The maker movement is a philosophy centered on the creative activity of making, which is intrinsic to human beings. This process occurs through the use, adaptation, and modification of existing resources without professional assistance (HATCH, 2013). Moreover, it is rooted in "do-it-yourself" culture, with its main distinction being the use of digital tools that facilitate and enhance collaboration, documentation, and sharing. Consequently, projects remain open and adaptable, allowing anyone to access and modify them.
It is through this digital transformation of making that public technological knowledge can be expanded, paving the way for a generation of producers to explore areas often overlooked by capital. The community arising from this process is strengthened as more tools are developed, enabling the fabrication of low-volume prototypes and products in scaled-down environments, including at home. As Chris Anderson aptly notes, “manufacturing is no longer the domain of the few, but the opportunity of the many” (ANDERSON, 2012, p.50). This context fosters a fertile ground for a historic shift in the manufacturing process, expanding the means of production from factories to households. Therefore, the democratization of product design and fabrication increases public access to certain knowledge, moving beyond restricted niches.
