
SIT DOWN AND FEEL
One of humanity’s most important contributions, and one that supports, literally and often to the extreme, our choice not to move, is the chair. Disregarding the hip joint’s capacity for permanent movement, we adopt from an early age a sitting posture that in adulthood can account for an average of 7 hours of every day, according to studies by experts in workplace ergonomics, who also recommend changing positions from time to time, lest we begin to take root. Our body spends so much time in a chair that the challenge for designers has been to create one with a backrest and seat that merge with the body to unload its weight, distributing it over four legs. The process of imagining, recreating, developing, and producing a new chair is summarized in each iconic model that scholars of the history of design have placed on the timeline of humanity —which since the industrial revolution seems to spend increasingly more time seated— and of a profession exploding with endless creativity and rife with proposals for furniture that contradicts, complies with, reformulates, and varies the possibilities of our bodily actions when we stop moving around to rest, find ourselves, feel, and sit down.








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