In the article "trends that will influence architecture in 2019," we identified a digital future for the construction sector. Growing search volumes for both BIM systems, modular and prefabricated systems, as well as 3D Printing, Automation and Artificial Intelligence point to upcoming shifts in construction methods. Is architectural academia preparing for this future of human-free construction?

CityMakers is working alongside ArchDaily to publish a series of articles, conversations, and interviews with the diverse actors in city co-production behind the Barcelona CityMakers Lab 2019, an event taking place from October 14 to 20, 2019.

For this installment, we have compiled excerpts from a conversation with architect and urban planner Victor Torres, Creative Director of CityMakers, who invites us to reflect on the need to rethink traditional models of making and learning to build cities, and on CityMakers, a community that seeks to inspire change through on-site knowledge transfer in exemplary cities around the world.

“In ancient Peru, textiles reveal the economic, social, political, and religious development of each culture. Their importance lies not only in their use as garments, but goes far beyond. The dimensions of some fabrics suggest they were used as canvases to cover walls—as is the case with painted textiles—or as funerary shroud wrappings,” reads an open book in the museum. This textile history, dating back to around 8000 BCE, is exhaustively preserved and narrated at the Amano Pre-Columbian Textile Museum, whose collection has been declared a national heritage.

Faced with the spatial challenge of housing such a treasure, how should architecture respond? Should museums be iconic infrastructures within the city? What is the best way to arrange spaces for this museological vision?

Continuing the series of articles by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit on the study of social housing in Latin America, this installment discusses labor processes and the operating system of construction. Review past publications and the new article below.

+ 6

Malaquita is a project located on the terrace of the Hotel City Center in the heart of the Historic Center. Its design is conceived as an escape from the bustle of Mexico City, a place where the passage of time across the different eras that shape the territory is palpable: pre-Hispanic, colonial, modern, and postmodern coexisting in constant resilience. 

Last week, we announced the 15 finalists for the 2019 Building of the Year Award, which since 2008 has celebrated the best built architecture in Latin America and Spain, inviting our readers to select their favorite completed projects. Today, the time has come to announce the winners of ODA19.

We are pleased to present three architectural works from Peru, Chile, and Ecuador, where the winners not only showcase the architectural diversity of the region but also serve as examples of the public impact that architecture should deliver. Meet the three winners!

Videos

It is true that designers, architects, and the general public share an endless fascination with abandoned architecture. Throughout history, shifting economies, disasters, regime changes, and sheer incompetence have forced the evacuation of striking architectural structures, which today serve as curious—and even haunting—monuments to bygone eras.

This fascination has led to the publication of several articles on our site exploring the mysteries of some of the most famous sites through text and photography. Yet, this curiosity has also driven individuals to venture out and document their experiences firsthand. Such is the case of Mike Corey, a YouTuber who, through his channel Fearless & Far, has dedicated himself (among other pursuits) to exploring some of Mexico's most famous abandoned buildings.

The Spanish Architecture Prize (Premio de Arquitectura Española) has been awarded biennially by the Higher Council of the Colleges of Architects of Spain (CSCAE) since 1993 to promote the quality of architectural works built across Spain.

The award has recognized built works by architects such as Enric Miralles, Mansilla y Tuñón, Sara de Giles, and Francisco Mangado Beloqui, among others, with projects including the Royal Collections Museum and the Palma Convention Center and Hotel. Explore all the winning projects below.

+ 19

The Forêt Monumentale is a sustainable art and architecture exhibition featuring temporary works and pavilions designed as "site-specific" installations, created especially for a 4-kilometer trail in the Green Forest of Rouen, Normandy.

+ 3

A few months ago, the first exhibition by Zaha Hadid Architects (ZHA) in Latin America concluded. It was held at the Museo Universitario de Arte Contemporáneo (MUAC) within the Centro Cultural of Ciudad Universitaria in Mexico City. The exhibition featured some of architect Zaha Hadid's projects through models, audiovisual materials, paintings, and photographs. It explored the creative process of her practice, highlighting the importance and complexity of design as the central axis linking form and construction processes in her work.

+ 22

Educational facilities have evolved over the years in response to technological advancements and new pedagogical models, which increasingly focus on flexible methods that allow students to chart their own paths within a shared framework. The significance of these facilities lies in their role as meeting points that satisfy our social need to share physical spaces, pointing toward more horizontal and inclusive educational systems. A prime example is the Center for the Blind and Visually Impaired, designed by Taller de Arquitectura Mauricio Rocha + Gabriela Carrillo, which seeks to create diverse sensory experiences through materials, light, and temperature both inside and outside.

The Venice Architecture Biennale is arguably one of the most influential exhibitions in the world. Established in 1895 as the "Venice International Art Exhibition," the Biennale has become one of the most prominent cultural institutions worldwide, serving as a universal platform for nations to showcase their work. Consequently, every two years, the global spotlight turns to Venice.

If you look back at who has been awarded the Pritzker Prize in previous editions, you will realize that anything is possible. Over the last three decades, the world's most renowned architects have received it, helping to shape public discourse around current trends and ideas in the field of architecture. Recent years have been no exception: in 2014, for instance, Shigeru Ban's humanitarian work sparked a widespread discussion on the social role of architects; and in both 2016 and 2018, awarding the prize to Alejandro Aravena and Balkrishna Doshi served as a continuous reminder that "architects are at the service of society."

However, just as the selection of the Pritzker Prize can shape public debate, it is also influenced by public opinion. Consequently, a month ago we asked our Ibero-American readers from ArchDaily en Español and ArchDaily Brasil to share their thoughts on the potential winners. We conducted a poll on who should win the 2019 Pritzker Prize, offering a selection of architects we thought stood a chance, along with the freedom to nominate their own candidates—always keeping in mind not who is likely to win, but who should win.

Videos

Last month, the National Board of the Association of Architects of Chile announced Miguel Lawner as the winner of the 2019 National Architecture Award, the highest honor an architect can receive in that country. The following interview, conducted in 2015, not only delves into the details of his life story, but also reflects several of his thoughts on the political sphere.

In its fourth consecutive edition in Chile, Casa FOA 2019—the international exhibition that brings together design, interior design, architecture, landscaping, and art—showcased established and emerging design talents who revitalized the forgotten Paseo San Damián in Las Condes.

The exhibition aims to introduce the public to the latest trends in the design industry under the concept of creating, transforming, and rethinking the way we live and work. This year's edition was guided by the concept of Coliving, the current expression of social and generational evolution, pointing toward collaborative living and the construction of collective intelligence through shared workspaces and common home areas.

In September, we launched the fourth edition of our open call in Colombia, inviting architects to submit their undergraduate thesis projects. In this edition, the call received 104 submissions from more than 15 cities and 25 universities across the country, marking an 11% increase in proposals compared to 2018.

Following an exhaustive evaluation, and to celebrate Architects' Week in Colombia, we present the 13 thesis projects selected as winners by our editorial jury (Fabián Dejtiar, Mónica Arellano, and Santiago Baraya). The evaluation criteria prioritized projects that directly addressed current issues, such as urban, local, social, and environmental contexts.

Following ten days of analysis, design, community engagement, and construction, more than 200 students and architects from across Latin America inaugurated three public amenities in late April, marking the 16th edition of the Latin American Social Workshop (TSL Costa Rica 2019) in the city of Santa Cruz.

How did a house designed by the world’s most renowned engineer—the Frenchman Gustave Eiffel, designer of the tower that bears his name in Paris—end up in Argentina?

How did this structure settle in one of Córdoba’s most culturally active neighborhoods, only to open its doors a century later as a cultural space thanks to the intervention of local residents?

+ 23

May 3 is a holiday originating from the Feast of the Finding of the Holy Cross, also known as the May Cross (Cruz de Mayo) or Festival of the Crosses (Fiesta de las Cruces), which has its roots in the Roman Rite celebrating the devotion to the Cross of Christ. Over time, this commemoration has evolved and been adopted across cities in Mexico, Chile, Spain, Ecuador, El Salvador, Guatemala, Paraguay, Peru, Trinidad and Tobago, Argentina, Colombia, and Venezuela, where the festivities typically include floral decorations, processions, and dances.

Today, discussing infrastructure means discussing geopolitics and connectivity as a key driver of global competitiveness. Connectivity, however, should not be understood solely as physical infrastructure, even if we are talking about roads for autonomous vehicles or hyperloop tunnels.

The recent book 'Plan de desarrollo urbano de la zona noroeste de la ciudad de Mar del Plata' by Guillermo Tella, Beatriz Cuenya, Martín Delucchi, and Laura Corbalán Vieiro synthesizes the results achieved through the technical assistance and institutional coordination experience carried out during 2017-2018 for the Municipality of General Pueyrredón (province of Buenos Aires, Argentina) by the Center for Urban and Regional Studies (CEUR-CONICET) and the Inter-American Development Bank (IDB).

Mexico City, considered one of the largest and most populous urban areas in the world, is in fact the largest city in the Americas and the Spanish-speaking world. Given this vast footprint, its immense population has led to sprawling peripheral settlements, highlighting the urgent need for a denser, more inclusive city. Various factors—such as the abandonment of downtown buildings following historic earthquakes like the one in 1985, compounded by a lack of basic habitability—have drawn the attention of diverse actors. Through clear, targeted interventions, they seek to restore a cohesive urban fabric that empowers residents to reclaim their city.

It seems almost impossible to imagine that a single public initiative could have spawned most of the national highways we have today in Argentina, established tourism as an economic driver for the country, consolidated the national oil company YPF against foreign competition, and driven a large part of the development of Argentine modern architecture.

Yet it is entirely plausible when we look at one of the largest territorial interventions in the country's history—a vanguard of modernity that established the automobile as a mass means of transportation in our region.

I met Vera Primavera in Ibarra, Ecuador, during the sixth edition of EARQ (PUCE-SI)—a graffiti and tattoo artist whose work revolves around mysticism, magic, intimacy, and women in the city.