In interior design projects, we often encounter certain pieces of furniture that are easily recognized as milestones of a specific era, place, culture, or the career of the designer who created them.

What makes an object or piece of furniture iconic—whether within the design world or beyond—is not determined by a set of rigid rules. Asking what elevates a design to “icon” status leads to deeper questions: Is it its instant recognizability, its ability to break canons, or its timelessness? Furthermore, who are the arbiters who define this iconicity?

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Designing residential projects constantly involves finding ways to enhance the daily lives of those who will occupy these spaces every day. The desire to radically subvert the housing program is bounded precisely by the realities of everyday life—domestic activities, practical dynamics, and the long-term presence of the residents. Consequently, innovation and creativity in these cases are usually manifested in details, spatial transitions, points of interest, furniture, and thoughtful approaches to interior design that are both pleasant and tailored to the inhabitants.

One way to create elements of surprise and break the monotony of standard residential layouts is the strategic, selective use of color in interior spaces. Pairing architectural elements such as beams, columns, floors, fireplaces, panels, and cabinetry with contrasting tones offers a fresh take on familiar components, innovatively transforming the perception of interior environments. Below, we have curated a selection of Brazilian projects that explore this approach in their interior designs.

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Unlike various construction systems and materials, the landscape is not something that can be specified, or even drawn, in the architectural design of an apartment. However, landscapes are still shaped by the building's design decisions, both from an internal and external perspective—that is, in relation to their surroundings. Facade orientation and window size, for instance, are among the ways the views from an apartment are defined, while the scale and height of the building directly impact the context in which it is situated.

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Just over four months after the first confirmed case of coronavirus in Brazil, and about three and a half months after the initial quarantine decrees, many cities still maintain restrictive measures to promote social isolation. Despite the recent easing of restrictions adopted by some states and municipalities, disruptions to the daily routines of architects and students persist, and the popularity of remote activities, such as online courses, has grown over the past few months.

While many architecture firms face reduced demand and stalled construction sites, students have seen their classes suspended or moved online. With more free time—whether due to shorter commutes or reduced workloads—students and architects have turned to online courses to sharpen or expand their skills in tools, software, and theoretical concepts.

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The search for more sustainable products must begin at the design stage. In this light, it is essential for designers and everyone involved in this process to possess adequate knowledge; indeed, sustainable practices must be an integral part of the education of architects and urban planners. 

Over the years, many architecture programs have increasingly integrated this discussion into their curricula in a more meaningful and in-depth manner, either through specific elective courses or within mandatory subjects. 

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One of the most engaging ways to learn about cities is through movies and series. Below, Anthony Ling from the platform Caos Planejado shares six recommendations for online series to learn about Brazilian communities, Soviet cities, and other corners of the world.

In architecture, Corten steel, or weathering steel, is one of the materials in which the passage of time is most visible and distinct. The patina—the layer that forms on the steel through oxidation—acts as a protective barrier, slowing down corrosion and preserving the material's mechanical properties. Beyond its protective qualities, this layer offers a unique aesthetic appeal that makes Corten steel highly prized in architectural design, from small to large scale.

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In high school math, we learn that average speed is calculated as the ratio of distance traveled to time elapsed. For decades, the thinking behind transportation policies was anchored in this equation: it was believed that the goal was to increase system efficiency, which simply required reducing travel times by increasing average speed. Consequently, the distance variable was deemed less important, since building unimpeded transit systems—such as subway lines, BRT corridors, or expressways—could maintain or reduce travel times over increasingly longer distances.

A carbon footprint can be defined as the quantification, typically in kilograms (kg) or metric tons (t), of the emissions (and removals) of different greenhouse gases (GHGs) throughout the life cycle of a product, process, or service. There are several GHGs, the most significant of which in terms of global warming and climate change contribution are carbon dioxide (CO₂), methane (CH₄), and nitrous oxide (N₂O).

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In 1972, the American art historian George Kubler proposed the term “plain architecture” to define Portuguese architecture from the mid-16th century to the early 18th century. While in its original spelling, the translation of the term understood the Portuguese style as simple, the use of the adjective actually designates an uncomplicated geometry, referencing the abandonment of Manueline ornament in the construction of churches and convents. In the Portuguese translation, however, the term “arquitetura chã” (literally “flat” or “ground” architecture) recognized the tectonic vocation of Portuguese architecture within its very vocabulary. By shifting the reference from geometry to the soil, it yielded a clear, monosyllabic characterization of the constant relationship between the built (architecture) and the existing (ground, soil, or territory). Beyond the rigor of Portuguese formal design, the term also describes an architecture anchored to the ground in a metaphorical sense—an architecture always aligned with the understanding of the territory in which it is situated.

Since the beginning of the pandemic in Brazil, there has been much debate regarding its impacts on different territories and social groups. This is crucial for both identifying the best ways to prevent the spread of the disease and protecting those who are most vulnerable. However, the way information and data have been released does not help analyze the territorial impacts and spatial spread of the pandemic, which also hinders efforts to address it.

In the city of São Paulo, the scale of analysis for the pandemic is still the district level, which corresponds to massive portions of the territory with populations larger than many medium-sized cities. This oversimplified view ignores the territorial heterogeneities and inequalities within the city. As we have previously pointed out, the territorial dimension is unfortunately not being properly considered, giving rise to a simplified and even stigmatized reading, such as the claim that “where there are favelas, there is a pandemic.”

The construction sector, particularly the building industry, is one of the largest consumers of natural resources and is responsible for significant environmental impacts and CO2 emissions, according to data from the United Nations Environment Programme. According to data from the organization C40 Cities, buildings are one of the primary sources of greenhouse gas (GHG) emissions in cities, meaning there is substantial room to reduce these emissions—with CO2 being the primary GHG. Data from the National Energy Balance (MME, 2019) indicates that residential, public, and commercial buildings in Brazil consumed over 40% of all electricity produced in the country in 2018. 

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Much like schools, restaurants, shopping centers, and other crowded venues, museums around the world had to close their doors with the arrival of COVID-19. Today, some cities where infection rates have significantly decreased are preparing to reopen non-essential services. As part of this group, museums—which sought new ways to connect with the public remotely during isolation—must now adapt to a new way of welcoming visitors.

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Architect Ayesha Luciano does not know much about her ancestors. Like other descendants of Afro-Brazilian and Indigenous populations, her family history was erased during the colonization of Brazil. This is what philosopher Sueli Carneiro calls epistemicide: the annihilation of knowledge and memories in countries with a history of slavery.

Yet the perpetrators of this genocide have their figures carved in stone, occupying central positions in the country's public spaces. Such is the case with the totemic statue of the bandeirante Borba Gato in the capital of São Paulo, or of Joaquim Pereira Marinho, a trafficker of enslaved people whose statue stands in the center of Salvador (BA). The architect comments:

Even before the new president of IPHAN was appointed in May 2020, guest professors Silvana Rubino and Alfredo Manevy spoke about the various challenges and contradictions guiding cultural policy in Brazil during a discussion at Escola da Cidade on June 5, 2019. Part of the course *Seminar on Contemporary Culture and Reality*, then coordinated by Professor José Guilherme Pereira Leite, the talk took the dissolution of the Ministry of Culture (MinC) as its starting point to discuss its repercussions, particularly in the fields of architecture and urbanism.

What is your idea of landscape? Landscape Architecture—a field of knowledge adjacent to architecture and urbanism—is often translated into Portuguese as landscaping (paisagismo), a term many resist because it fails to capture the discipline's true complexity. We suspect this discomfort stems from a common architectural tradition in Brazil that views the landscape as a purely designed, static entity.

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Polis is a (hypothetical) coastal metropolis with a growing population. However, most of its infrastructure was built 100 years ago, lacks maintenance, and is unable to meet the city's future needs.

Compounding these issues, Polis is experiencing damage from rising floods and coastal erosion. Its residents, especially those already impacted by environmental pollution, suffer from heat waves and poor air quality driven by industrial activity and traffic congestion.

The air humidity is famous, reaching mercilessly low levels for anyone who has never visited a desert. Trees with twisted trunks, thick bark, and fuzzy leaves rise from the soil, attempting to defy gravity, but they contort in such a way that it is as if the heat were pushing them back toward the ground. The red earth is omnipresent, adding a touch of drama to every corner, as if the searing temperature whipped the land until it bled. Here in the *cerrado*, there is none of the density of a damp, dark jungle—like some menacing forest out of a Jack London novel, or an immemorial witness in a trance, as seen in a Joseph Conrad novella. 

Sheet metal is characterized by an excellent strength-to-weight ratio, meaning it performs exceptionally well under heavy loads despite being lightweight and slender. Because of this, bookshelves made from sheet metal offer impressive storage capacity and have become increasingly popular in apartment design.

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A faucet is a mechanical valve used to regulate (release or block) the flow of a fluid (usually water) from plumbing. While turning on a faucet seems almost mundane today, we rarely think about the vast knowledge and technology required to provide water at any given moment with a simple movement of the hand. Yet, between intake, treatment, and distribution to a kitchen or bathroom, water travels a complex path.

We must build the city through housing to address the country's housing deficit. Above all, we need not just “houses” but compact housing developments equipped with infrastructure, services, public facilities, and public spaces, featuring highly diverse housing typologies to accommodate a wide variety of family arrangements. The current incentives driving urban land speculation must be redirected through an Urban Reform.

In recent years, metal roofing has increasingly gained ground in architectural projects, from the industrial to the residential scale, especially when there is a need to lighten structural loads or span large distances. In residential architecture, this solution offers a viable alternative to traditional ceramic tiles due to its low cost, rapid installation, and the wide variety of types and models available on the market.

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Certain acclaimed architectural works are recognized by details or specific elements designed with such care and inventiveness that they become the immediate reference that comes to mind when we think of these projects.

One such element that frequently takes center stage is the staircase. This is evident in classics like Lina Bo Bardi's Solar do Unhão, featuring a singular wooden staircase that organizes the entire open space and defines the scale of the structure, or the iconic helical staircase of the Itamaraty Palace, designed by Oscar Niemeyer with the precise curves that characterize his work.

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Renovations of Brazilian modernist buildings prompt a necessary debate on how to preserve and what best practices to employ when intervening in architectural heritage. The challenges of this type of intervention are immense. These projects must be approached with great care to maintain respect for their historical significance, preserving key elements of their composition while simultaneously updating the building to meet contemporary and client demands.