A manifesto invariably anticipates a work. It comes first, as a way of publishing it and disseminating it to a larger audience. Furthermore, a manifesto invariably "post-sees" another manifesto. It rereads a work so as to rewrite it, adapting it to its own theories.
With the crisis of an entire ideology, the postwar period was highly fertile for architectural theory. Journals published a wide variety of manifestos with surprising frequency. Indeed, these texts illustrate architectural debates far more effectively than built projects from the same period. After all, as the name itself suggests, publications were primarily responsible for making ideas public, especially since actualizing them as projects was often impossible. It was these journals, therefore, that fostered the debates, enabling constant ideological shifts within the architectural field.
