Globalworth Foundation and Igloo – Habitat and Architecture Association announce the deadline extension for the student competition 2031 NOW_our cities in 10 years, due to competition complexity pointed out by participants.

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Concéntrico 08, Logroño’s International Architecture and Design Festival, will be held in the Spanish city from 1 to 6 September 2022. The eighth edition of the festival grows in two days to propose new collective uses that strengthen the idea of community in public space.

In 2027, the Weissenhof Estate in Stuttgart will be 100 years old. The famous estate with 21 houses was built for the Deutscher Werkbund exhibition in 1927 under the artistic guidance of Mies van der Rohe. The two houses of Le Corbusier are now part of the World Heritage Site.
After a century of architectural and urban history, now's the opportunity to rethink the built testimonies of modernism and to advance the urban design at Weissenhof with a contemporary model.
To this end, the state capital Stuttgart and the state of Baden-Württemberg, in cooperation with the IBA’27, are going to announce an open international ideas competition for the urban design of Weissenhof and its surroundings in 2022.

II STREET MUSEUM II

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Archstorming is launching a new competition in partnership with the NGO Kakolum. We will travel to Casamance, a region in Senegal marked by an identity conflict that started more than 30 years ago and continues to this day. This region, located between Gambia and Guinea-Bissau, faces several challenges, one of which is the lack of classrooms for primary and secondary school children.

To float is to be still. To float is to displace. To float is to decontextualize. To float is to voyage. To float is to survive. To float is to escape. To float is to relinquish a desire. To float is to exist apart from, to be outside of. To float is to venture the possibility of a thought. To float is to suspend disbelief. To float toes the line between desire and necessity.

Brief
The global pandemic has already taken more than 4 million lives and it has
changed the way we work, live, play, and interact with others in so many ways.
Because of COVID-19, our lives will never be the same and the world is still
grieving.
Due to increased pandemic safety measures, many people didn’t have the
opportunity to say goodbye to their loved ones or to honour them properly. The
pandemic’s impact goes beyond the individual losses and throughout the
affected communities, cities, and countries of the World.
Our challenge is to design a public memorial, to honour those who have
departed as a direct result of the COVID-19 outbreak and to bring some closure
to those who are suffering the loss of friends, family, co-workers, and loved
ones. It will be a collective reminder for both present and future generations
and a symbol of hope that mankind can withstand and overcome any obstacle.
This should go along with a short description of your proposal, no more than 150
words.
Location
While there is no defined location chosen as of yet, we are asking participants
to select a site from their home country. It is recommended to choose a location
that is publicly available and accessible to all. This ensures that every person that
has been affected by the global COVID-19 pandemic can visit the memorial and
share in the remembrance of those who have departed as a result of COVID-19.
Eligibility
This competition is open to everyone 18 years and older and it can be developed
individually or by teams. Each team can contain a maximum of 4 members.
Prizes
• 1st- Prize - £750 + Certificate + Publications on Selected Media
• 2nd Prize - £300 + Certificate + Publications on Selected Media
• 3rd Prize - £150 + Certificate + Publications on Selected Media
• +3 Honourable Mentions -+ Certificate + Publications on Selected Media
Fees
• Early Registration - £20
• Regular Registration - £40
• Late Registration - £65
For student or groups registrations, please contact us for discount request.
Schedule
Competition Officially Announced – 11 December 2021
Early registration – 11 December 2021 to 15 February 2022
Regular registration - 16 February 2022 to 14 March 2022
Late registration – 15 March 2022 to 22 March May 2022
Deadline for questions – 17 March 2022
Closing Date for Submissions – 23 March 2022
Jury Evaluation - 24 March 2022 – 07 April 2022
Announcement of Winners – 14 April 2022
All dates (23:59 hours US Eastern Time)
Submission Requirements
• A single (1) A2 horizontal presentation board with the details listed below
must be submitted via http://aic-hub.com/.
• Image Format: A single JPG extension file presentation board (must not
exceed 5MB).
• Presentation boards must not indicate any information related to an individual's/team's identity.
• All information provided in writing must be in English.
Although is not mandatory, you can record or photograph your work
environment during the proposal development stage. In case you will be one of
the winners, we would be happy to share it in our platform.
The submission should include, (but are not limited to) the following required
drawings:
• 3 dimensional representations explaining the design, perspectives, and
montages which display the character of the project.
• Building / Site sections which illustrate key aspects and major spatial or
programmatic elements.
• Floor plans to show the interior spatial arrangements and program.
• Elevations demonstrating qualities such as material, texture, and colour.
• Large scale drawings that illustrate innovative details or integrated aspects of design.
• All drawings should be presented at a scale appropriate for the design solution and include a graphic scale for reference.
Award Criteria
• Concept – 15%
• Design – 20%
• Practicality – 15%
• Innovation / Originality – 20%
• Site Location – 10%
• Presentation – 20%

Eisenhüttenstadt - Stalinstadt until 1961 - is the first completely planned new town in Germany after 1945. Starting in 1950, it was built by decision of the SED as a "socialist residential town" in connection with a steel mill west of the Oder River in the immediate vicinity of the Polish border. In Eisenhüttenstadt, the history of architecture and urban planning in the GDR can be traced without the city becoming a nostalgic open-air museum. However, it is not only the buildings, streets and squares that bear witness to its 70-year history, but also many works of art. From the very beginning, architecture and art have entered into a synthesis in Eisenhüttenstadt that is unparalleled.
For this guide to architecture and art, the architect and photographer Martin Maleschka has documented 35 outstanding buildings and 35 works of art for this architectural and art guide - as an appreciation of Eisenhüttenstadt's unique urban layout and as a plea for an open-minded approach to the architectural and artistic heritage of the GDR that is worth preserving.

This is a book is a visual feast, an offering both for those who love fine art and those who recognize the thought behind its creation. It is in addition, a book for photographers seeking to learn how to make your own photographs more artistic.
The goal of this book is to offer readers, a guide for those seeking to take fine, interpretive photographs and a joyful thought-provoking journey that the photographs in this book will inspire.

The world of today is changing. The center of development has moved to Asia, where more than half of the world’s urban population is already living. In the future, Asian settlements will outnumber those of other continents. And, most interestingly, the Far East’s urbanization has nothing to do with what happened in the West, where suburbanism has finally come to dominate the landscape and the lives of most people. In Asia, activities are all mixed, and one can find agricultural production sitting side by side with housing, temples, or high-tech factories. It is a new kind of mixitè and, if properly managed, it looks the like of something more sustainable than a European or American periphery.

In the East Falls neighborhood of Philadelphia, just beyond the northern boundary of the Thomas Jefferson University’s East Falls campus, stands the Hassrick House (1958–61), designed by celebrated architect Richard Neutra, an icon of mid-century modern style. Often described as an East Coast interpretation of California Modernism, the Hassrick House is one of only three buildings designed by Neutra within the city limits.
Thomas Jefferson University’s relationship with the house began in the summer of 2015 when Andrew Hart, assistant professor of Architecture in the College of Architecture & the Built Environment initiated a series of summer courses to study the house. The first multidisciplinary group of students engaged in architectural survey, drawing, and photography. Subsequent summer courses refined the architectural drawings, following the Historic American Buildings Survey (HABS) and Historic American Landscape Survey (HALS) standards. Yet another student cohort undertook documentary research to uncover the history of the house and its occupants. Then owners George Acosta and John Hauser were supportive collaborators with students in this process. Neutra’s architecture and his relationship with the Hassricks—particularly Barbara who emerged as the primary client voice while the house was being designed—captured the hearts, minds, and imaginations of everyone who engaged with the house. As one student recalled, “We have all gotten swept away in the stories unfolding from our research.” In 2018, Hauser and Acosta sold the property to the university with the understanding that the house would continue to be used for educational purposes. In George’s words, “I had come to realize that the students can be the future custodians of that home. They can be the eyes. They can be the archives. In a way, it becomes all of ours to share.”
This publication chronicles the students’ findings that shed light on Neutra’s design process, his collaboration with his clients, as well as the unsung role of Thaddeus Longstreth as Neutra’s proxy negotiator throughout the design and construction stages. During its approximately sixty-three-year lifespan, the Hassrick House tells a saga of design, dwelling, neglect, restoration, and reinvention today as a laboratory for learning. In many respects, the history of the Hassrick House tells an important story of the modernist movement in the US, both regionally and nationally.

India has been historically known for its repertoire in architecture and design. Post-Independence, the country struggled to come to its feet in terms of policies, economic direction, and infrastructural development. Nonetheless, the country has witnessed tremendous transformation in its built environment in the past five decades. Most projects in the seventies focused on providing housing and building townships, establishing industries and offices to provide work, and setting up institutions to empower people with education. With the onset of the eighties, the focus expanded to designing cultural centres and embassies and interweaving them into the urban fabric.

BRIEF:
Our second competition celebrating the talent of architecture and design for students and young professionals through a single Render.