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Luca Ameri

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The Landscape Architecture Behind the Lowline

08:00 - 17 December, 2015
The Landscape Architecture Behind the Lowline, Courtesy of the Lowline
Courtesy of the Lowline

In 2013 New York City ranked 14th among high density cities in the United States in parkland per 1,000 residents with only 4.6 acres/1000 residents. With almost 8.5 million people living in New York and more commuting on a daily basis, NYCers are finding it harder and harder to get outside and experience nature. The harsh winter and constant demand for growth and construction only make this more challenging.

In recent years New York has become famous for an unusual method of bringing green space to the city, the hugely popular “High Line” which reused industrial infrastructure in the creation of a new park. But as unconventional as the High Line is, it’s nothing compared to James Ramsey's of Raad Studio and Dan Barasch’s state-of-the-art proposed counterpart, the subterranean “Lowline." Working alongside others including Signe Nielsen, principal at Matthew Nielsen Landscape Architects, and John Mini, the pair recently opened the Lowline Lab, an environment similar to that of the actual Lowline site that gives the team a space to put their theories and ideas to the test, gather results and make final decisions. I had a chance to catch up with Ramsey and Nielsen to discuss the landscape of their test space.

Courtesy of the Lowline Courtesy of Jaeyual Lee at Raad studio Courtesy of Jaeyual Lee at Raad studio Courtesy of the Lowline + 29

Timmerhuis / OMA

10:00 - 11 December, 2015
Timmerhuis / OMA, © Sebastian van Damme
© Sebastian van Damme

© Ossip van Duivenbode © Ossip van Duivenbode © Ossip van Duivenbode © Sebastian van Damme + 35

Gallery: Philharmonie de Paris Photographed by Danica O. Kus

06:00 - 11 December, 2015
Gallery: Philharmonie de Paris Photographed by Danica O. Kus, © Danica O. Kus
© Danica O. Kus

Opened in January 2015, the Philharmonie de Paris was designed by Jean Nouvel, though he later distanced himself from the project. The concert hall, a 2400 seat venue, seeks to "invent a model all its own," according to the Philharmonie de Paris website. It breaks from the pack of concert halls by mathematically creating a more intimate space -- "the distance between conductor and the farthest spectator is only 32 metres (compared to 48 metres at the Salle Pleyel for a smaller audience)." The architect worked with various acoustic experts to "develop a bold system of cantilevered balconies and floating clouds, combining envelopment, intimacy and spaciousness." Here we see the project as photographed by Danica O. Kus. Read on for the full set.

© Danica O. Kus © Danica O. Kus © Danica O. Kus © Danica O. Kus + 20

Kampichler Company Building / gerner°gerner plus

05:00 - 3 December, 2015
Kampichler Company Building / gerner°gerner plus, © Matthias Raiger
© Matthias Raiger

© Matthias Raiger © Matthias Raiger © Matthias Raiger © Matthias Raiger + 13