Architecture News

Designed by El Equipo de Mazzanti, the Fundación Santa Fe de Bogotá has been selected as the winner in the 'Healthcare Architecture' category of the 2018 Building of the Year Awards, making it the only Colombian project—and one of only two Latin American representatives—to win in the competition organized by ArchDaily, the network of websites to which ArchDaily Colombia also belongs.

The Building of the Year Awards are presented annually to the best projects published on our English-language edition—the most visited architecture website in the world—with winners chosen by the readers themselves, who can vote across 15 typological categories in two stages. In this edition, the competition reached 100,000 votes from around the world within a two-week period.

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José Joaquín de Olmedo Airport—Ecuador's second busiest—will relocate to the outskirts of Guayaquil in 2022, freeing up 240 hectares in the city center. In response to the unprecedented urban opportunity presented by this relocation, the firm Perkins Eastman has revealed the first images of Nueva Ciudad, a 2-million-square-meter master plan in Guayaquil.

Stephen Forneris, head of the Ecuador office, explained that the project "can be a catalyst for economic growth, cultural activities, and entertainment; it will be the spark that begins Guayaquil's journey to becoming the city of the future."

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Barça’s history is closely tied to Barcelona, the city where the soccer club was founded in 1899. Today, the reigning Spanish league champions paid tribute to the city with the launch of their third kit for the 2018/2019 season.

The third jersey features a pale pink color crossed by a diagonal sash running from the left shoulder to the bottom right. The stripe pays tribute to Avinguda Diagonal, one of Barcelona's most important avenues, and is superimposed on a reddish-toned satellite image of the Eixample district.

The challenge proposed by the competition, aimed at students, was to redefine the highway motel typology, creating a building that would engage with the Rio de Janeiro skyline and focus on design and entertainment for its guests.

According to the jury, “Many proposals focused on autonomous volumetric design, as if shifting volumes to meet a functional solution could account for the complexity required for urban integration. Therefore, the most critical evaluation criteria were program innovation, proper circulation planning, and the interaction between architecture and open spaces. In this regard, the proposals that managed to leverage the site's potential achieved the competition's objectives: the creation of an URBAN Motel.”

See the winners below.

At the end of each year, we issue a call for submissions for graduation projects from our Portuguese-speaking readers. Through this, we aim to select the most interesting proposals to present inspiring visions and foster debates for our entire audience.

For this edition, we received 466 proposals from all over Brazil, as well as cities like Lisbon and Luanda. Before presenting the 30 selected by our editorial team, it should be noted that this list does not necessarily feature the "best" projects received. Instead, it highlights the works we found most well-presented, graphically engaging, and with themes that seemed particularly relevant for a final graduation project. Rather than simply resolving a design program satisfactorily, we believe that a final graduation project—as a culmination of a student's efforts during the transition from academia to professional practice (while, importantly, still part of their academic journey)—should raise questions and provoke discussion about the proposed theme.

It is worth noting that several submissions did not follow the guidelines of the call and were disqualified or lacked sufficient material for evaluation. 

Below is our selection* of the best final graduation projects from Portuguese-speaking countries, accompanied by descriptions provided by their authors.

Undoubtedly, 2018 has been one of the most important years in the history of ArchDaily México. Through both our existing and newly introduced tools, we have succeeded in providing inspiration, knowledge, and tools to architects currently facing the challenge of designing the future, aiming to improve the quality of life for those living in the world's urban centers.

This year, we connected more closely with our readers through various tools that fostered dialogue, participation, and the work of our Instagram community, aligning more closely with your interests. This community now consists of 71k followers who actively participate daily to discuss the present and future of architecture.

The need for both physical and mental reconstruction opens the door to various interpretations, highlighting the human capacity to adapt despite adversity: resilient individuals facing challenges in remote territories once constrained by armed conflict, oppression, and fear.

Post-conflict architecture is one of the major contributions to rebuilding a country that needs greater social awareness in this peace process. Redefining territories, preserving memory, and fostering a sense of ownership are the essential characteristics shaping these architectural spaces and reclaiming areas once marked by violence. Today, their symbolism plays an important role within many communities that find identity through architecture, proving that these remote locations in Colombia are now examples of unity and coexistence.

In light of this reality, we have selected five projects that have fostered a deep connection to the territory, offering flexible spaces that support new ways of building social fabric.

The exhibition "Women Architects XIX-XX" on the role of women in the history of the profession, installed at the University of Beira Interior (UBI) in Portugal, was vandalized between last Friday night and Saturday morning. Held by the Integrated Master's in Architecture of the university's Department of Civil Engineering, the exhibition occupied the building's lobby and was destroyed, likely by punches and kicks, according to an article published by the Portuguese newspaper Expresso.

Aiming to reflect on how "the visibility of women architects in the context of established architectural history is minimal and does not do justice to their actual and real presence in building cities and architecture," the exhibition, organized by Patrícia Santos Pedrosa, showcased the results of research on the production and presence of female architects over the past two centuries who contributed to expanding "the way we make, think, and question architecture."

Closed for renovations since 2010, the Sesc branch on Avenida Paulista now has an official opening date: April 29. Designed by the firm Königsberger Vannucchi Arquitetos Associados, the renovation project transformed the former Sesc Paulista space, creating three auditoriums, workshop rooms, exhibition areas, rehearsal and fitness rooms, as well as the traditional services offered by all Sesc branches, such as a café, restaurant, and shops.

Focused on performing arts and body movement, the program of Sesc Paulista is spread over 17 floors, featuring a rooftop café and an observation deck overlooking the avenue. 

The Sebrae Sustainability Center (CSS), designed by architect and urban planner José Portocarrero, won the BREEAM Awards 2018 for best sustainable building in the Americas, as well as the popular vote category. Inspired by indigenous dwellings, which are benchmarks in bioclimatic design, the building in Cuiabá (MT) stands out for its thermal comfort and maximum use of natural light. Its double-shell roof enables internal cooling and rainwater harvesting, which is filtered and stored for garden irrigation and floor washing.

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Opened on April 29, Sesc Avenida Paulista featured an installation designed by architect and designer Guto Requena at its opening.

The project, titled Empatias Mapeadas, consists of an interactive parametric sculpture featuring pulsing lights and speakers that mix and broadcast the heartbeats of the participants who touch the piece.

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Year after year, natural disasters leave thousands of people homeless, forcing them to seek shelter as their only option. In many cases, cities are unable to address these crises due to a lack of resources. Furthermore, providing aid while preserving human dignity has become increasingly complex, rendering traditional solutions completely unviable.

In these moments, innovation and creativity in hands-on construction play a vital role, ultimately yielding faster, more efficient architectural models that can be rapidly replicated following natural disasters.

When designing semi-permanent architecture, certain principles must be followed. Below, we have compiled a set of tips and examples to guide this process.

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On July 17, the Council of the Arq. Marcelo Zambrano Scholarship selected architect Nuria Benítez Gómez as this year's winner: “The Arq. Marcelo Zambrano Scholarship is an initiative through which CEMEX reaffirms its commitment to Mexican architecture, promoting the professionalization of the construction industry by training highly talented young architects,” stated Juan Romero, President of CEMEX Mexico. “I recognize the important work of the Scholarship Council in choosing the winner during this year's deliberations, which, as in every year, has been highly enriching and now even more challenging due to the high level of competition and quality of work among the applicants.”

The "Single-Family Home" Architectural Design Workshop, organized by the architecture firm Cota Paredes Arquitectos, concluded its fourth edition, inviting recent graduates and final-semester architecture students to develop a single-family housing project over four weeks, either in person or online.

The project involved designing a home for a small family within a gated community in Zapopan, Jalisco, Mexico. The proposal also had to comply with the building regulations of the "Los Robles" development, incorporating essential guidelines to achieve a single-family home design based on the concepts of introspective architecture.

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The concept of Gesamtkunstwerk (total work of art) shaped 19th-century art movements and influenced several design schools of the era—including the Bauhaus, which brought the term into the modern age. The school's unstructured architectural designs and avant-garde furniture paved the way for fields such as fashion, graphic design, and painting. At the Bauhaus, disciplines drew inspiration from one another, blurring the boundaries between art and industry. When the school closed in 1933, however, many design projects were left unfinished.

To revive some of these interrupted Bauhaus design projects, Adobe has launched the "Hidden Treasures" initiative to recreate five typefaces originally designed by five of the school's masters: Joost Schmidt, Xanti Schawinsky, Reinhold Rossig, Carl Marx, and Alfred Arndt.

The Museu de Arte de São Paulo has put up for sale a limited edition of one hundred crystal easels designed by Lina Bo Bardi. Originally introduced in 1968 and removed from the museum in 1996, the iconic easels were redesigned by the firm Metro Arquitetos and brought back to the MASP gallery in 2015. Each unit costs R$ 10,000, and the proceeds will support the museum's activities.

Construction of Chile's second Museum of Memory will have to wait. As reported by national newspaper La Tercera, the project designed for the city of Concepción "was not included as a priority in the 2019 budget" by the Regional Ministerial Secretariat (Seremi) of the Ministry of Public Works (MOP) of Biobío.

“We are talking about a construction project that we have estimated at nearly 4 billion pesos [USD 6 million]; it is therefore beyond what the MOP has historically built,” Daniel Escobar, regional secretary (Seremi) of Public Works, told the same outlet, adding that the budget is reaching 88 UF per square meter (2.6 million Chilean pesos). Following the shelving of the project, the mayor of Concepción, Álvaro Ortiz, questioned on Radio Cooperativa that “some technical reasons are being argued that, curiously, we did not know about before.”

What began as an audiovisual production for an architectural project—Vive Bambú—turned into a lifelong passion. This is the story of Colombian architect and professor Alberto Moncayo, who shared details of his latest film project with the newspaper El Espectador.

"Architecture earns me a living, but I live for cinema," comments Moncayo, while working on the filming of "De topos y sapos," inspired by the historic Banco de la República heist of 1977. In this event, two brothers dug a tunnel to the vault of the bank branch in the city of Pasto, stealing 82 million Colombian pesos at the time (equivalent to USD 38.2 million today).