When he was awarded the first ever Pritzker Architecture Prize in 1979, the jury described Philip Johnson (July 8, 1906 – January 25, 2005) as someone who “produced consistent and significant contributions to humanity and the environment," adding that "as a critic and historian, he championed the cause of modern architecture and then went on to design some of his greatest buildings.” However, even after winning the Pritzker Prize at age 73, Johnson still had so much more of his legacy to build: in the years after 1979, Johnson almost completely redefined his style, adding another chapter to his influence over the architecture world.
In a three day pilot workshop, students from the Architecture and Urbanism School of Mackenzie Presbyterian University in São Paulo took part in an introduction to architecture filmmaking. Coordinated by architects Gabriel Kogan and Pedro Kok, the group spent a day at Lina Bo Bardi's Glass House in São Paulo following theoretical and technical lectures.
The idea was to recreate – now in moving images – an iconic photograph of the site by exploring issues of representation, transparency, interior/exterior, promenades, ways of living and the tectonics of this architectural masterpiece.
Celebrating the 65th anniversary of Philip Johnson's iconic Glass House, artist Fujiko Nakaya has created the building's first ever site-specific art installation. The installation, titled "Veil", will shroud the glass house in fog for 10 minutes every hour, creating a dialogue with Johnson's design intentions by breaking the visual connection between inside and out, and covering the building's sharp, clean lines with misty indeterminacy. At the same time it will make literal Johnson's ideal of an architecture that vanishes.
Read after the break for more information and images
How can the web best inspire new dialogue? What does preservation mean in the digital world? How do you imagine your digital future?
The Glass House just concluded their second annual Conversations in Context, which presents visitors with the opportunity to join in a weekly evening tour and intimate conversation with industry leaders, including Robert A.M. Stern, Michael Graves, and more.
Since the 1940s, The Glass House has served as a place of inspiration, education and conversation across creative disciplines. Its 49-acre landscape, 14 architectural structures and world-class art collection continue to draw members of an international creative community to participate in its rich story. Conversations in Context continues Philip Johnson’s legacy of using the Glass House as a place to conduct ongoing seminars with architecture students and present emerging and established architects the opportunity to discuss the current state of the industry.
The video above features Architect, critic, and historian Kenneth Frampton, along with Dean Mark Wigley from Columbia University’s Graduate School of Architecture, Planning and Preservation. Follow us after the break for a few of our favorite conversations from this year’s series.
So, if you had to choose between a pencil, a knife, or a hammer as the only tool you could ever own, which would you choose and why? – John Maeda, the President of the Rhode Island School of Design, and this week’s guest moderator for the Glass House Conversations, asks us. These conversations have a rich history rooted in Johnson’s New Canaan creation. Not only did the Glass House offer an elegant example of Modern Architecture, the residence also played hostess to some of the greatest creative thinkers of the twentieth century. Described as “the longest running salon in America,” the Glass House witnessed dozens of intense conversations about art, architecture and society between Philip Johnson and David Whitney and their invited guests, including Andy Warhol, Frank Stella and Robert A.M. Stern. The conversations, not doubt, spurred debate, yet the meetings were the perfect opportunity to share ideas and philosophies that ultimately impacted our culture.