Theatre de Stoep / UNStudio

Theatre de Stoep  / UNStudio - Facade, WindowsTheatre de Stoep  / UNStudio - ChairTheatre de Stoep  / UNStudio - ChairTheatre de Stoep  / UNStudio - ChairTheatre de Stoep  / UNStudio - More Images+ 13

Spijkenisse, The Netherlands
  • Design Team: Ben van Berkel, Gerard Loozekoot with Jacques van Wijk and Hans Kooij, Lars Nixdorff, Thomas Harms, Gustav Fagerstrom, Ramon van der Heijden Tatjana Gorbachewskaja, Jesca de Vries, Wesley Lanckriet, Maud van Hees, Benjamin Moore, Henk van Schuppen, Philipp Mecke, Colette Parras, Daniela Hake, Mazin Orfali and Selim Ahmad.
  • Client: Municipality of Spijkenisse
  • Engineer Design Phase: Arup
  • Engineer Execution: Hellevoetsluis, IOB
  • Fire: DGMR
  • Costs: Basalt Bouwadvies, Nieuwegein
  • Aluminium Facade: Sorba Projects bv, Winterswijk
  • Windows: Blitta
  • Electricity: Steegman Elektrotechniek
  • Seating: Jezet Seating, Overpelt
  • Advisor Installations Execution Phase: De Blaay – Van den Boogaard, Rotterdam
  • Theatre Technical Consultants: PB theateradviseurs, Uden
  • Steel Structure: Staalbouw Cluistra, Renswoude
  • Theater Technical: DTS2, Groningen
  • Site Area: 3600m2
  • 3 D Images: © Arup /
  • City: Spijkenisse
  • Country: The Netherlands
More SpecsLess Specs
Theatre de Stoep  / UNStudio - Cityscape, Waterfront
© Peter de Jong

Text description provided by the architects. Following the recent completion of the Theatre de Stoep in the Dutch town of Spijkenisse, the Municipality of Spijkenisse will tomorrow celebrate the official opening of its new cultural venue for the city.

UNStudio’s design for Theatre responds to the current cultural invigoration of the city by merging the archetypal function of a theatre - that of creating a world of illusion and enchantment - with the specific requirements of a regional theatre and its requisite to cater to the varied needs of the local community. The theatre is therefore designed with a dual emphasis on the chimeric nature of the world of the stage and the social aspects of the theatre experience.

Theatre de Stoep  / UNStudio - Facade
© Peter Guenzel

Ben van Berkel: “In contrast to today’s mediatised culture, theatre offers the participatory experience of the live event, often appropriately referred to as ‘liveliness’:the ‘magic of live theatre’, understood as the strange, elusive energy between audience and performer, the community forged together and the momentary collaboration necessitated by the live event.”

Theatre de Stoep is designed to fortify and inspire this liveliness, providing at one and the same time a place of performance, of social gathering and of experiencing contrasting realities: the world of the other, of fabrication, of expression and display, but simultaneously the very real sentient experience of ourselves as spectators within these worlds. 

Theatre de Stoep  / UNStudio - Chair
© Peter Guenzel

In the design of the 5,800 m2 building a larger and a smaller theatrical space (with the main auditorium seating up to 650 guests and the smaller hall accommodating 200), several interlinked foyers, a grand café and a restaurant, an artist’s café, a VIP lounge, numerous dressing rooms, multifunctional rooms and offices are all brought together within one volume. The placement of the various internal volumes results in a building in the form of a flower, with a large, column-free central foyer forming the heart of the structure.

Theatre de Stoep  / UNStudio - Image 15 of 18

Vertical foyer

Ben van Berkel: “The vertical foyer becomes a pivotal point in the social functioning of the theatre, a ‘stage’ for the visitors and a dynamic focal point surrounded by viewpoints on different levels.”

Furthermore, the foyer serves to organise wayfinding and the linking of the different programmes within the building. From the main foyer, a sculptural stairway forms the binding element towards the entrances to the auditoria, while the handrail of the stairway seamlessly molds itself into functional surfaces and furniture elements.

Theatre de Stoep  / UNStudio - Chair
© Peter Guenzel

Auditoria and acoustics

Theatre de Stoep hosts a wide variety of performance types, including plays, opera, cabaret, musicals, concerts, youth theatre and dance performances. As such, versatility in the acoustic properties of the theatre spaces is paramount. The recent rapid development of the software used to control acoustics made it possible to engineer and optimise the sound quality within the auditoria. Thus the ceiling elements can be lowered and angled to adjust volume levels when required, while the acoustic wall panels reflect and increase the quality of the sound for every seat in the auditorium.

Theatre de Stoep  / UNStudio - Image 8 of 18
© Peter Guenzel

Light and colour
Light and colour play an essential role in the experience of the theatre, not only in the auditoria and for productions, but also for setting the scene, the atmosphere and the mood in the public foyers. During the day the lower glass portion of the facade enables daylight penetration directly from both the front of the theatre and from above, throwing daylight deep into the foyer and above the stairs leading to the auditoria. In the evening a warm and inviting atmosphere is created through the use of both colour and artificial lighting.

Above the glazed lower levels of the facade, the upper portion comprises two layers of aluminium, Glimpses of the purple coloured back layer can be seen through circular perforations in the outer white panels, with LED lights fitted between the two facade layers to light the building in the evenings.

Theatre de Stoep  / UNStudio - Image 14 of 18
Facade Lightning

Integration and attainability

Unique to the location is its connection with the water and the view to the nearby windmill, ‘Nooitgedacht’. The building volume is rounded so as to ensure as little wind flow disturbance to this nearby mill.

Theatre de Stoep  / UNStudio - Facade, Windows
© Peter Guenzel

Although the demands of the regional theatre are many and varied, ways must be found to balance design ambitions with affordability. One means by which it was possible to save significant costs on construction was through the use of Design Information Modelling (DIM): a knowledge integrated performance driven design methodology employed during the design phases which affords the unique opportunity to test and to model spaces swiftly and in an integrated fashion. 

Theatre de Stoep  / UNStudio - Image 13 of 18
Structure - © Arup

In the early stages of the project UNStudio worked with Arup on Clash detections to ensure that all three dimensional details where recognised and researched on repetition and buildability. The step from Design information modelling (DIM) to Building information modelling (BIM) was made after tendering the main contractor VORM Bouw. The final BIM model was developed from the DIM model by IOB in close collaboration with the contractor to ensure an important reduction of the adjustment costs and micro control of the detailed costs. The client, the City of Spijkenisse, played a crucial and important role in requesting the full DIM/BIM design process and the full BIM model will be used for the maintenance and management of the theatre in the future.

Theatre de Stoep  / UNStudio - Image 12 of 18
Installations - © Arup

Project gallery

See allShow less

Project location

Address:Spijkenisse, The Netherlands

Click to open map
Location to be used only as a reference. It could indicate city/country but not exact address.
About this office
Cite: "Theatre de Stoep / UNStudio" 10 Oct 2014. ArchDaily. Accessed . <> ISSN 0719-8884

You've started following your first account!

Did you know?

You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.