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Mario Botta on Modernism, Technology and Main Principles of His Work

Mario Botta on Modernism, Technology and Main Principles of His Work

During Milano Arch Week 2019, we had the chance to speak with one of the most influential Swiss architects, Mario Botta. Defining himself as a stonemason, Botta has been working since the age of 16, realizing a vast number of projects of different typologies — from private homes to museums and churches.

Mario Botta on Modernism, Technology and Main Principles of His Work, San Giovanni Battista, Mogno. Image © Karsten Seiferlin
San Giovanni Battista, Mogno. Image © Karsten Seiferlin

Botta has begun his career during the peak of modernism, while the architectural giants of this age were performing at their best. “I'm a prisoner of great masters of the Modernist Movement. I try to take what suits me best from each one: Carlo Scarpa's ability to give image and expression to the most humble materials, Le Corbusier's ability to give image to the history of his age, and Louis Kahn's ability to go back to the roots of the problems and find a profound, philosophical, and humanistic meaning for what one is designing,” he says. 

Bechtler Museum of Modern Art, Charlotte. Image © Joel Lassiter
Bechtler Museum of Modern Art, Charlotte. Image © Joel Lassiter

Known for his massive stone volumes and incredible use of patterns, Mario Botta has another very significant, yet rarely mentioned achievement — he is the founder of one of the greatest architecture schools in Europe, Mendrisio Academy of Architecture. Active since 1996, the school’s list of lecturers boasts names familiar to all of us, among which are Manuel Aires Mateus, Valerio Olgiati, Antonio Citterio, and of course Mario Botta himself.

About this author
Cite: Maria Erman. "Mario Botta on Modernism, Technology and Main Principles of His Work" 25 Jun 2019. ArchDaily. Accessed . <https://www.archdaily.com/919544/mario-botta-on-modernism-technology-and-main-principles-of-his-work/> ISSN 0719-8884
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San Giovanni Battista, Mogno. Image © Karsten Seiferlin

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