This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

To celebrate the first decade of ArqFilmFest, Santiago Architecture Film Festival, various members of its community—including architects, cultural managers, film critics, academics, among other professionals—were invited to answer the question: What do we talk about when we talk about film and architecture?

Journalist and film critic Christian Ramírez responds with "Filmed Space, Inhabited Space," reflecting on the relationship between the recorded and the built; architect Martin Schmidt Radic presents "Reflections of the Future," addressing projections over time; and sociologist and cultural manager Julia Ramos responds with "10 Years of Narrating the City," exploring the importance of fostering exchange between film and architecture. Read the full columns below.

Eight teams led exclusively by women were invited to participate in an urban design competition to redesign the Austrian capital in 1993. Organized by urban planner and trained engineer Eva Kail, the competition brief restricted male participation—a decision justified by data showing that, in recent years, every single urban project, whether selected through competition or direct commission, had been led by men. 

The search for technological innovations that promote passive strategies has become key to advancing energy efficiency in architecture. Low-E technology emerges as a new concept in glass, providing the material with thermal control capabilities. What does this new technology entail? The Low-E concept refers to low-emissivity glass—meaning glass whose surface emits a smaller proportion of thermal radiation at a given temperature. This feature increases its insulation capacity, thereby reducing the amount of heat lost through it.

The city of Brasília, inaugurated in April 1960, is perhaps one of the greatest milestones of how architecture, urbanism, and national politics intertwine. The result of Juscelino Kubitschek's government program, which promised "50 years of progress in 5," the city stands as a testament to modernism, revealing political strategies of the era such as heavy investment in the automotive industry and the widespread use of reinforced concrete. While Brasília is a milestone in global architecture, its very existence stems from political and economic strategies implemented by the government in the late 1950s. With the 2022 elections fast approaching, it is crucial for us, as a professional field, to understand how our profession is impacted by the presidency and what we can demand from the executive branch. 

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Videos

Bretagne, Louvre, Viadutos, Planalto. These are just some of the projects designed by Artacho Jurado, a controversial figure in São Paulo's architectural scene. With a particular focus on decorative elements, the self-taught architect was highly criticized by the professional establishment at the time, yet embraced by the public. Today, his work continues to garner increasing attention as a vision that reached beyond the modern canon, and his buildings have become symbols of São Paulo's urban landscape. Exploring his architecture, the exhibition Artacho Jurado, architect?, curated by Abilio Guerra, is on view at Chácara Lane, Museu da Cidade de São Paulo, through April 2022.

In recent months, the internet has been flooded with videos of the Middle East's new futuristic wonder: Neom, or The Line, a planned city commissioned by the Saudi Arabian government to rival its neighbors, Dubai and Abu Dhabi. As Henry Grabar writes, the city is a collection of buzzwords like "smart city," "net-zero carbon," and "15-minute city." In a world where images go viral faster than cities can actually be built, these concepts serve as powerful marketing tools. Yet, so far, no explanation has been offered as to how they will actually be implemented.

One of the things I admired most about Fernando González Gortázar was his irreverence, which he cultivated with genuine dedication, as one of the sharpest forms of intelligence, a form of rebellion, and a bastion of freedom. Indeed, Fernando's irreverence arose from the intersection of his admirable talent for everything that interested him and his pronounced sense of humor and cynicism. Another singular trait was how he carried this irreverence into his artistic production, sometimes subtly and underground, sometimes overtly. Some of his celebrated acts of irreverence resulted in highly accomplished projects; moreover, I believe all of his works were largely driven by irreverence as a major force, the other undoubtedly being the love and passion that ensued.

Federico Correa Ruiz, co-designer of iconic architectural works in Catalonia, a legendary professor at ETSAB, and one of the most highly regarded figures in Barcelona's architectural community, passed away on October 19 at the age of 96, with this year marking the first anniversary of his passing.

The School of Architecture at the National Autonomous University of Mexico invites the public to the exhibition “20 Years: Lines in Dialogue. Archive of Mexican Architects,” celebrating the anniversary of this institution and its commitment to preserving Mexico's architectural heritage. The Archive of Mexican Architects (AAM) project began in January 2002 with the acquisition of the Augusto H. Álvarez collection. This initial contribution paved the way for subsequent donations over the past two decades, now totaling 31 collections.

Despite women's achievements and overall societal progress, cities continue to be planned and built through a patriarchal lens. Urban planning often overlooks the diverse needs of the population regarding the inclusion of race, gender, and social class—factors that directly shape the use of space and the urban layout.

On October 13, Design House opened in Mexico City. As it does every year, the event showcases a series of installations integrating disciplines such as design, architecture, and interior design. Over the course of ten years, across various properties, it has presented cutting-edge proposals from more than one hundred participating firms in collaboration with the showrooms of the Ruta del Diseño (Design Route), which provide the pieces and accessories that bring the diverse spaces to life.

In legal terms, road space belongs to government entities and is therefore viewed as public. However, according to economic theory, the various goods produced by society exhibit distinct characteristics.

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To mark one of Mexico's most important celebrations, architect Miguel de la Torre designs an annual installation for November 1 and 2. The celebration features cempasúchil (Mexican marigold) flowers, a plant native to Mexico that blooms in autumn. According to traditions dating back to pre-Hispanic times, the yellow and orange petals are used to guide the deceased during their visit, as they are believed to hold the light and warmth of the sun.

As part of the annual collaborative efforts of the Design Week team in Mexico City, the "Inédito" exhibition opened on October 14 at the Espacio CDMX Arquitectura y Diseño gallery. This showcase is part of the seventh consecutive edition of this open call, which aims to support, disseminate, and promote utilitarian design projects across several categories: social impact, environmental impact, innovation, function, aesthetics, concept, user experience, materials, and processes. Rather than being competitive, the exhibition—divided into professional, university, and limited-edition categories—opens up new opportunities in both national and international markets for exceptional design with commercial and production viability.

This year's United Nations Climate Change Conference, COP27, takes place against a backdrop of multiple global crises.

The cascading effects of COVID-19 and Russia's invasion of Ukraine have pushed energy prices to record highs. At the same time, unprecedented climate disasters are causing devastating and widespread disruptions. Historic levels of rainfall, heat, drought, wildfires, and storms are battering virtually every corner of the globe.

On October 19, 21, and 22, Laguna in Mexico City hosted the second edition of the first design festival created by Coolhuntermx, conceived by and for projects led by cis women, trans women, and dissident communities. This festival was conceived with an inclusive, diverse, and collective approach, curated by designers Andrea Soler and Taina Campos. Following a first edition filled with key learnings and shared knowledge, the objective remains the same: to serve as an inclusive platform for design proposals and other creative expressions seeking alternative dialogues to those taking place during Design Month. This year, various forums were held to address topics such as "Social and Community Impact," "Representation and Decision-Making," "Activism for Transformation," and "Design of Care." In addition, the "Voces Estudiantiles" (Student Voices) exhibition showcased posters addressing various contemporary topics being explored in universities. Similarly, a mural by Artsynonym and Flaminguettes captured some of the core concepts and guiding principles of the festival. The event also featured 'Mujeres de la Tierra' (Women of the Earth), a collective of Indigenous women who defend the land and their lives against violence: "we stand in solidarity with the struggle by planting, cooking, and sharing knowledge." Attendance and participation during the event were highly diverse, enriching the panels to foster a horizontal dialogue addressing specific concerns. It is increasingly necessary to create these spaces to bring visibility to the collective struggles resisting day-to-day dynamics. Therefore, if you were unable to attend, the full talks are available below on coolhuntermx's Twitch channel; simply click on the link for each session. DAY 1
Panel: Social and Community Impact
WATCH THE RECORDING HERE
The panel featured Alessandra Cireddu (Moderator): National Director of the Architecture Program, Tecnológico de Monterrey (@alitac); Talachas Girl (Speaker): EXCLUSIVE SERVICE FOR WOMEN AND LGBTQ+. Remodeling, interior design, recycling, savings, construction, and creation (@talachas.girl); CACEH. Marcelina Bautista (Speaker): Domestic worker for 22 years, currently director of CACEH, a civil society organization that empowers and professionalizes domestic workers (@caceh_nacional); and Colectiva Argamasa (Speaker): A women's collective seeking to coordinate the presence of women in spaces through cross-cutting architectural interventions (@colectiva_argamasa). Panel: Representation and Decision-Making
WATCH THE RECORDING OF THE TALK HERE
The panel featured Vulvísima, Avelina Fonseca (Moderator): Feminist activist, B.A. in Political Science from UNAM, specializing in emancipatory feminist economics and the social organization of care. Creator of Vulvísima (@vulvisima); Ashby Solano (Speaker): Creative Direction. Digital Fabrication Jedi. Multidimensional creative being (@ashbysolano); GirlUp (Speaker): Passionate advocates for gender equality, sexual and reproductive rights, climate action, mental health, and other social injustice issues (@girlupmx); Marbella Figueroa (Speaker): Co-creator and collaborator of Afrochingonas, a self-managed project addressing and problematizing Afro-descent and racism in Mexico (@marbellabrilhinho); and Astra Lem (Speaker): Graphic designer and trans activism (@astra.lem). DAY 2
Panel: Activism for Transformation
WATCH THE RECORDING OF THE TALK HERE
The panel featured Dora Bartiloti (Moderator): Multimedia artist. She explores the material qualities of textiles and electronics as tactical mediums for feminist activism and collective action (@dorabartilotti); Zines por Morras (Speaker): The project aims to share experiences of harassment against lesbian and bisexual women in Mexico City (@zinespormorras); Alina Kiliwa (Speaker): "As a lettering artist, I seek to reclaim the sign-painting tradition and revalue the practice through participatory processes" (@alinakiliwa); Mi calle Nuestra Calle (Speaker): Urban laboratory of participatory futures [futures + feminist urbanism + community art] (@micalle_nuestracalle); and MOFA (Speaker): Feminist collective of young women from the urbanism, landscape, architecture, and industrial design programs at the Faculty of Architecture, UNAM (@mujeres_organizadas_fa). Panel: Design of Care
WATCH THE RECORDING OF THE TALK HERE
The panel featured Sofía Probert (Moderator): Illustrator. Through her work, she invites political and philosophical questioning around socio-environmental issues (@sofia.probert); Jovenas Comuneras de Milpa Alta. Daniela Moreno (Speaker): "We are a space for meeting and constructing action-participation to defend and care for our territories, land, and our existence within them" (@jovenascomuneras); Eli Caballero (Speaker): Environmental care and support for ADHD (@hazcompitas); Madres desobedientes (Speaker): Mothers parenting and transforming the world. Disseminating women's artistic projects and supporting feminist parenting (@madresdesobedientes); and Mariana Robles (Speaker): Gynecologist with a feminist perspective. Non-conscientious objector. Health at Every Size. Mom of two (@dra.mariana.robles). For more information, visit Diseña Mexicana.

In 1972, Caetano Veloso announced in the song Triste Bahia that “the steamboat from Cachoeira no longer sails on the sea.” Indeed, ours is a generation unfamiliar with Salvador's nautical capacity, since most of us have not had the opportunity to experience the daily rhythm of a port city. A brief look at the records of photographers such as Marcel Gautherot, Pierre Verger, and Lázaro Roberto, from the 1950s to the 1970s, reveals that the daily dynamics along the waterfront were vastly different from those of today.

Rooftop farms and urban gardens are popular options for providing food in cities while mitigating heat islands, increasing building thermal insulation, and improving air quality. However, these plants often end up smaller and less healthy, as they suffer from higher solar radiation, wind exposure, and low soil moisture.

In November 2022, Augusta Park celebrated its first anniversary of reopening to the public. The park reached maximum capacity on its opening day and, today, has welcomed over 1.5 million visitors. The site went through a long journey before reaching consolidation. The nearly 50-year struggle for the park deserves to be highlighted, and public participation in its creation must be recorded and shared so it can inspire new campaigns for public spaces across the city.

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Much has been said about the power of artificial intelligence and how its rise could transform the architectural profession. This topic has already been explored in previous articles here.

The primary tool causing concern among industry experts is DALL-E, a machine learning-based software that generates images from text prompts entered by the user. Other platforms offer similar capabilities, such as Midjourney and Stable Diffusion.

On November 10, Diez Company launched the fourth edition of Maison Diez Company to Mexican and international audiences. This space, dedicated to lighting design, brings together designers, creatives, architects, interior designers, business partners, lighting experts, and representatives of international brands to celebrate light.

Today, November 10, the National Academy of Architecture, through a statement issued by Arch. José F. Reygadas Valdéz (President) and Arch. Antonio Gallardo E. (Secretary General), announced the passing of Mexican architect Agustín Hernández Navarro, an Emeritus Academic of the institution.

The city of Sharm El Sheikh, Egypt, hosts the 2022 United Nations Climate Change Conference, COP27, from November 6 to 18. The conference builds on the negotiations of COP26 in Glasgow, Scotland, in 2021, with the expectation that countries will demonstrate climate ambition and urgency to limit the rise in global temperature to 1.5°C.

Various studies have indicated that, to prevent temperatures from rising more than 1.5°C, there must be a major drop in greenhouse gas (GHG) emissions. To achieve this, it is necessary to develop compact cities designed for pedestrians, cyclists, and transit users, as well as rapidly and strategically adopting electric vehicles, with a focus on public transportation.