Earlier this year San Rocco, recipients of the inaugural Icon Award for Emerging Architectural Practice of the Year in 2013, published a limited single-edition run of a new publication: the San Rocco Book of Copies. Within five volumes of 4120 pages lies what they describe as “a database comprised of images that may be copied in order to produce architecture; a receptacle of a collective form of knowledge that we can provisionally call ‘architecture’.”
San Rocco is a very particular architecture magazine, described by its creators as something that “does not solve problems. It is not a useful magazine […] is neither serious nor friendly”, a curated selection of writings around particular topics related to the current state of architectural thinking and criticism. San Rocco has a five year plan, a limited time frame where 20 editions will be published with topics that range from “Scary Architects” and “Collaborations”, to “What’s wrong with the primitive hut” or “Houses for billionaires”.
During the 13th Venice Biennale, San Rocco was present in two exhibits at the Arsenale, including the launch of their project “Book of Copies” at the “Museum of Copying” exhibit curated by FAT. ”Books of Copies” is an online database comprised of images that can be copied in order to produce architecture. As such, “Books of Copies” are receptacles of a collective form of knowledge that we can provisionally call “architecture”. During the Biennale, visitors can photocopy and remix their own magazines.
“… if someone who has a valid point of view wants to give it an audience, he has no choice but to start a magazine.”
- Eno Dailor
On Pamphlet Architecture 1-10 
San Rocco Magazine is a new architecture magazine conceived under a five-year plan which researches on their creators fields of interest. Their second issue covers the subject of ISLANDS in whatever meaning you can imagine for the word “island”. As they wrote:
An island is any piece of land that is surrounded by water.
An island is any object lost in an endless extension of a uniform element. As such, the island is isolated.
The island is by definition remote, separated, intimately alternative.
The island is elsewhere.
Islands can be natural or artificial: atolls, rocks, volcanoes, oases, spaceships, oil rigs, carriers.
Based on Gilles Deleuze book, L’île Désert et autres textes, the magazine is divided in two main blocks: oceanic and continental islands. Can we talk, then, about the possibility of architectural islands? More after the break.