
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Seeking to design an immersive indoor environmental experience, design studio Aqua Creations created Manta Ray lighting. In this light installation, responsive RGB LED technology mixes red, green, and blue to produce over 16 million different hues. Programmed with a customizable color spectrum, the system is dimmable from 0.1% to 100% brightness and can even load images and videos directly onto its internal memory. This allows users to infuse expressive spaces with dynamic color and movement, or conversely, cultivate a warm, focused atmosphere for private, intimate settings.

How does BIM incorporate materials like concrete?
BIM, the acronym for Building Information Modeling, utilizes information-rich 3D models to create the built environment and extract the data necessary for the documentation and construction of architectural projects. This is achieved by modeling various components—such as doors, windows, columns, and walls—which together make up an architectural project. Materials, however, are not 3D components in BIM; instead, they are part of the composition of these components. In this article, we will look at how materials behave in BIM, using the products offered by Melón Hormigones as an example.
Any 3D component created in Revit can have a Material parameter. Whether configured in the project or within the specific family, this material contains a series of default, customizable, and modifiable settings to provide technical and graphic data, as well as physical properties, to the 3D component.

In the following article, José Javier Alayón González, PhD, Architect, and full-time assistant professor in the Department of Architecture at the Pontificia Universidad Javeriana, shares his perspective on exhibition venues and how they adapt to changing circumstances.

Cities are the synthesis of thousands of years of agreements—as fragile as we are, yet wonderfully adaptable to change. As a result, they remain the ultimate ecosystem for our lives to unfold. Thanks to density, they allow us to maximize the benefits of the infrastructure, services, and public spaces we have created to sustain the well-being to which we aspire.
At first glance, all of this is in crisis today as a result of the COVID-19 pandemic. However, looking back at our history reveals far more lethal epidemics that ultimately brought substantial improvements to the way we live.

Lightweight construction systems primarily consist of a base structure of galvanized steel profiles, which can be clad with gypsum or cement panels. Depending on their specific characteristics, each panel adds enhanced moisture and fire resistance to the system, as well as varying levels of thermal and acoustic insulation. Why are they effective when applied to facades? What possibilities do they offer based on their composition? Let's review the benefits of three types of exterior panels developed by Panel Rey.

The city as we know it is collapsing, incapable of offering new ways of living. The virus is forcing us to confront the exhaustion of the buildings that make up the city and the systems underpinning how the entire urban landscape was conceived. Basic activities separated by miles along untraversable streets; halls and galleries acting as closed, artificially climate-controlled shells that can no longer accommodate crowds (and are therefore no longer visitable); subhuman capsules stacked atop one another in towers devoid of open spaces, common areas, or nature, with virtually no contact with the outside world—these will only become more dysfunctional as time goes on.

As part of an initiative by ArchDaily and the Abierto Mexicano de Diseño, a call for entries was launched this year, inviting architects, urban planners, landscape designers, industrial designers, graphic designers, floral designers, and any creative discipline that understands public space as a place for fostering collaborative encounters in cities. Published in September, the call sought unpublished or previously published projects in the form of written essays, research papers, visual essays, lectures, or other digital communication formats that offered a personal or collective reflection aligned with the theme 'Public Space.'

In a year marked by physical distancing, social media took on an even greater dimension in the ways we connect and stay informed. Our Instagram has expanded its reach, bringing our audience the best of what we publish on our website: projects, articles, interviews, and news from the architectural world, inspiring new ideas and tools for a better future.

Choosing high-performance BIM software is key to developing efficient projects by automating tasks unrelated to core design, such as documentation, calculations, and other tedious processes. This reduces the time spent on these critical details, minimizing errors that lead to project delays or cost overruns.

This article is part of a collaboration with the website coolhuntermx and was originally published under the title "Housing Production in Rural Mexico."
Between virtual panel discussions and tweets sparking debate on housing and its role during the pandemic, addressing this issue in Mexico is as complex as the country's history and as vast as its territory. The article What About the Right to Adequate Housing in Mexico? offered an overview of the laws governing Mexico City and urban conditions. But what about housing in rural areas?
Peripheria Films shares a video about the emigration of a young Spanish architect couple "who thought that their reward would come after university."

On Tuesday, December 1, 2020, during the inaugural session of the new National Board elected by members in the 2020 CA Elections, the new Executive Committee and officers of the College of Architects of Chile were selected for the 2020–2022 term.

This interview is part of a collaboration with the digital magazine Hysteria.mx. It was originally published on January 24, 2020, under the title "Stories from the US-Mexico Border" as part of Issue No. 31, titled "Bodies and Territories," and was conducted by Tadeo Cervantes.
Alejandra Aragón is a visual artist, photographer, documentarian, and activist from Ciudad Juárez, Chihuahua—a city on Mexico's northern border infamous for the cases of femicide recorded from the early 1990s to the present. From this vantage point, Aragón narrates various aspects of daily life for women in a territory shaped by violence, conflict, and complexity.

In Latin America, the concept of emergency architecture refers to spaces that serve as temporary shelter in the face of adverse circumstances, such as earthquakes, floods, and migration. Various countries, including Mexico, Chile, Colombia, Ecuador, Uruguay, and Panama, have faced events that required redefining emergency housing according to each nation's specific needs.

Bookshelves are one of the elements present in almost every interior space, whether in homes, retail, offices, or even pavilions. Yemail Arquitectura, a Bogotá-based firm, shares its exploration of this element, which plays a key role in the spatial configurations of its multi-use projects.

For many urban dwellers, the answer is obvious: “It’s hard to find a job in a smaller town. Plus, there’s not even a movie theater, restaurant options are limited, and the schools aren’t that great.”

Still largely overlooked by the international media, Angola's contemporary architectural production faces, much like many of its African neighbors, social and economic realities that do not favor its dissemination. When the typical challenges of architecture are compounded by others stemming from an intense process of neocolonialism, taking good ideas off the drawing board and actually building them becomes a formidable task. Stretching the relationship between the physical and the digital, the Angolan collective Banga turns to virtual space to bring to life projects that blend architecture, sensory experiences, and art.

Colombia has an immense territory with some of the greatest biodiversity in the world thanks to its privileged geography, and human presence spans the majority of this territory, regardless of how far it is from urban centers. Below, Sebastian Contreras of Estación Espacial Arquitectos presents the experience and both the human and architectural challenges of building a Maloca with and for the Ticuna community deep in the Colombian Amazon.

On July 31, during the 103rd Ordinary Plenary Session, the CAU/BR Temporary Commission on Gender Equity released the 1st "Gender in Architecture and Urbanism" Diagnosis. Conducted online from July 2019 to February 2020, the survey was answered by 987 professionals (767 women and 208 men), with a margin of error of plus or minus 3.11%.

The following article is the result of a thesis research project by Colombian architect Sebastián Rojas (Pontificia Universidad Javeriana), which explores the materialities and vernacular construction techniques across 23 prototypes from regions such as the Coffee Axis, the Colombian Amazon, the Cundiboyacense Highlands, and the North Coast.

This article by Alberto Bravo de Laguna Socorro was originally published in the 12th issue of revista rita_ under the title "Transgression, experimentation and communicability of the graphic in collective architectures: Indices of an engaged graphic expression."

Brutalisim is an architectural movement that emerged in Europe in the 1960s and became one of the most controversial yet popular styles worldwide. This was due to various factors, including its use of raw concrete and, more broadly, its ideals focused on public service through monumental works. Furthermore, it became a new medium for expressing contemporary political stances through functional public spaces.

Driven by a personal quest to explore heritage and preserve Mexican traditions, architect Ana Ibañez has created a collection titled “Barraganescas,” featuring jewelry pieces inspired by the houses designed by architect Luis Barragán in the city of Guadalajara.

Chuchín is that endearing figure whom you always remember despite the passage of time, whether you are a student, architect, professor, staff member, or fellow worker. Felipe de Jesús Cortés Guevara—or Chuchín, as he is commonly known—seems to go nowhere else; he is always watching over what he considers his second home, the UNAM School of Architecture.