Not everyone is aware of the existence and operation of the Cerro Dominador solar power plant in the Antofagasta region of northern Chile.

Benches with dividers and uncomfortable shapes, sharp stones under overpasses, fences surrounding plazas and gardens, walls with metal spikes, buildings without awnings or with timed water drippers, electric fences, and barbed wire. The elements and materials used to deter people from public spaces are numerous, ultimately shaping how individuals experience cities and interact with one another. Hostile architecture—a term encompassing all barriers and urban designs that seem to say “don’t make yourself at home,” as reporter Winnie Hu of The New York Times defines it—is part of the reality in most cities worldwide, sparking growing debate over the impact of these measures, particularly on social media.

Since ArchDaily launched its recruitment services, we have received job submissions from architecture practices of all scales—ranging from private design institutes and independent studios to international design teams—spanning the north and south of China, including Beijing, Shanghai, and Shenzhen. Below is a curated selection of openings from four firms. Active across diverse architectural fields with their unique design languages, they are looking for talented architects to join their teams.

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The team at ruta 4 taller and architect Gregorio Ballén present the following research resulting from their undergraduate thesis at Pontificia Universidad Javeriana, with the goal of addressing the current environmental, social, economic, and political crisis. It is an investigation into new ways of co-creating architecture by including actors external to the discipline, and proposes experimentation in the co-design of spatial artifacts created in collaboration with animal species such as the silkworm.

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In 1792, sitting United States President George Washington organized a competition to design the presidential residence. The winning proposal, submitted by architect James Hoban, shaped the neoclassical mansion we know today as the White House, cementing its place in the American collective imagination.

In April 2021, the A8 Design Center at Luxe Lakes in Chengdu presented the exhibition "2 Kilometers of Lakeshore: Southwest Independent Architects 2021 Luxe Lakes Cross-Disciplinary Joint Exhibition." **Thirty-one independent architects** were invited to create installations along the Luxe Lakes waterfront. Working within a **budget of 30,000 RMB**, and drawing on self-reflection and their understanding of public space, they built **experimental, interactive, and experiential micro-spaces, presenting 31 unique perspectives on the world.** Through dialogue among the architects and with the public, the exhibition sought to further stimulate public engagement in design.

Following the exhibition visit, the A8 Design Center organized a hotpot gathering under a bridge with Chengdu's independent architects, sparking this dialogue. **We wanted to delve deeper into what this new generation of independent firms in non-first-tier cities is doing, how they are growing, and what they are thinking.**

Interviewer: Shuangyu Han
Part 1 Interviewees: Yun Lu (MUDA Architects), Youcai Pan (Wray Architecture), Hongduo Jin (Xd-Architects)
Part 2 Interviewees: Kefei Cai (Menkou Architects), Xiang Wang (TeKtonn Architecture), Yuejiu Li (a9a rchitects), Tang Zhang (YI JIE Atelier)

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The processes of city planning and development are part of complex networks, often requiring the coordination of diverse tools addressing not only physical, but also social, economic, and political planning. The Master Plan is one of the primary instruments for this purpose, playing a fundamental role in regulating a city's territory.

According to the definition in NBR 12267, which establishes the standards for preparing Master Plans, they are the “basic instrument of a municipal planning process for the implementation of urban development policy, guiding the actions of public and private agents.”

The climate crisis, resource scarcity, and socio-spatial inequality are among the challenges currently facing the architectural discipline and the construction industry. In the Chilean Altiplano—a territory marked by a wealth of natural and cultural treasures contrasting with the scarce natural resources of the desert—the Fundación Altiplano invites us to rethink heritage restoration through the lens of sustainability, community-based conservation, and participatory processes. Developed and implemented alongside the communities themselves, this model leverages ancestral knowledge and local materials, offering not only answers but also critical questions for navigating our turbulent contemporary context.

Inadequate living conditions in a building trigger discomfort and even physical pathologies in humans. Scientific experiments have shown that a lack of concentration and even everyday accidents are influenced by both high and low indoor temperatures. And while thermal sensitivity varies from person to person—depending on their clothing, gender, habits, and age—the basic principles behind thermal comfort are universal. Thermal comfort is primarily determined by air temperature and humidity. In this regard, the human body seeks to maintain a near-constant core temperature of 37°C, continuously exchanging heat with the environment.

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Archivo de Ideas Recibidas is an interdisciplinary research and dissemination project that seeks to document and connect the ideas of contributors to the contemporary creative ecosystem through art, design, and architecture. It is built on conversations between the team and various creators, delving into themes related to memory, academia, cultural context, key influences, and working methodologies.

Citymakers is working with ArchDaily to publish a series of articles, conversations, and interviews with the different actors involved in co-producing the city behind the Citymakers Barcelona Lab 2021—a program whose next edition will run from November 8 to 12. For this installment, Víctor Torres, director and co-founder of CityMakers, presents his article "Re-naturalizing the City."

Designated a National Monument in 2010, the National Headquarters of the Chilean Association of Architects (Colegio de Arquitectos de Chile) is a 1920 masterpiece by the prominent architect Luciano Kulczewski García. This Art Nouveau icon originally comprised two residences, each featuring a grand double-height hall illuminated by large windows, with five commercial spaces on the first floor.

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The history of painting in Mexico has a deep legacy that extends far beyond oil on canvas, as some of its most prominent figures found diverse intersections with other disciplines to develop their capacity to observe—and, above all, to construct scenes that told a specific story of their time and context. Numerous figures have elevated Mexico's reputation, positioning it as one of the countries with the greatest cultural and artistic wealth, including Frida Kahlo, Diego Rivera, Rufino Tamayo, Dr. Atl, Emilia Ortíz, and Mathias Goeritz, among others.

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This article by Camila Pinzón and Juanita Fonseca was originally published under the title "Arrival Infrastructures: An Approach to Migrant Space in Destination Cities Like Bogotá" in issue 30 of the Dearq journal on May 1, 2021 (DOI: https://doi.org/10.18389/dearq30.2021.07).

Within the framework of recent studies on migratory flows, dynamics and concepts have been identified that help understand their relationship with urban space and the city—highly useful for architects, urban planners, and designers. Through a review of these concepts, this article questions their relationship with the Latin American context and reflects on the utility of defining the terms arrival city, arrival infrastructures, and porosity for a potential study in Bogotá.

Below, we present it as part of a joint collaboration to contribute to the dissemination of research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.

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Located at 852 Leandro N. Alem Avenue in the Autonomous City of Buenos Aires, the Mercado de los Carruajes originally housed the “Presidential Carriage Garage,” serving as a storage and maintenance facility for horse-drawn carriages. Over time, the building was repurposed to accommodate the vehicular fleet of the Presidency of the Nation. Following a series of interventions and expansions, the historic heritage building began its conversion process in 2017, which is now complete with only the final details being finalized. A gourmet market concept featuring food stalls, fresh food vendors, retail spaces, and an event terrace eagerly awaits its grand opening, which was delayed due to the pandemic.

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As is common in the design and architecture world, renderings have long been understood as a tool for visualizing spaces before they are built, thereby providing a broader, more realistic vision of what to expect. These images make it possible to identify and address potential errors, but above all, they serve as a powerful design tool for both interior and exterior spaces.

CLOU architects is an award-winning international design practice working across architecture, interior, and landscape design. The team has designed a diverse portfolio of projects focused on community connectivity and social spaces. CLOU's diverse design team consists of 65 experienced architects and designers from China and around the world. Clients include retail and mixed-use developers, residential investors, hotel operators, as well as governmental and educational institutions. Under the leadership of German architect Jan Clostermann, the CLOU team is dedicated to tailoring innovative, holistic spatial solutions for clients. By fully exploring the possibilities of public space within high-density developments, CLOU aims to subtly catalyze community growth and exert a positive impact on people's behaviors and lifestyles.

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It is undeniable that public green space has gained renewed importance following the lockdowns of the coronavirus pandemic. In cities worldwide, plazas, parks, clubs, and waterfronts began to play a fundamental role. These spaces met the needs for leisure, relaxation, and collective gathering of residents who, in many cases, spent months confined to their homes, acting as agoras within the dense urban fabric. Beyond serving as spaces for recreation and civic gathering, UN-Habitat states that these green areas directly improve environmental conditions. By helping to increase air quality, reduce the greenhouse effect, and capture carbon, their expansion, development, and maintenance should be a priority for local governments.

Many of our ideas about the cities of tomorrow are shifting as we confront today's pressing global challenges—from the climate crisis to how we will live together.

The three practices hiring this week represent "small is beautiful" design teams: Beijing-based PRAXiS d'ARCHITECTURE and AFFD Design Studio, along with Jane Z Studio, which is deeply rooted in southern China. Active across diverse architectural fields with their distinct design philosophies, they are now seeking talented architects to join their teams.

Outbreaks of contagious diseases can exert a long-term influence on urban design—many have undeniably shaped the way modern cities look and operate. Parks, wide streets, and even the bathrooms in our homes are a significant legacy of past cholera outbreaks. Today, these features are so deeply embedded in our daily lives that they are considered basic elements of modern cities. Over generations, cities have recovered from the initial shock of contagion and rebuilt public trust after periods of uncertainty.

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#Anodized Aluminum Panels
In recent years, anodized aluminum panels have emerged as a prominent material, utilized across numerous interior and exterior architectural projects in China. Anodized aluminum features six key characteristics: 1. Metallic Appearance, protected by a transparent anodic oxide film, the natural, soft metallic texture of aluminum is fully preserved; 2. Workability, anodized aluminum features exceptional workability, as well as outstanding forming and bending capabilities; 3. Surface Consistency, across diverse architectural forms, anodized aluminum panels maintain a highly uniform color; 4. Corrosion Resistance, the anodization process generates a dense oxide film on the metal surface, providing superior corrosion resistance and enhancing structural hardness and strength; 5. Weatherability, the static-free surface does not attract dust, making it easy to clean and maintain its pristine, like-new appearance even after repeated washing. This ensures the building facade stands the test of time; projects completed with anodized aluminum 40 years ago still look as good as new today; 6. Sustainability, functioning as an environmentally friendly material classified as Class A non-combustible.

#Almeco Anodized Aluminum Panels
Almeco is a global expert in pre-treated aluminum surfaces, offering a range of innovative anodized aluminum products for interior and exterior curtain walls and decoration. Their unparalleled metallic texture, rich colors, and excellent workability bring new vitality and artistic form to interior and exterior architecture, turning every building into a unique work of art. Consequently, Almeco has become the material of choice for renowned architects such as Jean Nouvel, Thom Mayne, MAD, and UNStudio.

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“Without chasing the discovery of forcedly original forms, without seeking novel aesthetic effects, the strict and consistent adaptation of the dwelling to the climate has progressively led to a new, native, and authentic architecture.” (1)

Wladimiro Acosta was born in Odessa on June 23, 1900. There, he graduated from the School of Fine Arts with a degree in Construction Technology in 1917. Later, in 1919, he moved to Italy to continue his architectural studies, enrolling in the Higher School of the Institute of Fine Arts in Rome, where he received his degree in Architecture and taught Architectural Design between 1920 and 1921. In 1922, he relocated to Germany, where he lived until 1928, the year he left Europe for Buenos Aires.