What would happen if we abandoned the modern epistemology that separates “us” from “others”? What would art history look like without this restrictive separation? Many other, non-disenchanted worlds coexist with ours. Other cosmopolitics can offer us less exclusionary views of life and relationships, unearthing previously unsuspected futures.
Guilherme Wisnik talks with Renata Marquez, a professor at the UFMG School of Architecture and Design and co-editor of Piseagrama magazine. Holding a PhD in Geography and a postdoc in Anthropology, she researches curatorial practices, theory, and criticism at the intersection of art, architecture, geography, and anthropology.

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This article was written by Romullo Baratto. The translation is powered by AI.
