to continue commuting long distances on public transit to work in essential services, and as the physical and mental health of residents suffered from a lack of access to safe spaces for physical activity—underscoring the city's precarious supply of public spaces.