NASA and AI Space Factory developed LINA (Lunar Infrastructure Asset), an in-situ 3D-printed outpost to protect astronauts and critical missions on the Moon. The project is part of the Relevant Environment Additive Construction Technology (REACT), a multi-year collaboration to develop technologies for lunar surface constructions within the timeframe of the Artemis Mission: humankind’s return to the Moon. LINA is a step in the effort to expand civilization to Earth’s natural satellite and explore it in a sustainable way that minimizes human disturbance.
Generation Z comprises people born after 1995. They grew along with the popularization of the internet and interact with the world by integrating all forms of available technology.
The diversity of available media, the speed in information traffic, the interactivity in the virtual environment and the daily use of these technological assets common today, influence the behavior of individuals of this generation, inspiring versatility, agility and curiosity.
The relationship between architecture and nature is complex. If, on the one hand, we enjoy framing nature as art in our homes; on the other hand, we try at all costs to avoid the presence of obstructive "real" nature in our walls and structures, which can be damaged by roots and leaves. At the same time, we use green roofs, vertical gardens and flower boxes to bring cities closer to nature and improve people's wellbeing; but we also construct buildings with materials that are completely dissociated from fauna and flora. Although the advancement of biomaterials and new technologies is gradually changing this, we should nevertheless ask ourselves whether the structures and buildings we occupy need to be separated from the nature that surrounds them. This was the question that led researchers at the University of Virginia (UVA) to develop geometrically complex 3D-printed soil structures on which plants could grow freely.
Today’s cities have been substantially reshaped to correspond with environmental and social needs or to reconstruct themselves after natural disasters or war. Whereas master plans and regulations take years, millions of people remain trapped in the crossfire and urgently need aid in their cities. With this pressing issue in mind, WZMH Architects developed a prefabricated- modular system for salvaging thousands of structures across Ukraine that have been partially or fully destroyed during the war. This system aims to integrate building technology into new buildings to create more sustainable communities.
“Hope for Architecture” is the calling of Clay Chapman and described by him as “a building initiative to address the challenges of an uncertain future.” In truth, “Hope for Architecture” is a masonry and timber technology, reinvented and adapted from antiquity for this moment. Clay and his young family moved to Carleton Landing, Oklahoma fifteen years ago to fulfill a mission: creating a community and explore that technology.
Can you imagine a world in which the built environment around us is 3D printed from living materials? That buildings will germinate, bloom, wither, produce new kinds of material, and eventually return back to the soil? To Grow a Building is a performative lab space that 3D prints - in real time - a live structure. The project presents a new approach to integrating flora into the design process, by developing a novel material for 3D printing, through which seeding is an inseparable part of the fabrication process. To Grow a Building is a gate into a future world in which there are people who build buildings, and there are people who grow them.
Anatomy of an AI System. Image Courtesy of Kate Crawford
Should designers care about artificial intelligence (AI) or machine learning (ML)? There is no question that technology is adding texture to the current zeitgeist. Never could I have imagined seeing a blockbuster hit where Ryan Reynolds emerges as a conscious non-player character in a video game and a flop where Melissa McCarthy negotiates humanity’s future with a James Corden-powered superintelligence within a year of each other. But does learning AI and ML’s ins and outs really matter for the creative professions and our nebulous, invaluable way of operating?
Since the 1980’s, 3D-printing has offered new ways of developing architecture, engineering, and objects of daily use. When it comes to digitizing analogue processes, it is vital for users to become familiar with current tech innovations and their benefits. HIVE Project reshapes the art and craft of building in clay by combining traditional ceramics, smart geometry, and robotic precision to construct a masonry wall composed of one hundred seventy-five unique 3D-printed clay bricks.
Vantem is a startup construction company manufacturing high-efficiency, net-zero homes at competitive costs and low embodied carbon. The company recently raised a Series A round of investment from the Bill Gates-founded firm Breakthrough Energy Ventures. Net-zero homes, buildings that produce as much energy as they use, are typically cheaper to own than standard housing. Still, they often involve high construction costs since they require advanced building technologies and engineering. Vantem aims to change this dynamic by employing modular construction technology.
Standing at 78 meters tall, the Museum of the Future (MOTF) is far from reaching Dubai’s famous skyline, which features skyscrapers like the unparalleled Burj Khalifa – the world’s tallest tower. However, with its bold shape and striking façade illuminated by more than 14,000 meters of Arabic calligraphy, it certainly succeeds in taking its place among the city’s most iconic buildings. The award-winning project by Killa Design and Buro Happold, described by many as ‘the most beautiful building in the world’, opened in February of 2022 in Dubai’s Financial District. In a total built up area of 30,000 sqm, it accommodates exhibition spaces for innovative ideologies, services, and products, as well as theater spaces, a laboratory, and a research center.
As humanity becomes aware of its impact on the environment, it has also sought ways to reverse some of the harm caused to fauna and flora, especially in cities. Our way of living, consumption and construction has caused severe damage to nature. In fact, according to a study from the Weizmann Institute of Science, we are at a point of inflection where the mass of all man-made materials is equal to the planet's biomass, and it should double by 2040. But not necessarily everything we build should have a negative impact. "The Tidal Stool" project is an example of this - part of a comprehensive revitalization project in Kuk Po Village in Shau Tau Kok in Hong Kong, which brings together two different ecologies, the anthropocentric and natural environment.
In recent years, the construction industry has faced unprecedented challenges. A lack of skilled workers is driving up costs of labor, there is a global housing shortage, and the effects of climate change around the world are clearer than ever. Therefore, questioning traditional construction methods and pushing the limits of innovation has become a top priority, forcing the industry to implement new technologies as they get on board the digital transformation era. There is one innovation, however, that looks particularly promising: 3D construction printing. Although relatively recent, the technology has already been successfully tested in numerous structures, houses and apartment buildings, reshaping residential construction as we know it. Hence, 3D printing could very well be a viable alternative for more efficient, sustainable and cost-effective mass housing solutions in the near future, positively impacting people’s lives and contributing to greener, healthier cities.
Since the emergence of the design profession, boosted in the Industrial Revolution with the increasing production of objects and the desire of a middle class eager to consume; designers, interior decorators and architects are known as professionals who create spaces and products to beautify the world.
Forests cover about a third of the planet and play a fundamental role for life on Earth. According to Peter Wohlleben, author of the book “The Secret Life of Trees”, through fungal weaves, specimens of a forest can communicate with each other, exchange nutrients, help out the weakest plants, and organize survival strategies, which is essential for the healthy growth of individuals. The preservation of existing forests and the creation of new ones are essential for biodiversity and natural recovery, but also to meet the demand for wood. According to a report by the WWF (World Wide Fund for Nature), it is estimated that the amount of wood harvested in the world will triple by the year 2050, with the increase in population and income in developing countries. In addition, it is estimated that there will be an increased use of wood to manufacture biofuels, pharmaceuticals, plastics, cosmetics, consumer electronics and textiles. Searching for wood substitutes can be a smart path towards a sustainable future, especially if the alternatives are made using waste generated by other industries. Pyrus, for example, is an oil-free wood material produced sustainably with bacterial cellulose waste repurposed from the kombucha industry.
Metaverse is the name used to name an immersive, collective and hyper-realistic virtual environment, where people will be able to live together using 3D customized avatars.
It was coined by writer Neal Stephenson in his science fiction book “Snow Crash”, published in 1992. The work tells the story of “Hiro Protagonist”, a character who in real life is a pizza delivery boy, but in the virtual world – called metaverse in the story – is a samurai.
Cortesia de S'Winter Station - Ryerson University – Department of Architectural Science
The construction industry has experienced severe changes in recent decades. Historically, it counted on abundant labor and a false notion that natural resources were infinite, but nowadays the sector has struggled to find innovations that will allow it to become more sustainable, especially considering its enormous impact and importance in the world. In addition, the recent Covid-19 pandemic changed several factors and dynamics, demanding creativity from designers to overcome challenges. In some cases, the design process itself became subject to changes. The S'Winter Station project, developed by students and teachers of Ryerson University's Department of Architectural Science, is one of these examples which relied on existing visualization and manufacturing technology for its completion.
Cube / HENN Dresden University of Technology. Courtesy of Iurii Vakaliuk
Seen as one of the great promises for the future of construction, carbon concrete mixes strength, lightness and flexibility. In addition, at a time marked by a serious environmental crisis that puts the construction methods of the industry in check, carbon concrete emerges as an alternative that approaches the guidelines of sustainability.
After water, concrete is the second most-consumed material on the planet and its production is substantially growing, expected to increase from 4.4 billion tons, reaching production up to 5.5 billion tons by 2050. Unfortunately, this comes at a huge environmental cost, accounting for almost eight percent of the global carbon emissions. With this estimated expected growth, stakeholders in the construction industry must work on integrating sustainable building materials and innovative processes.
