In June 2023, the planet experienced its hottest month on record. In Iran, the heat index reached a staggering 66.7 degrees Celsius, pushing the boundaries of human endurance. This alarming trend is not an anomaly. It is a stark reminder that temperatures will continue to rise as climate change intensifies.

Scientists are linking the rise to human-induced climate change and the El Niño phenomenon. Additionally, the natural warming of Pacific Ocean waters is being further intensified by global warming.

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Since the first architecture programs were established in the late 19th century, little has changed in their core curricula. Most programs worldwide are geared toward a neoliberal university model, increasingly designed and defined by the production of relentless success and the demands of the construction industry.

Little is discussed regarding error and failure, and design output remains heavily geared toward training stararchitects—a term used to describe architects whose celebrity and critical acclaim have turned them into idols of the architectural world, creators of major projects and master plans.

Although there are records of latrines dating back to 3100 BCE, the first flush toilet was invented in 1596 by Englishman John Harington. He produced two units: one for himself and another for Queen Elizabeth I.

The idea did not catch on at the time, and it was only in 1775 that Scotsman Alexander Cumming patented the modern toilet, designed to connect to a sewage system. In 1885, another Englishman, Thomas Twyford, created the first porcelain toilet, replacing the wooden models that preceded it.

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There are and have always been inspiring women architects, urban planners, and policymakers. However, worldwide, the built environment professions—and their upper echelons in particular—remain heavily male-dominated, more so than other fields like education or healthcare.

Today, 64% of architecture graduates in Brazil are women. In engineering, there has been a 42% increase in women registered with CREA since 2016. Yet, how is this reflected in Brazilian society? Globally, progress is even slower: only 40% of architects are women, with very few in leadership roles.

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The practice of building with straw has existed since the dawn of civilization. Given the devastating impacts of contemporary construction methods, could straw be a viable, biogenic alternative to today's building materials?

Evidence suggests that straw and reed have been used in construction for over 10,000 years. Since then, the Industrial Revolution has completely transformed building practices, introducing the mass production of steel, glass, and, not least, concrete.

Will Artificial Intelligence replace architects in their roles? In the May 2023 edition of Building magazine, Thomas Lane suggests that AI has the potential to automate up to 37% of the tasks typically carried out by architects and engineers. This automation, though, is likely to target routine and less creative tasks, allowing professionals to concentrate on more strategic and imaginative aspects of their work.

Just as Revit and 3D software did not replace architects but only transformed their workflows, the same principle holds for AI tools. AI is poised to bring about new tasks, such as AI management, alongside existing responsibilities, signaling a shift in how architects work.

Maximalism is an artistic movement that stands in stark contrast to minimalism. While minimalism famously preaches "Less is more," maximalism embraces the opposite mantra of "More is more."

Within the broader context of the postmodern movement, which encompasses the social and aesthetic shifts occurring after World War II, maximalism can be characterized by its rejection of rigid values and rules. Instead, it celebrates imprecision, embraces diversity, blurs the lines between reality and fantasy, encourages spontaneity, and champions freedom of expression.

We are living in a state of emergency. Since the dawn of industrialization, we have rushed through our planet's finite resources as if they were limitless, depleting and destabilizing the very ecosystems we depend on for our sustenance, economy, food, health, and quality of life.

In just 50 years, we have lost more than half of the world's wildlife. Currently, the Earth is on track to warm beyond 1.5 degrees Celsius, which scientists warn is a hard planetary boundary for existing ecosystems. This is a “code red for humanity,” as described in the IPCC Sixth Assessment Report. Continuing on our current path will mean irreversibly damaging the very conditions that sustain life on this planet.

Architecture is a business. Whether architects openly admit it or not, running an architecture firm works just like any other company. Businesses—and their founders, leaders, and stakeholders—are influenced by real-world economic forces. You cannot make payroll on a love of the work.

In our current economic system, businesses must prioritize profitability to pay their employees a living wage, operate sustainably and ethically, and continue offering their services.

While design has become increasingly professionalized over the years, design literacy and visual thinking—the ability to understand and interpret visual resources—are becoming non-negotiable in many workplaces, even for those who do not consider themselves designers.

Visual thinking is the tool of processing information visually, using the emotional and creative parts of the brain to organize data intuitively and simultaneously through drawings, graphics, and strong aesthetic clarity and color theory.

We can define green technology as a set of instruments that enable sustainable production. This means managing product lifecycles more responsibly, always striving for minimal environmental impact.

The production stages span from raw material extraction, manufacturing, and distribution, to end-use and disposal. Consequently, the entire lifecycle can benefit from the application of green technologies, which help reduce environmental impact by using natural resources in a sustainable and conscious manner.

In the past, people mapped out their careers in a highly linear fashion. You planned to study architecture, went to university, secured a job at a prominent firm, and, over several years, worked your way up to partner.

Yet things do not always go as planned. Perhaps you graduated with an architecture degree but could not secure the salary you envisioned. Or perhaps you join a major firm only to be laid off after a year or two due to declining profits and rising overhead. You might even become an architect, only to realize a few years later that it is not your passion. What then? This is where non-linear careers come into play.

Some buildings have stood the test of time. After centuries or even millennia, they remain structurally sound, revered as living testaments to history and human innovation. Some are still in use today, many lifetimes after their original designers passed away.

These buildings, whether by design or accident, were built to last—a concept that is increasingly relevant today. Building construction and operations account for a concerning share of carbon dioxide emissions. The embodied carbon resulting from building material production and construction makes up about 11% of all global carbon emissions. According to a new book on long-life buildings, designing structures to stand much longer—and to survive the various twists and turns that come with an extended lifespan—is a new imperative for architects.

What comes to mind when you think of technology? Of all the words that pop into your head, "ancient" probably isn't one of them. We tend to think of technology as something that belongs to the future.

In a world where high-tech solutions are virtually synonymous with development, Julia Watson has taken the opposite approach. The New York-based Australian designer has spent much of her career traveling to indigenous communities in the most remote parts of the world—from Benin to Iraq—to study how we can apply their ancient innovations to our planet's contemporary environment.

As physical and digital commerce increasingly merge, designers and architects are creating shopping experiences that bridge the gap between physical and online spaces. We are beginning to witness the dawn of a new retail landscape that skillfully overlays disruptive digital behaviors with new aesthetics.

Iris Barrel is a designer born in Queens, the only child of a Russian mother and an American father who owned a mirror company. She studied art at the University of Wisconsin and began her career at WWD, a benchmark publication in the fashion industry.

In 1948, alongside her husband, Carl Apfel, she founded a successful textile brand that was even featured in the White House decor during the administrations of nine US presidents. Although they sold the company in 1992, the couple continued working for the brand for another 13 years—until 2005. Iris Apfel was fully retired from the interior design industry when, at 84, she was invited by Harold Koda—curator of the Met’s Costume Institute—to exhibit her collection of clothing and accessories.

TikTok is a social network for sharing short videos that offers extensive features to edit them. It is possible to include filters, subtitles, soundtrack, gifs, make cuts and use creativity at will. As with Instagram and Twitter, you can follow other people's profiles and interact, liking their posts, making comments and even sharing via WhatsApp.

The era of petrol cars is coming to an end with the advent of batteries and electric cars – and so is the era of gas stations and the pollution they bring to communities.

Gas stations, by their very nature, are environmental hazards. Of the 450,000 hazardous locations in the US alone, half are contaminated by oil, with much of it coming from underground tanks leaking from former gas stations, creating risks of leaks and explosions.